
Sarah and Tony experience some familial complications in new Brooklyn-set romantic comedy (photo by Benjamin Chambers)
SPAGHETTI & MATZO BALLS — FUHGEDDABOUDIT
Baruch Performing Arts Center
25th St. between Lexington & Third Aves.
Select dates from June 18 to July 23, $34.50 – $43.50
212-352-3101
www.spaghettionstage.com
The world premiere of SPAGHETTI & MATZO BALLS — FUHGEDDABOUDIT takes place tonight at the Baruch Performing Arts Center, hosted by KTU DJ Goumba Johnny. Produced by the same team behind the popular PLATANOS & COLLARD GREENS, this Brooklyn-set romantic comedy reveals “what happens when a nice Italian boy falls in love with a sweet Jewish girl.” Written by David Lamb and directed by Renée Lynette Ferrara, the show features Bryan R. Craine, Michelle Cammarata, Mindy Cassle, Jennifer Leigh Cohen, Paul D. Failla, Jessica Goldstein, Peter Marinaro, and others and is scheduled for only four more performances after tonight: June 26 at 8:00, July 9 at 8:00, July 18 at 2:00, and July 23 at 8:00.
This Week in New York has three pairs of tickets to give away to this love story between Tony and Sarah and all the problems that ensue when both families get wind of their relationship. Just send your name, daytime phone number, and preferred performance date to contest@twi-ny.com by Monday, June 21, at 3:00 pm. Winners will be selected at random and must be at least twenty-one years of age to enter. Good luck!

Selected as the centerpiece of the 2010 Human Rights Watch Film Festival, Raoul Peck’s MOLOCH TROPICAL follows the sad decline of democratically elected Haitian president Jean de Dieu (Zinedine Soualem) as power corrupts and overwhelms him. A combination of nineteenth-century Haitian leader Henri Christophe, twentieth-century president Jean-Bertrand Aristide, any of several Shakespearean kings, Aleksandr Sokurov’s Nazi drama MOLOKH, and General Vargas from Woody Allen’s BANANAS, de Dieu lives in a mountain fortress where he takes advantage of the female servants, gets all excited when a Hollywood film crew shows up to meet him, and tries to prevent his mother from visiting because he is ashamed of the poverty he came from. In the beginning of the film, he steps on a piece of broken glass, so he limps through the rest of the movie, symbolic of his shaky regime. Although the film does suffer from an overabundance of clichés, it’s still a compelling portrait of the downfall of a powerful man. The Haitian-born Peck (LUMUMBA), who received the festival’s Nestor Almendros Award for courage in filmmaking in 1994 (this year’s winners are Rob Lemkin and Thet Sambath, who made ENEMIES OF THE PEOPLE, about the Khmer Rouge siege of Cambodia), will participate in a postscreening Q&A with Kent Jones following the June 20 screening.



