twi-ny recommended events

NEW YORK INTERNATIONAL INDEPENDENT FILM AND VIDEO FESTIVAL

Village East Cinemas
181 Second Ave. at Twelfth St.
July 22-29, $15 per screening (includes after-party)
www.nyfilmvideo.com

The competitive New York International Independent Film and Video Festival, which calls itself “The Voice of Indie Film,” begins tonight with a party at BLVD that kicks off a week of screenings at Village East, comprising a wide-ranging group of more than two hundred shorts, features, animated works, and documentaries. Although many of the films are significantly low-budget and amateurish, there are still several with familiar cast and crew and higher production values. Matthew Modine and Danny Aiello star in Abel Ferrara’s MULBERRY ST., Billy Zane and Edward Furlong lead the cast in Uwe Boll’s ATTACK ON DARFUR, Ol’ Dirty Bastard is profiled in Raison Allah’s “DIRTY,” Mario Van Peebles anchors Michael Bergmann’s comedy TIED TO A CHAIR, and Liam Neeson narrates Melissa Villanueva and J. Michael Kipikash’s RESTING PLACES. In addition to film screenings, there will be three seminars: “In Conversation with Director Abel Ferrara” on July 23 at 12 noon, “The Truth About Distribution” with festival founder Stuart Alson on July 24 at 10:00 am, and “The Fundamentals of Publicity and Grass Roots Marketing for Your Indie Film” with Brad Balfour, Cheryl Duncan, and Hugh McGrory on July 24 at 10:00 am. Each night will conclude with an after-party at such locations as Columbus 72, 8 Bond Street, the Gates, Le Souk, Faluka, Veranda, and USL, with free admission for same-day ticket holders.

MIKE BIDLO: NOT WARHOL (BRILLO BOXES, 1964)

Mike Bidlo appropriates master appropriator Andy Warhol at Lever House (photo by twi-ny/mdr)

Lever House
390 Park Ave. at 54th St.
Through September 11
Admission: free
www.leverhouseartcollection.com
flickr slideshow

As Walter Benjamin noted nearly seventy-five years ago, “In principle a work of art has always been reproducible.” Andy Warhol built much of his artistic legacy around this idea, appropriating pop-culture images, from Elvis Presley, Marilyn Monroe, and Mao to Campbell’s Soup cans and Brillo Soap Pad boxes, and creating multiples, most of which were untouched by his own hand yet eventually sold for record prices. Since the 1980s, Chicago-born artist Mike Bidlo, who lives and works in New York City, has been appropriating iconic images by the likes of Marcel Duchamp, Jackson Pollock, Roy Lichtenstein, Henri Matisse, Pablo Picasso, and Warhol himself, producing exact replicas of the original. No mere art forger, Bidlo works from reproductions, furthering the theoretical and physical distance between himself and the initial artist, questioning the entire nature of art and the creator. At Lever House on Park Ave., Bidlo has installed his 2005 work “Not Warhol (Brillo Boxes, 1964),” a replica of the original 1964 Warhol piece that consisted of forty-seven wooden boxes that in themselves replicated the cardboard packing boxes Brillo used to ship its product. “I thought it would be interesting to appropriate a work by another appropriator,” Bidlo explains in the exhibition handout, “so in a way I just kept the proverbial snowball rolling.” Bidlo’s pyramidlike construction rises in the northeast corner of the Lever House lobby, its bright red, white, and blue color scheme bringing light to the dark corner. Of course, it is rather appropriate that the appropriated piece is in Lever House, continuing the work’s connection to commercialism and the art world, as William and James Lever started their company in 1885 by making soap products. It all combines for a dizzying prospect, but it helps that the sculpture is really cool to look at, regardless of its history and the grand statements behind it. “Not Warhol (Brillo Boxes, 1964),” which includes an original Brillo packing box in a nearby vitrine, will be on view at Lever House through September 11; Warhol fans will also want to check out “Andy Warhol: The Last Decade,” at the Brooklyn Museum through September 12.

