twi-ny recommended events

STRANGER THINGS: THE EXPERIENCE

Interactive experience immerses fans into the creepy world of Stranger Things (photo courtesy Netflix)

STRANGER THINGS: THE EXPERIENCE
Duggal Greenhouse
63 Flushing Ave., Building 268, Brooklyn
Wednesday – Sunday through September 4, children $64 – $96.80, adults $84.90 – $129
strangerthings-experience.com

If you’ve been watching or are up to date with Stranger Things on Netflix, you might have found yourself occasionally having trouble sleeping, especially after certain particularly frightening episodes of the sci-fi horror hit, set in the fictional town of Hawkins, Indiana, in the 1980s. Unsurprisingly, the citizens of Hawkins are having their own slumber issues, which is the premise behind Stranger Things: The Experience, an immersive adventure that continues at the Duggal Greenhouse at the Brooklyn Navy Yard through September 4.

The Hawkins National Laboratory (HNL), part of the US Department of Energy, is conducting a sleep study to find out just what is going on in “the Best Small Town in America” — as if they didn’t already know that it has to do with killer creatures and the Upside Down, an alternate dimension where evil, unexplainable events are happening, brought about by the lab itself.

Subjects — er, ticket holders — are led through a series of rooms that begins as a scientific research study into paranormal powers, testing various skills, but quickly turns dangerous. Suddenly the soothing, instructive words of Dept. of Energy executive Sam Owens (Paul Reiser) and HNL head Dr. Martin Brenner (Matthew Modine), affectionately known to his patients as Papa, seem disingenuous as new perils await around each corner.

Beware the demogorgon at Stranger Things experience (photo by twi-ny/mdr)

Meanwhile, a group of kids are trying to help, consisting of the goofy but determined Dustin Henderson (Gaten Matarazzo); the always serious Lucas Sinclair (Caleb McLaughlin); the fiercely independent Max Mayfield (Sadie Sink); the deeply sensitive Will Byers (Noah Schnapp), who went missing in season one; Mike Wheeler (Finn Wolfhard), who undergoes the biggest coming-of-age changes over the course of the show; and, at the center of it all, Eleven (Millie Bobby Brown), a mysterious young girl with special powers who appears virtually out of nowhere in the first episode. Just as an fyi, you won’t encounter Joyce Byers (Winona Ryder), Sheriff Jim Hopper (David Harbour), Nancy Wheeler (Natalia Dyer), Jonathan Byers (Charlie Heaton), Steve Harrington (Joe Keery), Eddie Munson (Joseph Quinn), Erica Sinclair (Priah Ferguson), or Murray Bauman (Brett Gelman) during the journey, but to say any more would venture into spoiler territory.

Stranger Things: The Experience is like a series of escape rooms, except there is always a way out. The show, created by the Duffer Brothers, has presented thirty-four episodes over four seasons since its premiere on July 15, 2016; each of the uniquely detailed spaces in Duggal Greenhouse is like a new episode, with its own storyline as well as prompts to make sure participants make it through safely.

Although children as young as five are allowed to enter, there are four-letter words, and several of the cool special effects can be legitimately scary for some people of any age, so be prepared. Netflix clearly went all-in on this sixty-minute production, which includes a 3D room that, like the show, makes you question reality. Everything is original to the experience; it does not repurpose existing material. It also knows exactly what fans want, so arrive with an investigative spirit that can lead to a few little bonuses that others might miss. But you won’t be lost if you haven’t finished season four yet. (The fifth and final season is not scheduled to air until 2024 or 2025.)

The experience concludes with a re-creation of the Starcourt Mall, complete with the Scoops Ahoy Ice Cream Parlor, Surfer Boy Pizza, the Time-Out Arcade, a video store, a 1980s-style telephone booth (alas, there’s a dial tone but you can’t make a call), the Hellfire Club merch shop, Rink-O-Mania, the Byers living room (with fab details that need to be seen up close), and the Upside bar, where you can order such drinks as the Demogorgon, the Upside Down, Friends Don’t Lie, the Hopper, and Yuri Gonna Love This and check out a few original costumes and props. There’s also a bonus photo opp room.

