Adèle Exarchopoulos stars as a flight attendant going nowhere in Zero Fucks Given
CinéSalon: ZERO FUCKS GIVEN (RIEN À FOUTRE) (Julie Lecoustre & Emmanuel Marre, 2021)
French Institute Alliance Française (FIAF)
FIAF Florence Gould Hall
55 East 59th St. between Madison & Park Aves.
Tuesday, October 4, 4:00 & 7:30
Series continues Tuesdays through October 25, 4:00 & 7:30
fiaf.org
Adèle Exarchopoulos is magnetic as a flight attendant with a loose grip on her life in Zero Fucks Given, the debut directorial collaboration between Paris- and Brussels-based cowriters and producers Emmanuel Marre and Julie Lecoustre. The film is screening October 4 at 4:00 and 7:30 in the FIAF CinéSalon series “Burning Bright: New French Filmmakers 2022,” consisting of nine features and three shorts from up-and-coming and emerging French directors.
Exarchopoulos (Blue Is the Warmest Color, Mandibles) stars as Cassandre, a twentysomething woman who’s unable to commit to anything, but it doesn’t seem to bother her. She considers herself a free spirit, but she doesn’t do much with that freedom. She is based at an airport in Lanzarote in the Canary Islands and wants to get a better airline job in Dubai; she might travel the world, but she spends most of her time in airport hotels and nightclubs, swiping right and left on her cellphone for company. “I like people for two hours and then it’s goodbye,” she tells friends.
As a flight attendant for Wing, she downs vodka before takeoff, usually does the bare minimum at work, and regularly breaks the rules, which she thinks don’t apply to her; when she is offered a promotion, she asserts that she doesn’t want any more responsibilities. After partying, she often wakes up in a blackout about the night before. She might claim to not care, but she is clearly haunted by the death of her mother, who died in a horrific car crash. She has trouble communicating with her father, Jean (Alexandre Perrier), who was devastated by the loss and is trying to sue someone, anyone. When Cassandre — whose name references the Greek mythological figure who was cursed with the ability to prophesize doom that no one listens to — eventually has to return home, suppressed emotions bubble to the surface.
Zero Fucks Given has an infectious, freewheeling atmosphere; the cast includes nonprofessional actors and actual airline personnel, and Perrier, who plays Cassandre’s distraught dad, is one of the associate producers. Marre and Lecoustre (Castle to Castle) eschew rehearsals and encourage significant improvisation while shooting on location with extended breaks in between filming scenes. Exarchopoulos even does her own hair and makeup and wears her own clothing to give the film a more realistic feeling.
Cinematographer Olivier Boonjing zooms in on Cassandre’s face and body as she pretends not to care about what she’s doing, but there’s more to her than she’s allowing herself to acknowledge. “I’m rather lucky,” she says, but she’s going nowhere. She rarely has time to experience the ritzy cities she flies to, traveling back and forth in the enclosed space of airplanes, breathing recycled air. Her mother died in a roundabout, unable to get out of a traffic circle, a stark metaphor for how Cassandre is stuck in life. You might not give a fuck about Cassandre at the beginning, but by the end you’ll be giving more than a few.
“Burning Bright: New French Filmmakers 2022” continues on Tuesdays through October 25 with Audrey Diwan’s Happening, Martin Jauvat’s Grand Paris, and Lina Soualem’s Their Algeria.
