twi-ny recommended events

TREE OF CODES

tree of codes

Park Ave. Armory
643 Park Ave. between 66th & 67th Sts.
September 14-21, $30-$90
212-933-5812
armoryonpark.org

Codes are one-to-one correspondences, messages that have been transformed from one communication into another. Tree of Codes, originally presented earlier this summer at the Manchester International Festival, is a seventy-five-minute contemporary ballet that uses light, sound, color, mirrors, and movement in unique ways, transforming Jonathan Safran Foer’s 2010 book, Tree of Codes, into something entirely other. Foer’s book is a work of art that is both a literary narrative and sculptural object; every page of the paperback boasts a different die-cut as surprising word combinations continually reveal themselves. Foer’s three-dimensional story begins with Bruno Schulz’s Street of Crocodiles — which has previously been adapted by the Quay Brothers into a classically creepy stop-motion animation film — and Foer then cut out words to create a whole new tale. British choreographer Wayne McGregor (Infra, Chroma), London-born DJ and music producer Jamie xx (We’re New Here, In Colour), and Danish-Icelandic artist Olafur Eliasson (“The Collectivity Project” on the High Line, “NYC Waterfalls”) have turned Tree of Codes into a site-specific multidisciplinary performance piece, featuring members of the Paris Opera Ballet and McGregor’s company, that will take place in New York City’s most creative space, the Wade Thompson Drill Hall at the Park Avenue Armory, from September 14 to 21. “At the armory, we are always encouraging artists to push the limits of their specific disciplines. Wayne McGregor, Olafur Eliasson, and Jaime xx are each pioneers in their respective fields, and their collective vision for Tree of Codes asks us to bend our preconceived notions of traditional ballet and also the world around us,” armory president and executive producer Rebecca Robertson said in a statement. The armory has previously hosted work by the Merce Cunningham Dance Company, the Trisha Brown Dance Company, Shen Wei Dance Arts, STREB Extreme Action, Massive Attack, Christian Boltanski, Ann Hamilton, Tom Sachs, Paul McCarthy, Ryoji Ikeda, and many others, who have taken great advantage of the fifty-five-thousand square-foot space. Tree of Codes is likely to do the same.

VENDY AWARDS 2015

Kaya delivers on its promise of bringing the passion of Asian street food to New York (photo by twi-ny/mdr)

Kaya is up for rookie of the year at this year’s Vendy Awards, to be held on Governors Island on September 12 (photo by twi-ny/mdr)

Governors Island
Saturday, September 12, $60-$800 (includes tastings from more than twenty-five food vendors and unlimited beverages), 12:30 – 5:00
www.vendyawards.streetvendor.org
www.govisland.com

The eleventh annual Vendy Awards are set for Saturday on Governors Island, celebrating street food of the highest order. Following nominations from the public, this year’s judges — Marco A. Carrión, Mike “foodbabyny” Chau, Glenn Harris, Claus Meyer, KF Seetoh, Maya Sittisuntorn, and Steph Sumulong — will be choosing the winners in five categories. Up for best dessert are Booqoo Beignets, Butter & Scotch, Doughnuttery, Playjscream, and Squish Marshmallows. The Best of Market competitors are Burmese Bites, Carnitas El Atoradero, Home Frite, the Gumbo Bros, and Your Panadas. Fighting it out for rookie of the year are Coney Shack, Kaya NYC, Lil Zeus Lunch Box, Old Traditional Polish Cuisine, and Shuka Truck. Going after the Vendy Cup as best food truck are Biryani House, Hard Times Sundaes, Guandong Cheong Fun, Snowday, and Souvlaki Lady. New this year is Best Street Drink, with Best Juice Uptown, Catalina’s Champurrado, Coco & Co., Renegade Lemonade, and Tea and Milk seeking the prize. (There is also a surprise category and live entertainment.) A portion of the proceeds goes to the Street Vendor Project, which advocates for street vendors as part of the nonprofit Urban Justice Center.

CINEMA AT MAD: REMEMBER FILM?