Tickets are expensive — $64-$84.90 for standard admission, $96.80-$129 for VIP skip-the-line access, which includes a free drink, a tote bag, and a discount on merchandise — so it’s really meant for the true Stranger Things fan. But for those loyal devotees, some of whom come dressed as characters — everyone is encouraged to dress like it’s the ’80s — it’s wicked fun, a bitchin’, righteously gnarly good time.

To keep up the strangeness, Stranger Sings! The Parody Musical returns to New York City in an updated, immersive, in-the-round production starting September 12 at Playhouse 46 at St. Luke’s. Directed by Nick Flatto and with book, music, and lyrics by Jonathan Hogue, the hundred-minute show features such songs as “Welcome to Hawkins,” “The Dad I Never Had,” “Getting Closer,” “In These Woods,” and “Where There’s a Will.”

THE CHOSEN COMEDY FESTIVAL: A BENEFIT FOR THE UKRAINIAN EMERGENCY PERFORMING ARTS FUND

Who: Jeff Ross, Jessica Kirson, Alex Edelman, Jared Fried, Leah Forster, Gary Guz, T. J. Miller, Eric Tabach, Zarna Garg, Yohay Sponder, Ofer Shechter, Nissim Black, Kosha Dillz, Moshe Reuven, Laivy, Elon Gold, Modi
What: The Chosen Comedy Festival
Where: Coney Island Amphitheater, boardwalk at West Twenty-First St.
When: Tuesday, August 16, $36-$500, doors at 6:30 (festival begins August 12)
Why: So a bunch of Jews walk onto a beach . . . There are a lot of directions for that joke to take, but in fact it’s the setup for a special show at the Coney Island Amphitheater on August 16 as part of Stand Up NY’s inaugural Chosen Comedy Festival. The festival began August 12 at Stand Up NY on the Upper West Side and continues August 13 at 8:00 ($25) with Lauren Hope Krass, Raanan Hershberg, Tom Thakkar, Nicky Paris, Kosha Dillz, and Gianmarco Soresi, followed by a 10:00 showcase ($15) with Jonathan Randall, Nathan MacIntosh, Kosha Dillz, Pat Brown, Danny Polishchuk, and Dante Nero. On Monday night, August 15, at 8:00 ($25), Elon Gold and friends will celebrate with a “Kick Off Party” at Stand Up NY.

The main event, however, is in Coney Island on Tuesday night, a benefit for the Ukrainian Emergency Performing Arts Fund, an organization that “supports independent scene performing artists staying in Ukraine during the time of war.” Hosted by Gold and Modi, the show boasts comedy and music by an all-star lineup that includes Jeff Ross, Jessica Kirson, Alex Edelman, Jared Fried, Leah Forster, Gary Guz, T. J. Miller, Eric Tabach, Zarna Garg, Yohay Sponder, Ofer Shechter, Nissim Black, Kosha Dillz, Moshe Reuven, and Laivy. During the pandemic lockdown, Stand Up NY put on more than five hundred comedy shows in city parks; now they’re heading for the sun and sand to raise money for an important cause that is not very funny.

