twi-ny recommended events

ALDRICH CONTEMPORARY ART MUSEUM

Edward Tufte, “Magritte’s Smile,” aluminum casting, 2009 (photo by twi-ny/mdr)

Edward Tufte, “Magritte’s Smile,” aluminum casting, 2009 (photo by twi-ny/mdr)

258 Main St., Ridgefield, CT
Tuesday-Sunday 12 noon – 5:00 pm
Sculpture garden tours with Edward Tufte: Saturday, April 3, 2:00 & 3:15
Admission: $7 (Tuesdays free)
203-438-4519
www.aldrichart.org

It’s promising to be a beautiful weekend, so it’s a great opportunity to make a little detour north and see the wonderful Aldrich Contemporary Museum in Ridgefield, Connecticut. The indoor part of Edward Tufte’s “Seeing Around” exhibition closed January 17, but his show in the outdoor sculpture garden is still up through April 17, although deinstallation will begin April 5. On April 3, Tufte will be on hand to lead tours at 2:00 and 3:15, discussing such intriguing pieces as “Skewed Machine,” “Porta the Dog,” and “Magritte’s Smile.” The group exhibition “Paying a Visit to Mary” (through June 6) examines the perception and interpretation of reality through works by Dexter Sinister, Melissa Gordon, William Oorebeek, Guido van der Werve, and others. “Tom Molloy” (through June 13) is the first museum survey of the work of Irish artist Tom Molloy, who repurposes existing objects and images to make social and political commentary. “Swarm” consists of folded dollar bills placed into the wall (in an unintentional flaglike pattern that echoes the nearby “Flag”). “Globe” is a small, crushed-up map that dangles from the ceiling, encouraging visitors to “blow the world away,” as Molloy told us at the opening. And the blood dripping from “Sweep” is indeed the artist’s own. Also on view is Jo Yarrington’s site-specific color installation “Ocular Visions,” Jeanne C. Finley + John Muse’s multimedia “Sleeping Under Stars, Living Under Satellites,” and Adad Hannah’s video project “Masterpieces in Motion.” The Aldrich is a charming, very manageable museum in a quaint part of town, making for a terrific little excursion from the city.

THERE IS SO MUCH MAD IN ME

Dancers search for connections in extraordinary production (photo by Yi-Chun Wu)

Dancers search for connections in extraordinary new production from Brooklyn-based choreographer Faye Driscoll (photo by Yi-Chun Wu)

Dance Theater Workshop
219 West 19th St.
March 31 – April 3, $15
212-924-0077
www.dtw.org
www.fayedriscoll.com

In her brilliant new evening-length piece, rising star Faye Driscoll sets the bar high, daring both cast and audience to reach it — and they do, with spectacular results. Brooklyn-based choreographer wunderkind Driscoll, who has gained raves for such productions as 837 VENICE BLVD. and WOW, MOM, WOW, premiered her Dance Theater Workshop commission There is so much mad in me this week, a challenging, exhilarating show that never lets up. Driscoll’s latest makes full use of the DTW space as characters march up and down the aisles, take seats in the house, climb side poles, and run between the light stanchions. Filled with uncomfortable humor, raw aggression, and an innate charm, There is so much mad in me examines Americans’ need to see and be seen in today’s overstimulated world, desperate to make emotional and physical connections amid heart-wrenching loneliness.

Supremely talented cast works out its issues in public in Faye Driscoll’s exhilarating DTW commission (photo by Yi-Chun Wu)

Supremely talented cast works out its issues in public in Faye Driscoll’s exhilarating DTW commission (photo by Yi-Chun Wu)

Driscoll demands much from her supremely talented cast, creating unusual, often spastic movements and long patches of dramatic dialogue that include scenes that place them on in-your-face talk shows and reality programs (think Oprah meets Jerry meets Tyra meets AMERICAN IDOL). An early duet between Nikki Zialcita and Michael Helland, two of the stars of 837 VENICE BLVD., announces that There is so much mad in me is going to be a very different kind of dance theater, and that continues with a gorgeous section in which Jesse Zaritt and Tony Orrico battle it out over Lindsay Clark, representing the private individual not sure how much she is willing to reveal in this ever-more-public society. When Adaku Utah grabs the microphone, she offers material gifts, and Jennie MaryTai Lau serves up lurid voyeurism, but Jacob Slominski deals out rage and fear. Making sophisticated sociocultural observations that comment on sexuality and violence, Driscoll never takes the easy way out, resulting in a fresh, original, touching, and powerfully direct experience.

