Dr. Carla Cerratao fights for women’s reproductive rights in Nicaragua in powerful documentary A QUIET INQUISITION
A QUIET INQUISITION (Alessandra Zeka & Holen Sabrina Kahn, 2014)
IFC Center
323 Sixth Ave. at West Third St.
Friday, June 20, 7:00
Festival runs through June 22 at the IFC Center and the Film Society of Lincoln Center
212-924-7771
www.quietinquisition.com
www.ff.hrw.org
Alessandra Zeka and Holen Sabrina Kahn delve into the very real and personal impact of Nicaragua’s total ban on abortion as seen through the eyes of a doctor forced to comply with the law in the eye-opening documentary A Quiet Inquisition. In Hospital Aleman Nicaraguense, Dr. Carla Cerrato must regularly deal with patients, many of whom are teenagers, whose pregnancies could severely harm or even kill them. But since 2006, when former president Daniel Ortega of the Sandinista National Liberation Front ran for reelection in Nicaragua, all kinds of abortions are illegal, including cases involving rape, incest, and the health of the mother and fetus. The film shows Dr. Cerrato counseling pregnant girls, attempting to come up with options that can save their lives through what are known as therapeutic abortions, but she is often thwarted by her colleagues. They refuse to carry out her orders even when the live birth of the baby is considered impossible and the death of the mother a certainty, fearing their own prosecution and imprisonment. “We are at a crossroads because of a law that impedes us from inducing a pregnancy or making a determination that can prevent further complications in the mother,” says Dr. Zamora, another OBGYN at the public hospital. He later adds, “I have fear too. My wife is pregnant. If any of these complications happen to her, as a doctor my hands would be tied. But as a person I would decide to act on it differently.” While Dr. Cerrato applauds the Sandinista revolution for helping her and other women become doctors in the first place, she now blames President Ortega and the FSLN for making deals with the Catholic Church, trading votes for the rights of women to control their own bodies. As the title of the film implies, Dr. Cerrato, a calm, good-natured woman with a realistic perspective on the situation, is fighting back in a quiet way; anything louder is liable to place her career in jeopardy.
Brave women share their harrowing stories in Human Rights Watch Film Festival world premiere
In fact, she’s probably taking a huge chance by appearing in the documentary at all. Presented with Cinema Tropical, A Quiet Inquisition is having its world premiere in the “Women’s Rights and Children’s Rights” section of the 2014 Human Rights Watch Film Festival, screening June 20 at 7:00 at the IFC Center and followed by a panel discussion with director, producer, and cinematographer Zeka, director, producer, and editor Kahn, and Dr. Cerrato. The twenty-second HRWFF runs through June 22 at Lincoln Center, the IFC Center, and the Times Center and comprises twenty-two films that explore such other themes as “LGBT Rights,” “Human Rights Defenders, Icons, and Villains,” “Armed Conflict and the Arab Spring,” and “Migrants’ Rights” through such works as Richie Mehta’s Siddarth, blair dorosh-walther’s Out in the Night, Edet Belzberg’s Watchers of the Sky, and Zeina Daccache’s Scheherazade’s Diary.
“Even discounting wind, weather, and the natural hazards of filming afloat, Knife in the Water was a devilishly difficult picture to make,” Roman Polanski wrote in his 1984 autobiography, Roman by Polanski. That is likely to have been a blessing in disguise, upping the ante in the Polish filmmaker’s debut feature film, a tense three-character thriller set primarily on a sailboat, filmed on location. Upper-middle-class couple Andrzej (theater veteran Leon Niemczyk) and Krystyna (nonprofessional actor Jolanta Umecka) are on their way to their sailboat at the marina when a young hitchhiker (drama school grad Zygmunt Malanowicz) forces them to pull over on an otherwise empty road. Andrzej and the unnamed man almost immediately get involved in a physical and psychological pissing contest, with Andrzej soon inviting him to join them on their sojourn, practically daring the hitchhiker to make a move on his wife. Once on the boat, the two men continue their battle of wills, which becomes more dangerous once the young man reveals his rather threatening knife, which he handles like a pro. Lodz Film School graduate Polanski, who collaborated on the final screenplay with Jerzy Skolimowski (The Shout, Moonlighting) after initially working with Jakub Goldberg, envelops the black-and-white Knife in the Water in a highly volatile, claustrophobic energy, creating gorgeous scenes intimately photographed by cinematographer Jerzy Lipman, from Andrzej and Krystyna in their small car to all three trying to find space on the boat amid the vast sea and a changing wind. Many of the shots are highlighted by deep focus in which one character is shown in close-up in the foreground with the others in the background, alerting the viewer to various potential conflicts — sexual, economic, class- and gender-based — all underscored by Krzysztof T. Komeda’s intoxicating jazz score featuring saxophonist Bernt Rosengren.
Journalist and documentarian Frauke Finsterwalder’s twisted and dark feature-length fiction debut, Finsterworld, paints a rather unflattering portrait of a modern-day Germany still haunted by World War II. Written by Finsterwalder (Die große Pyramide, Weil der Mensch ein Mensch ist) and her author husband, Christian Kracht, the black comedy follows a dozen interrelated characters, each with his or her own personal hang-ups and fetishes, as they go through one very wild and crazy day. Claude Petersdorf (Michael Maertens) is a pedicurist who has an unnatural desire for the feet of Frau Sandberg (Margit Carstensen), a wheelchair-bound resident of an old age home. Her son, Georg Sandberg (Bernhard Schütz), and his wife, Inga (Corinna Harfouch), are a wealthy, self-obsessed couple who are embarrassed to be Germans. Their son, Maximilian (Jakub Gierszał), is a spoiled brat who, with his best friend, Jonas (Max Pellny), bullies quirky-nerdy fellow students Natalie (Carla Juri) and Dominik (Leonard Scheicher) during a class trip to a concentration camp led by teacher Lehrer Nickel (Christoph Bach), who thinks the kids can actually learn something from the sins of the past. Tom (Ronald Zehrfeld) is a cop who likes to put on a different kind of uniform at times — he’s a closet Furry. Tom’s girlfriend, Franziska Feldenhoven (Sandra Hüller), is a frustrated documentary filmmaker stuck with a boring subject. And Einsiedler (Johannes Krisch) is a hermit who captures and cares for a forest raven. Various odd actions intersect, bringing the diverse cast of characters together in strange, ultimately dangerous ways as they all keep picking at their scabs, both physical and psychological.