HARLEM WEEK: A GREAT DAY IN HARLEM AND MORE

Who: Uptown Dance Academy, Unveiled Unlocked, IMPACT Repertory Theatre, Mama Foundation’s Sing Harlem! Choir, the Isn’t Her Grace Amazing! Choir, Lord Nelson, Shemar Levy, Lorenzo Laroc, the Bengsons, Kenny Lattimore, Ray Chew & the Harlem Music Festival All-Star Band
What: Annual Harlem Week celebration
Where: U.S. Grant National Memorial Park, West 122nd St. at Riverside Dr.
When: Sunday, August 14, free, noon – 7:00 pm
Why: One of the centerpieces of Harlem Week is “A Great Day in Harlem,” which takes place Sunday, August 14, as part of the opening weekend of this ten-day summer festival. There will be an international village with booths selling food, clothing, jewelry, and more, as well as live music and dance divided into “Artz, Rootz & Rhythm,” “The Gospel Caravan,” and “the Concert Under the Stars.” Among the performers are the Uptown Dance Academy, Kenny Lattimore, Unveiled Unlocked, IMPACT Repertory Theatre, the Sing Harlem! Choir, the Isn’t Her Grace Amazing! Choir, and electric violinist and composer Lorenzo Laroc. In addition, the Bengsons will play songs from their show Where the Mountains Meet the Sea; there will be a tribute to Tobago-born calypsonian Lord Nelson, with Shemar Levy and Nelson himself; and Marvin Gaye’s What’s Going On album will be honored by Ray Chew & the Harlem Music Festival All-Star Band.

Harlem Week runs August 12-21 with such other events as the Percy Sutton 5K and 1.5-mile Harlem Health Walk (August 13, 8:00 am), Great Jazz on the Great Hill in Central Park with the Jimmy Heath Legacy Band, the Antonio Hart Quartet, and Tammy McCann (August 13, 4:00), the livestreamed Charles B Rangel Systemic Racism Summit (August 16, noon), the ImageNation Outdoor Film Festival (Marcus Garvey Park, August 17, 6:00; St. Nicholas Park, August 20, 6:00), the livestreamed talk “Ta-Nehisi Coates and Dr. Julius Garvey: A Harlem on My Mind Conversation” (August 17, 7:30), the livestreamed Arts & Culture/Broadway Summit (August 18, 3:00), Harlem SummerStage (August 18, 5:30), Summer in the City with the Jeff Foxx Band, Donnell Jones, EPMD, Freddie Jackson, and others (August 20, 1:00), and the grand Harlem Day with Dru Hill, Slick Rick, Doug E Fresh, Levell, Grandmaster Caz & Melle Mel, MJ the Musical, and more. All events are free.

BATTERY DANCE FESTIVAL 2022

Battery Dance Company hosts annual festival August 13-20 (photo by Steven Pisano)

BATTERY DANCE FESTIVAL
Robert F. Wagner Jr. Park, Battery Park City
20 Battery Pl.
August 13-19, free with advance RSVP, 7:00
August 20, Schimmel Center at Pace University, $10-$75, 6:00
batterydance.org

The forty-first annual Battery Dance Festival is back fully in person this summer, with live presentations from three dozen companies from around the globe, including several New York City and world premieres. Free performances take place August 13-19 at 7:00 at Robert F. Wagner Jr. Park in Battery Park City and will be livestreamed as well; the festival concludes August 20 at 6:00 with a ticketed indoor closing celebration and VIP reception at the Schimmel Center at Pace University ($10 for performance, $75 for VIP with priority seating and preshow Prosecco toast). Dance enthusiasts will be able to check out multiple disciplines, from tap and classical ballet to circus and Afro-Brazilian, from the US, Canada, Romania, Singapore, Denmark, Spain, and elsewhere, with some programs featuring live music.

“Lady Liberty might be tempted to shimmy and shake as dance companies from near and far take the stage at Wagner Park once again this summer. Audiences will have a tough time deciding which performance to attend,” Battery Dance founder Jonathan Hollander said in a statement.

Below is the full schedule.

Saturday, August 13, 7:00
Sydney Burtis, The Difference
Zachary Seto, Nostalgic Beings of Synesthesia
Camryn & Courtney Spero, Distance
Kate Louissant, For Love
Lerato Ragontse, In Between Change
Anya Susan, In Conversation
Myles King, The Last Foundry
Shannon Harkins, Dreams and Nightmares of a Mutant People

Sunday, August 14, 7:00
The Dancing Wheels Company, Unconquered Warriors
Ballet Nepantla, Let Down & Huasteca Suite
Linotip, Diagonal and Cain
Gaudanse, Nanibu
Peridance Contemporary Dance Company, Just Above the Surface
The Vanaver Caracan, Vanaver Caravan retrospective