MoCCA ART FESTIVAL: JIRÔ TANIGUCHI

taniguchi

69th Regiment Armory
68 Lexington Ave. between 25th & 26th Sts.
April 10-11, $10/day, $15-$20/both days
212-254-3511
www.moccany.org
www.ponentmon.com

No, Japanese sensation Jirô Taniguchi will not be at this year’s MoCCA Art Festival, but it’s the best place to find his latest books. For forty years, Taniguchi has been creating some of the most beloved manga series and novels. Now sixty-two, he has been discovered by America, piling up awards as his works get translated into English. We first found out about him a few years ago at the festival and have been devouring his remarkable books ever since. In THE QUEST FOR THE MISSING GIRL, Taniguchi tells the inspiring tale of a man who is determined to find his late friend’s fifteen-year-old daughter, who has suddenly disappeared. The narrative takes readers from the stunning Himalayas to the seedy back alleys of the big city. Taniguchi returns to the Himalayas in THE SUMMIT OF THE GODS, illustrating Yumemakura Baku’s two-part story of photographer Makoto Fukamachi’s search for the body of mountaineer George Mallory, who went up Mount Everest in 1924 and was never seen again. The book opens with a beautiful six-page color spread by Taniguchi. In the two-part A DISTANT NEIGHBORHOOD, written and illustrated by Taniguchi, forty-eight-year-old businessman Hiroshi Nakahara wakes up to find that he’s fourteen again, back home the summer his father mysteriously left the family and was never heard from again. Taniguchi, who seems to have a thing for lost people, has also released such books as THE WALKING MAN and THE ICE WANDERER and, with writer Natsuo Sekikawa, is in the midst of a multivolume retelling of Natsume Soseki’s classic 1904 Japanese novel BOTCHAN. We can’t wait to see what gems Taniguchi’s English-language publisher, Fanfare / Ponent Mon, will be bringing to this year’s MoCCA Art Festival.

mocca art festival 2010

This year’s MoCCA Art Festival runs April 10-11 at the 69th Regiment Armoy, featuring such participants as Kim Deitch, Emily Flake, Jaime Hernandez. Neil Kleid, Peter Kuper, Hope Larson, Frank Miller, Paul Pope, Dash Shaw, Gahan Wilson, and Klein Award recipient David Mazzucchelli. Single tickets are $10 in advance, $12 day of show, with weekend tickets available for $15 in advance and $20 at the door.

TWI-NY TALK: JON STEWART AND STEPHEN COLBERT

Jon Stewart will get out from behind his desk to star in summer Shakespeare production with Stephen Colbert

Jon Stewart will get out from behind his desk to star in summer Shakespeare production with Stephen Colbert

THE TWO GENTLEMEN OF VERONA
The Daily Show Studios
733 Eleventh Ave. between 51st & 52nd Sts.
July 9-31, free, 8:00
www.thedailyshow.com
www.colbertnation.com

Every Monday through Thursday, Jon Stewart and Stephen Colbert go back to back, taking on politics and more in their hugely successful Comedy Central programs THE DAILY SHOW and THE COLBERT REPORT. They usually have weekends off, but this summer they will turn Stewart’s Hell’s Kitchen studio into the Globe Theatre as they team up for what promises to be a very different kind of Shakespeare experience.

On Friday and Saturday nights from July 9 through July 31, Emmy winners Stewart and Colbert will star in THE TWO GENTLEMEN OF VERONA, rotating in the lead roles of Valentine and Proteus. They will be joined by Samantha Bee as Silvia, Kristen Schaal as Julia, Jason Jones as the Duke of Milan, John Hodgman as Antonio, Wyatt Cenac as Thurio, Lewis Black as Speed, Aasif Mandvi as Eglamour, and John Oliver as Lucetta. It is a bold undertaking for the close-knit team, who are as friendly off camera as they are on.

Stewart and Colbert recently sat down with twi-ny in our Murray Hill offices to discuss just what makes them think they can pull this off.

twi-ny: Of all the Shakespeare plays you could have chosen, why do THE TWO GENTLEMEN OF VERONA?

Stephen Colbert: It was really my idea. It’s one of Willie’s earliest plays, maybe his first, and it’s not very good. This way if we suck, we can blame him.

Jon Stewart: I think it’s actually a cry from Stephen that he’s always wanted the eleven o’clock spot ahead of me. By switching roles with me, he gets to pretend it’s like we’re switching our time slots.