Work It Kitty is part of Internet Cat Video Festival at Museum of Arts & Design (photo courtesy Walker Art Center)

Work It Kitty is part of Internet Cat Video Festival at Museum of Arts & Design (photo courtesy Walker Art Center)

Museum of Arts & Design
2 Columbus Circle at 58th St. & Eighth Ave.
Friday nights through October 30, free but tickets required, 7:00
800-838-3006
madmuseum.org

The Museum of Arts & Design follows up its intense eight-week Andrei Tarkovsky retrospective with something a little less demanding. Running on Friday nights through October 30, the free “Remember Film?” series kicks off with “I Don’t Want My Pizza Burning: Comedy Came from the Internet,” comprising more than three dozen comic clips from the Web, and continues with such other unique programs as back-to-school episodes of Art Thoughtz with critic extraordinaire Hennessy Youngman; the 2015 Internet Cat Video Festival, a collection of crazy feline shorts that originated at the Walker Art Center; Phil Solomon’s In Memoriam trilogy, made from Grand Theft Auto footage; Sophie Fiennes’s 2006 The Pervert’s Guide to Cinema, in which Slavoj Žižek takes a unique look at the history of the movies; Star Wars Uncut: Director’s Cut, consisting of a shot-by-shot re-creation of Star Wars Episode IV: A New Hope made by more than 1,500 people from around the world; 99%: The Occupy Wall Street Collaborative Film, a documentary of the grass-roots movement featuring such folks as Matt Taibbi, Naomi Wolf, and Boots Riley; and “Early Works of Ryan Trecartin,” which are just that, early videos made by the popular artist, primarily when he was still an undergraduate. The series was prompted by Fujifilm Global’s 2012 announcement that it was no longer producing motion picture film stock and the bankruptcy of Eastman Kodak, two major signals that digital video was defeating film, making everyone with a camera or cell phone a director.

9/11 TABLE OF SILENCE

(photo by Terri Gold)

Special “Table of Silence Project” performance ritual of peace returns for fifth year to Josie Robertson Plaza (photo by Terri Gold)

Josie Robertson Plaza, Lincoln Center
65th St. between Broadway & Amsterdam Ave.
Friday, September 11, free, 8:15 am
www.tableofsilence.org

Every September 11, there are many memorial programs held all over the city, paying tribute to those who were lost on that tragic day while also honoring New York’s endless resiliency. One of the most beautiful is “The Table of Silence Project,” a public performance ritual for peace featuring one hundred dancers on Josie Robertson Plaza at Lincoln Center. “The ‘Table of Silence Project’ represents the common threads of humanity which unite all mankind into a single force with common goals and aspirations regardless of race, culture, or religion,” choreographer and artistic director Jacqulyn Buglisi said in a statement. “Through this event, we wish to achieve the dual purpose of celebrating and honoring peace and freedom for all people suffering oppression, through listening, a united moment of silence — a call for Peace in our world.” Beginning at 8:15 am, thirty-one minutes before the first plane hit the World Trade Center in 2001, the dancers, all dressed in white, will slowly begin gathering around the Revson Fountain to a rhythmic drumbeat, followed by silence and then a soft score. Buglisi Dance Theatre partnered with the September Concert and Dance/NYC for the meditative event, which lasts about a half hour and can also be livestreamed here. “The future of humanity depends on what we do in the present,” Buglisi added about the project, which she conceived for the tenth anniversary of the terrorist attacks. Buglisi was inspired by Italian artist Rossella Vasta’s ever-evolving series of one hundred ceramic plates that help form the Table of Silence; as Vasta explained on her website, “One hundred is one times 100 and this refers to the original Latin meaning of religion that is derived from ‘religere.’ The dishes become the offering to humanity and represent transcendental values beyond any religion. Silence becomes a sacred space with no religious discrimination.”

RIZZOLI BOOKSTORE INAUGURAL EVENT: A SPECIAL CONVERSATION BETWEEN MANOLO BLAHNIK AND ANDRÉ LEON TALLEY

(photo by twi-ny/mdr)

Inaugural event at brand-new Rizzoli Bookstore will feature Manolo Blahnik and André Leon Talley (photo by twi-ny/mdr)

Who: Manolo Blahnik and André Leon Talley
What: Book signing and talk
Where: Rizzoli Bookstore, 1133 Broadway at 26th St., 212-759-2424
When: Friday, September 11, free, 5:30
Why: When we stopped by the beautiful, brand-new Rizzoli Bookstore on Broadway this past weekend — the company was forced out of its majestic Fifth-Seventh St. digs last spring after nearly thirty years — there was still a lot of construction going on in the back room, where they will be holding their events. So they have their work cut out for them to get it ready for the inaugural book signing and talk in the new space, taking place this Friday with legendary shoe designer Manolo Blahnik. The Canary Islands native will be discussing his life and career, as depicted in the massive book Manolo Blahnik‬: Fleeting Gestures and Obsessions (Rizzoli, September 8, $150), which includes contributions from Pedro Almodóvar, Mary Beard, Sofia Coppola, Michael Roberts, and André Leon Talley; Talley will host the conversation with Blahnik.