Monday, August 15: India Independence Day, 7:00
Anjali Dance Company, Nagendra Haraya, Pranavakaram, and Tillana
Siddendra Kuchipudi Dance Company, Naumisatam, Sringaralahari, Chandra Sherkaram, and Keedaragoula

Tuesday, August 16, 7:00
Christina Carminucci, The Solidarity Series IV: Free Spirits Suite
Linotip, Diagonal and Cain
Fairul Zahid & LaSalle Dance Singapore, Allocentric
Buglisi Dance Theatre, The Threads Project #1: “Universal Dialogues”
Boca Tuya / Omar Roman de Jesus, Los Perros del Barrio Colosal

Wednesday, August 17, 7:00
Xing Dance Theater, Citizen
Julienne Doko, Lost Memories (Mémoires Perdues)
Tati Nuñez, Touch — Returned
Dos Proposiciones Dance Theatre, Pacto de Fuga
Ntrinsik Movement, Kindred Spirit
Ballet Inc., Touche
Alison Chase/Performance, Tsu-Ku-Tsu

Thursday, August 18, 7:00
Demi Remick & Dancers, That’s Entertainment!
Floyd McLean Jr., Cold
Battery Dance, A Certain Mood
TeaTime Company, Stick-Stok
Fairul Zahid & LaSalle Dance Singapore, Allocentric
Tina Croll + Company, Balkan Bacchanal

Friday, August 19, 7:00
Dallas Black Dance Theatre, Face What’s Facing You!
Lanecoarts, Swerve
Dos Proposiciones Dance Theatre, Pacto de Fuga
I Kada Contemporary Dance Company, Unfolding
Battery Dance, Wind in the Olive Grove
Compagnie Virginie Brunelle, Les Corps Avalés

Saturday, August 20, Schimmel Center at Pace University, 6:00
Boca Tuya / Omar Roman de Jesus, Los Perros del Barrio Colosal
Battery Dance, Above Deep Waters
Julienne Doko, Lost Memories (Mémoires Perdues)
TeaTime Company, Stick-Stok
Dallas Black Dance Theatre, Face What’s Facing You!
Compagnie Virginie Brunelle, Les Corps Avalés

CONEY ISLAND SAND SCULPTING CONTEST 2022

Twenty-fifth annual Sand Sculpting Contest takes place in Coney Island on Saturday (photo by twi-ny/mdr)

Thirtieth annual Coney Island Sand Sculpting Contest should feature some wild creations on Saturday (photo by twi-ny/mdr)

CONEY ISLAND SAND SCULPTING CONTEST
Coney Island
Boardwalk between West Tenth & Twelfth Sts.
Saturday, August 13, free, noon – 5:00 pm
www.coneyisland.com
www.allianceforconeyisland.org

The twice-Covid-postponed thirtieth annual Coney Island Sand Sculpting Contest finally comes to the People’s Playground on August 13, as amateurs, semiprofessionals, and professionals will create masterpieces in the Brooklyn sand, many with a nautical theme. It’s a blast watching the constructions rise from nothing into some extremely elaborate works of temporary art. The event, which features cash prizes, is hosted by the Alliance for Coney Island and features four categories: Adult Group, Family, Individual, and People’s Choice. There are always a few architectural ringers who design sophisticated castles, along with a handful of gentlemen building, well, sexy mermaids. You can register as late as eleven o’clock Saturday to participate. While visiting Coney Island on August 13, you should also check out the Coney Island Museum, the Coney Island Circus Sideshow, Puppets Come Home!’s Body Slam, and the fully restored New York Aquarium in addition to riding the Cyclone and the Wonder Wheel.