Stephen Colbert will show his acting chops this summer in Bard play

Stephen Colbert will show his acting chops this summer in Bard play

twi-ny: Only a few members of the cast have had any acting roles, primarily small parts in modern-day lowbrow comedies. Do you think that could be a problem?

SC: Did anyone know Kevin Kline, Meryl Streep, Al Pacino, or any of those other “Hollywood types” when they first did Shakespeare in the Park? I think the only thing on Pacino’s resume was playing the old guy in those Pepperidge Farm commercials.

JS: Actually, Stephen, they were all pretty famous already, and had done a lot of Broadway and movies.

SC: I rest my case.

twi-ny: What do you hope to gain by this experience?

SC: Well, I’ve won a Grammy, an Emmy, and a Peabody, so I’m going for a Tony this time.

JS: Um, Stephen, we won’t be eligible for the Tonys.

SC: [pauses] Oh, then, money.

JS: We’re not charging admission, Stephen.

SC: It’s free?

JS: Yes, it’s free. Don’t you remember we discussed this?

SC: Yeah, but I didn’t think you were serious. [looks around] Can someone get my agent on the phone?

In addition to continuing their television series and appearing in THE TWO GENTLEMEN OF VERONA, Stephen Colbert and Jon Stewart are currently preparing for the big-screen remake of the 1969 film THE APRIL FOOLS, playing the roles of Jack Lemmon and Catherine Deneuve, respectively.

THERE IS SO MUCH MAD IN ME

Faye Driscoll will show how much mad there is in her at DTW March 31 - April 3

Faye Driscoll will show how much mad there is in her at DTW in new evening-length piece

Dance Theater Workshop
219 West 19th St.
March 31 – April 3, $15
212-924-0077
www.dtw.org
www.fayedriscoll.com

Last December at the University Settlement and again in January at Dance Theater Workshop as part of the APAP conference, choreographer Faye Driscoll offered a sneak peek at her upcoming production, There is so much mad in me, featuring an exhilarating scene of beautiful chaos. The show makes its full-length debut at Dance Theater Workshop this week, running March 31 through April 3. Performed by Lindsay Clark, Lily Gold, Michael Helland, Tony Orrico, Jennie Mary, Tai Liu, Jacob Slominski, Adaku Utah, Jesse Zaritt, and Nikki Zialcita, There is so much mad in me examines the overstimulation prevalent in today’s society as people battle emotional extremes just to keep going.

Driscoll, who was included in the New Museum’s “Younger Than Jesus” exhibit highlighting the work of emerging artists under the age of thirty-three (her video from the show, “Loneliness,” can be seen above), incorporates a lot of dialogue into her pieces, not afraid to challenge conventions and rile up the audience. She has described her choreography as being “rebellious” and “dangerous,” and advance looks at There is so much mad in me hint that her latest should be no different. Opening night, March 31, will be preceded by a Coffee and Conversation with Driscoll, while the April 2 show will be followed by a discussion between Driscoll and Interdependence Project founder Ethan Nichtern, moderated by dance writer Deborah Jowitt.

THE SUN BEHIND THE CLOUDS

Exiled Tibetans seeking independence from China go on long march to their homeland (photo courtesy of White Crane Films)

Exiled Tibetans seeking independence from China go on long march to their homeland (photo courtesy of White Crane Films)

THE SUN BEHIND THE CLOUDS: TIBET’S STRUGGLE FOR FREEDOM (Ritu Sarin & Tenzing Sonam, 2010)
Film Forum
209 West Houston St.
March 31 – April 13
212-727-8110
www.filmforum.org

At the Palm Springs International Film Festival earlier this year, China withdrew Lu Chuan’s CITY OF LIFE AND DEATH and Ye Kai’s QUICK, QUICK, SLOW in protest of the festival’s inclusion of the pro-Tibet documentary THE SUN BEHIND THE CLOUDS. CITY OF LIFE AND DEATH, which examines the 1937 Rape of Nanking, was scheduled to open at Film Forum on March 31, but the distributor could not guarantee that China would allow it to be shown, so Film Forum filled the open slot with THE SUN BEHIND THE CLOUDS. Subtitled TIBET’S STRUGGLE FOR FREEDOM, the seventy-nine-minute film, made by husband-and-wife team Ritu Sarin and Tenzing Sonam, delves into the battle between those Tibetans who follow the Dalai Lama’s Middle Way Approach, in which Tibet would seek autonomy from China but not full independence, and those that want their country back completely. Sarin and Sonam, who have been documenting the situation in Tibet for nearly twenty years in such films as THE TRIALS OF TELO RINPOCHE (1994), THE SHADOW CIRCUS: THE CIA IN TIBET (1998), the narrative feature DREAMING LHASA (2005), and THE THREAD OF KARMA (2007), focus on the March 2008 uprising, the biggest since the Chinese invasion of 1959.