WELCOME TO LEITH

Documentary looks at issues of hate and free speech in rural North Dakota town

Documentary looks at issues of hate and free speech in rural North Dakota town

WELCOME TO LEITH (Michael Beach Nichols & Christopher K. Walker, 2015)
IFC Center
323 Sixth Ave. at Third St.
Opens Wednesday, September 9
212-924-7771
www.welcometoleithfilm.com
www.ifccenter.com

In 2012, white supremacist leader Craig Cobb began buying up plots of land in Leith, North Dakota, a rural community of twenty-four people in the middle of nowhere, with the intention of taking over the local government and spreading his message of hate. Michael Beach Nichols and Christopher K. Walker document the ensuing battle between the interlopers and the town residents in Welcome to Leith, which opens September 9 at the IFC Center. Inspired by an August 2013 New York Times article about Cobb and Leith, director, producer, and cinematographer Nichols and director, producer, and editor Walker headed to North Dakota, where people on both sides of the escalating controversy gave them remarkable access. As Cobb — and instigator, inciter, manipulator, and provocateur — his right-hand man, Kynan Dutton, Vanguard News Network operator Alex Linder, White Aryan Resistance founder Tom Metzger, Jeff Schoep of the National Socialist Movement, and members of other hate groups support what they believe is essentially a legal coup, Mayor Ryan Schock, Sheriff Steve Bay, photographer Gregory Bruce, Southern Poverty Law Center journalist Ryan Lenz, prosecutor Todd Schwarz, and the citizens of Leith examine their options to fight Cobb, who has brought fear and the concrete threat of potential violence to the small, peaceful community, reminiscent of what a group of neo-Nazis did in Skokie in 1977-78. Nichols and Walker, who previously collaborated on Flex Is Kings, incorporate archival footage, town meetings, courtroom scenes, new interviews, and scary video shot by Dutton’s girlfriend, Deborah Henderson, to create a frightening look at race-baiting, the First and Second Amendments, the U.S. legal system, and, most of all, the rising issue of hate in modern-day America. The film plays out like an edge-of-your-seat thriller, but it’s all too real. Leith might seem a long way away geographically, but it’s a lot closer than you might think.

THE LEGACY OF PARAGRAPH 175: DIFFERENT FROM THE OTHERS

The devastating effects of Germany’s Paragraph 175 endangers the relationship between Paul Körner (Conrad Veidt)  and Kurt Sivers (Fritz Schulz)

The devastating effects of Germany’s Paragraph 175 endangers the relationship between Paul Körner (Conrad Veidt) and Kurt Sivers (Fritz Schulz)

DIFFERENT FROM THE OTHERS (ANDERS ALS DIE ANDERN) (Richard Oswald, 1919)
Museum of Jewish Heritage — A Living Memorial to the Holocaust
Edmond J. Safra Plaza, 36 Battery Pl.
Thursday, September 10, $12, 7:00
646-437-4202
www.mjhnyc.org

In 1871, Germany adopted Paragraph 175, an antihomosexual provision in the criminal code that called for the imprisonment of any “male who commits lewd and lascivious acts with another male or permits himself to be so abused for lewd and lascivious acts.” For decades, it led to blackmail, suffering, and often suicide for German homosexuals. In 1919, Austrian writer-director Richard Oswald (Tales of Hoffman, The Picture of Dorian Gray) teamed with noted sexologist Dr. Magnus Hirschfeld (The Homosexuality of Men and Women, Sex in Human Relationships) to make Different from the Others, one of the first films to treat the subject of homosexuality with sympathy and compassion. Conrad Veidt (The Cabinet of Dr. Caligari, Casablanca) stars as Paul Körner, a violin virtuoso who falls for his young student, Kurt Sivers (Fritz Schulz), while Kurt’s sister, Else (Anita Berber), falls for Paul. But when the conniving Franz Bollek (Reinhold Schünzel) sees the two men together, he blackmails Paul, who struggles against ever-growing odds. Written by Oswald and Hirschfeld, who also plays the doctor in the story, the film explores the social and psychological impact of homosexuality and gender identity with care and intelligence, which was among the reasons why the movie was banned in Germany; copies of it were later burned by the Nazis, and today it exists only in a partial fifty-minute version to which text has been added to fill in the destroyed footage. In 2012, flutist and composer Yael Acher Modiano performed an original live score accompanying the film at the Spectacle theater in Brooklyn, and she’ll be at the Museum of Jewish Heritage on September 10 for an encore performance, held in conjunction with the exhibition “Nazi Persecution of Homosexuals 1933-1945” and the related film series “The Legacy of Paragraph 175,” which concludes September 30 with a free fifteenth-anniversary screening of the 2000 documentary Paragraph 175, preceded by a discussion with Dr. Dagmar Herzog.