MONTHLY CLASSICS: AFTER LIFE

AFTER LIFE

Guides interview the deceased in Hirokazu Kore-eda’s After Life

AFTER LIFE (WANDÂFURU RAIFU) (Hirokazu Kore-eda, 1998)
Japan Society
333 East 47th St. at First Ave.
Friday, August 12, $15, 7:00
www.japansociety.org

Japan Society’s Monthly Classics series continues on August 12 with Hirokazu Kore-eda’s second narrative feature, After Life, an eminently thoughtful film about two of his recurring themes: death and memory. Every Monday, the deceased arrive at a way station where they have three days to decide on a single memory they can bring with them into heaven. Once chosen, the memory is re-created on film, and the person goes on to the next step of their journey, to be replaced by a new batch of souls. The way station is staffed by guides, including Takashi Mochizuki (Arata), Shiori Satonaka (Erika Oda), and Satoru Kawashima (Susumu Terajima), whose job it is to interview the new arrivals and help them select a memory and then bring it to life on-screen. Some want to take with them an idyllic moment from childhood, others a remembrance of a lost love, but a few are either unable to or refuse to come up with one, which challenges the staff. Twenty-one-year-old Yūsuke Iseya declares, “I have no intention of choosing. None,” while seventy-year-old Ichiro Watanabe (Taketoshi Naito) is having difficulty deciding on the exact moment, reevaluating and reflecting on the life he led. As the week continues, the guides look back on their lives as well, sharing intimate details, one of which leads to an emotional finale.

AFTER LIFE

After Life explores life, death, memory, heaven, and the art of filmmaking

Kore-eda, who previously examined memory loss in the documentary Without Memory and explored a family’s reaction to death in the brilliant Still Walking, interviewed some five hundred people about what memory they would take with them to heaven, and some of those nonprofessional actors are in the final cut of After Life, blurring the lines between fiction and reality. After Life is also very much about the art of filmmaking itself, as each memory is turned into a short movie created on a set and watched in a screening room. In fact, the film was inspired by Kore-eda’s memories of his grandfather’s battle with what would later be identified as Alzheimer’s disease; the director has also cited Ernst Lubitsch’s 1943 comedy, Heaven Can Wait, as an influence, and the Japanese title, Wandâfuru raifu, means “Wonderful Life,” evoking Frank Capra’s holiday classic. But Kore-eda never gets maudlin about life or death in the film, instead painting a memorable portrait of human existence and those simple moments that make it all worthwhile — and will have viewers contemplating which memory they would take with them when the time comes.

SUMMER FOR THE CITY: BAAND TOGETHER DANCE FESTIVAL

Who: Ballet Hispánico, Alvin Ailey American Dance Theater, American Ballet Theatre, New York City Ballet, Dance Theatre of Harlem
What: Free dance festival
Where: Lincoln Center for the Performing Arts
When: August 9-13, free, 5:00 & 7:30
Why: Last summer, Lincoln Center presented the inaugural BAAND Together Dance Festival, consisting of five different programs by five of New York’s finest companies: Ballet Hispánico, Alvin Ailey American Dance Theater, American Ballet Theatre, New York City Ballet, and Dance Theatre of Harlem. In a joint statement for the second annual event, the five artistic directors explain, “Last year’s festival was a resounding success, proof that New York audiences are excited for their beloved dance companies to return to the stage. This year we will go beyond performing side by side and do so together, as a unified dance family, through an exciting new work by Annabelle Lopez Ochoa. This new work is a testament to our commitment for building new avenues of cultural innovation, dialogue, and accessibility for our incredible city.”

Banding together August 9-13, each troupe will host one daily workshop at 5:00 for all ages. Below is the complete schedule, with wide-ranging works by Alvin Ailey, Michelle Manzanales, George Balanchine, Ulysses Dove, Helen Pickett, Jessica Lang, Robert Battle, Pedro Ruiz, and Robert Garland.