The Dalai Lama is facing growing opposition to his Middle Way Approach (photo by Jaimie Gramston / White Crane Films)

The Dalai Lama is facing growing opposition to his Middle Way Approach (photo by Jaimie Gramston / White Crane Films)

Tibetans were protesting Chinese rule and hoped to grab public attention as the Beijing Olympics approached, particularly one group that began a long march from their exiled home in India back to Tibet. The filmmakers gained intimate access to the Dalai Lama, who explains his position of peace, while also interviewing such controversial figures as poet Tenzin Tsundue, historian Tsering Shakya, former political prisoner Rigzin Choekyi, activist Lhadon Tethong, writer Lhasang Tsering, poet Woeser and her husband, political commentator Wang Lixiong, and others. They also speak with filmmaker Dhondup Wangchen, who was later sentenced to six years in prison; the International Campaign for Tibet has recently claimed that he “suffers from a medical condition and is being denied adequate treatment. His whereabouts in detention are currently unknown.” Watching THE SUN BEHIND THE CLOUDS, it is easy to see why the Chinese government is so afraid of it, as the film depicts a growing movement of Tibetans in India, the diaspora, and Tibet itself who are questioning the nonviolent ways of the Dalai Lama and are ready to fight for the restoration of their homeland, and their continuing plight is gaining support from people around the world. The filmmakers will be present for screenings on March 31 at 8:00, April 1 at 8:00, April 3 at 4:20, and April 4 at 2:40; Lhadon Tethong of Students for a Free Tibet will be at the April 2, 8:00 screening; and Tibet House cofounder and president Robert A. F. Thurman will participate in the April 6, 8:00 showing.

THE YES MEN: APRIL FOOL’S DAY DVD GIVEAWAY

The Yes Men will be in town on April Fool’s Day — so expect the unexpected

The Yes Men will be in town on April Fool’s Day — so expect the unexpected

THE YES MEN FIX THE WORLD (Mike Bonanno, Andy Bichlbaum, and Kurt Engfehr, 2009)
Barnes & Noble
150 East 86th St. at Lexington Ave.
Thursday, April 1, free, 212-369-2180, 7:00
Available on DVD April 1, $26.95
www.theyesmenfixtheworld.com
www.barnesandnoble.com

Last year, the Yes Men, those masters of corporate impersonation, invaded New York City, handing out fake copies of the New York Post that focused on climate change. Well, they’re back for more hijinks as promotion for the April 1 DVD release of THE YES MEN FIX THE WORLD. In 2003, Andy Bichlbaum and Mike Bonanno revealed their unique brand of anti-corporate performance art with THE YES MEN, a documentary in which they went to elaborate lengths to pose as spokespersons for major international companies, making ridiculous announcements that are often taken for fact at conventions and press conferences around the world. Bichlbaum and Bonanno are back fighting corporate crime in THE YES MEN FIX THE WORLD, employing what they refer to as identity correction to bring to light wrongs perpetrated on the public by Exxon, HUD, Halliburton, and Dow. They often start by creating fake Web sites that ultimately get them invited to speak at conferences and on business-related television shows, where they make statements and announce new products and programs that are both absurd and revelatory, especially when they apologize for companies that care more about profits than people. The Yes Men have elements of Sascha Baron Cohen’s Borat character, only better dressed and with less bathroom humor, making important points about the state of the world. And proving that their work is not just one big joke, THE YES MEN FIX THE WORLD was the closing-night selection of the 2009 Human Rights Watch International Film Festival. The DVD is being released, appropriately enough, on April Fool’s Day, with Andy and Mike appearing at the 86th St. Barnes & Noble, discussing their latest projects and signing copies of the disc, which includes more than eighty minutes of bonus footage and other extras.

yesmendvd

CONTEST: We have two copies of THE YES MEN FIX THE WORLD DVD to give away. Just send your name and daytime phone number to contest@twi-ny.com by Monday, April 5, at 12 noon to qualify; winners must be at least twenty-one years of age and will be chosen at random. And keep your eyes peeled for the latest prank by the Yes Men, who are promising a special announcement on April 2.