
Koosil-ja presents her latest technological innovations at DTW
BLOCKS OF CONTINUALITY / BODY, IMAGE, AND ALGORITHM
Dance Theater Workshop
219 West 19th St.
March 3-6, $15, 7:30
212-924-0077
www.dtw.org
www.dancekk.com
Born in Osaka to Korean parents and based in New York City for many years, dancer, composer, and choreographer Koosil-ja has staged such intriguing productions as mech[a]OUTPUT at the Japan Society, DANCE WITHOUT BODIES and memoryscan at the Kitchen, a shadow of forgotten ancestors at SummerStage, deadmandancing EXCESS at the Performing Garage, and deadmandancing HOTEL 2005 in a room at the Sheraton New York Hotel and Tower. Her works incorporate technological innovation with noh elements and cutting-edge music and sound, making every performance unique. “I can listen to my mind. You can see my body,” she writes obsessively on her Web site. Audiences will be able to see her body and more at Dance Theater Workshop, as Koosil-ja and her company, danceKUMIKO, present the New York premiere of BLOCKS OF CONTINUALITY / BODY, IMAGE, AND ALGORITHM, her latest examination of movement and the human body utilizing live processing, interactive computer programming, and 3D imaging, influenced by the conceptual theories of French philosopher and self-described “pure metaphysician” Gilles Deleuze. While that might sound like a lot to take in at one time, it has the potential to be one helluva mind-blowing experience. (The opening-night performance, March 3, will be preceded by a Coffee and Conversation gathering at 6:30, while the March 5 show will be followed by a talk with members of the cast and crew.)




Loosely adapted from the book by John Godey, THE TAKING OF PELHAM ONE TWO THREE wonderfully captures the cynicism of 1970s New York City. Four heavily armed and mustached men — Mr. Blue (Robert Shaw), Mr. Green (Martin Balsam), Mr. Gray (Hector Elizondo), and Mr. Brown (Earl Hindman), colorful pseudonyms that influenced Quentin Tarantino’s RESERVOIR DOGS — hijack an uptown 4 train, demanding one million dollars in one hour from a nearly bankrupt city or else they will kill all eighteen passengers, one at a time, minute by minute. The hapless mayor (Lee Wallace) is in bed with the flu, so Deputy Mayor Warren LaSalle (Tony Roberts) takes charge on the political end while transit detective Lt. Zachary Garber (a great Walter Matthau) and Inspector Daniels (Julius Harris) of the NYPD team up to try to figure out just how in the world the criminals expect to get away with the seemingly impossible heist. Directed by Joseph Sargent (SYBIL), the film offers a nostalgic look back at a bygone era, before technology radically changed the way trains are run and police work is handled. The film also features a very funny, laconic Jerry Stiller as Lt. Rico Patrone and the beloved Kenneth McMillan as the borough commander. The film was remade as a television movie in 1998, starring Edward James Olmos, Vincent D’Onofrio, and Lorraine Bracco, and as an embarrassingly bad big-budget bomb in 2009 by Tony Scott, who we’re hoping won’t ruin his upcoming remake of THE WARRIORS as well. The March 3 screening of the original TAKING OF PELHAM ONE TWO THREE at 92YTribeca will be hosted by Elliot Kalan and feature special guest Wyatt Cenac from THE DAILY SHOW.