Tuesday, August 9, 5:00
New York City Ballet Children’s Workshop

Tuesday, August 9, 7:30
One for All, world premiere by Annabelle Lopez Ochoa, with dancers from each of the five companies, set to “Manteca” by Funky Lowlives/Dizzy Gillespie
Alvin Ailey American Dance Theater: Cry, by Alvin Ailey, with music by Alice Coltrane, Laura Nyro, and Voices of East Harlem
Ballet Hispánico: Con Brazos Abiertos, by Michelle Manzanales, with music by Julio Iglesias and others
Dance Theatre of Harlem: When Love, by Helen Pickett
American Ballet Theatre: Children’s Songs Dance, by Jessica Lang, with music by Chick Corea

Ballet Hispánico’s Club Havana is part of free Lincoln Center festival (photo by Paula Lobo)

Wednesday, August 10, 5:00
Ballet Hispánico’s Latin Social Dance Workshop

Wednesday, August 10, 7:30
One for All, world premiere by Annabelle Lopez Ochoa, with dancers from each of the five companies, set to “Manteca” by Funky Lowlives/Dizzy Gillespie
Ballet Hispánico: Con Brazos Abiertos, by Michelle Manzanales, with music by Julio Iglesias and others
New York City Ballet: Red Angels, by Ulysses Dove, set to Richard Einhorn’s “Maxwell’s Demon”
American Ballet Theatre: Children’s Songs Dance, by Jessica Lang, set to music by Chick Corea
Alvin Ailey American Dance Theater: Love Stories finale, by Robert Battle, with music by Stevie Wonder
Dance Theatre of Harlem: Return, by Robert Garland, with music by James Brown and Aretha Franklin

Thursday, August 11, 5:00
Dancing with Ailey on the Plaza!

Thursday, August 11, 7:30
One for All, world premiere by Annabelle Lopez Ochoa, with dancers from each of the five companies, set to “Manteca” by Funky Lowlives/Dizzy Gillespie
Ballet Hispánico: Club Havana, by Pedro Ruiz
Alvin Ailey American Dance Theater and American Ballet Theatre: Pas de Duke, by Alvin Ailey, performed by Jacquelin Harris and Herman Cornejo, with music by Duke Ellington
New York City Ballet: Red Angels, by Ulysses Dove, set to Richard Einhorn’s “Maxwell’s Demon”
Dance Theatre of Harlem: When Love, by Helen Pickett
Alvin Ailey American Dance Theater, Love Stories finale, by Robert Battle, with music by Stevie Wonder

Dance Theatre of Harlem will present Return at BAAND Together (photo by Rachel Neville)

Friday, August 12, 5:00
Dancing in the Street with Dance Theatre of Harlem

Friday, August 12, 7:30
One for All, world premiere by Annabelle Lopez Ochoa, with dancers from each of the five companies, set to “Manteca” by Funky Lowlives/Dizzy Gillespie
Dance Theatre of Harlem: Return, by Robert Garland, with music by James Brown and Aretha Franklin
Alvin Ailey American Dance Theater: Cry, by Alvin Ailey, with music by Alice Coltrane, Laura Nyro, and Voices of East Harlem
New York City Ballet: Allegro Brillante, by George Balanchine, set to Tschaikovsky’s Piano Concerto No. 3
Alvin Ailey American Dance Theater and American Ballet Theatre: Pas de Duke, by Alvin Ailey, performed by Jacquelin Harris and Herman Cornejo, with music by Duke Ellington
Ballet Hispánico: Club Havana, by Pedro Ruiz

Saturday, August 13, 5:00
American Ballet Theatre: ABTKids Story Ballet Workshop

Saturday, August 13, 7:30
American Ballet Theatre: Children’s Songs Dance, by Jessica Lang, set to music by Chick Corea
Ballet Hispánico: Club Havana, by Pedro Ruiz
Alvin Ailey American Dance Theater: Cry, by Alvin Ailey, with music by Alice Coltrane, Laura Nyro, and Voices of East Harlem
Dance Theatre of Harlem: When Love, by Helen Pickett
New York City Ballet: Allegro Brillante, by George Balanchine, set to Tschaikovsky’s Piano Concerto No. 3
One for All, world premiere by Annabelle Lopez Ochoa, with dancers from each of the five companies, set to “Manteca” by Funky Lowlives/Dizzy Gillespie