JEAN-MICHEL BASQUIAT: THE RADIANT CHILD

Tamra Davis examines the life of her friend Jean-Michel Basquiat in revealing documentary (photo courtesy of Lee Jaffe)

JEAN-MICHEL BASQUIAT: THE RADIANT CHILD (Tamra Davis, 2010)
Film Forum
209 West Houston St.
July 21 – August 3
212-727-8110
www.filmforum.org
www.jean-michelbasquiattheradiantchild.com

Director Tamra Davis (GUNCRAZY) transports viewers back to the 1980s New York art scene in the intimate documentary JEAN-MICHEL BASQUIAT: THE RADIANT CHILD. In 1986, just as the career of street artist Jean-Michel Basquiat was exploding, Davis filmed him being interviewed by designer Becky Johnson, a revealing portrait that she put away in a drawer for more than twenty years. Davis finally brings out that footage, making it the centerpiece of this new examination of the ambitious, influential artist and musician who experienced massive success before falling hard and fast and dying of a drug overdose at the age of twenty-seven in 1988. Davis, a friend of Basquiat’s, conducts new interviews with many of the people from his inner circle, including art dealers Jeffrey Deitch, Larry Gagosian, Annina Nosei, Tony Shafrazi, and Bruno Bischofberger; Basquiat’s girlfriends Suzanne Mallouk and Kelle Inman; close Basquiat friends Diego Cortez and Fab 5 Freddy; NEW YORK BEAT cable TV host Glenn O’Brien; and fellow artist Julian Schnabel, who directed Basquiat in DOWNTOWN 81. Davis has also dug up amazing footage from the 1980s of Basquiat that shows him to be a unique, driven figure who used whatever he could — from broken windowframes and doors he’d find on the street to immense canvases — to spread his art and world view, which began with drawings in which he identified himself as Samo, criticizing contemporary art as “the same old shit.” Ultimately, though, it was his relationship with Andy Warhol that was the beginning of the end. JEAN-MICHEL BASQUIAT: THE RADIANT CHILD is a dazzling document of a fascinating time and a cautionary tale of success that comes too fast, too soon. Davis will be at Film Forum for the 8:00 shows on July 21-22, with Fab 5 Freddy appearing at the 8:00 screening on July 23.

THE JIM JONES REVUE

The Jim Jones Revue will blast their way through three area shows in three nights (photo by Nathan Seabrook)

Thursday, July 22, Mercury Lounge, 217 East Houston St., $10, 9:30
Friday, July 23, Maxwell’s, 1039 Washington St., $10-$12, 10:00
Saturday, July 24, Knitting Factory Brooklyn, 361 Metropolitan Ave., $10-$12, 9:00
www.myspace.com/thejimjonesrevue

There’ll be a helluva whole lot of shakin’ goin’ on this week as the Jim Jones Revue hits the town for three area shows. Former leader of the UK band Thee Hypnotics, Jim Jones has been fronting the Jim Jones Revue since 2007, playing thrashing punk rhythm & blues loud and fast. The five-piece features Rupert Orton joining Jones on guitar, Elliot Mortimer on piano, Gavin Jay on bass, and Nick Jones on drums. They know how to rip it up and spit it out, melding Jerry Lee Lewis, Little Richard, and Elvis Presley with a raw punk aesthetic, highlighted by Mortimer absolutely killing on the keyboards. Their psychotic brand of raucous rock and roll shrieks and shouts on such triumphant tunage as “Princess & the Frog,” “The Meat Man,” “Another Daze,” and, justifiably, “Rock n Roll Psychosis.” The band’s eponymously titled debut album, which came out in England in 2008 but has just been released on vinyl in the States this month, was recorded over forty-eight straight hours on a four track, with no overdubs, succeeding in capturing the frantic energy of their live shows. The Jim Jones Revue will be at the Mercury Lounge on July 22 with Hunters, at Maxwell’s on July 23 with the Ribeye Bros. and Shilpa Ray & Her Happy Hookers, and at the Knitting Factory Brooklyn on July 24 with Des Roar and Stalkers.

Saturday night’s show should be particularly hot, with New York City’s Des Roar one of the opening bands. The quartet, led by singers Ben Wolcott (guitar) and Lyla Vander (drums), is on the road with their debut album, MAD THINGS (December 2009), a potent combo of surfer rock and 1960s guitar pop and harmonies. Just try not to fall for those all-too-familiar riffs on “Ted Bundy Was a Lady’s Man” and “Ballad of Lil Bangs.” Really. We dare you.

CHAPLIN

Charles Chaplin gets all choked up when he hears about movie festival at Film Forum (courtesy Janus Films)

Film Forum
209 West Houston St.
Through August 5
212-727-8110
www.filmforum.org

As part of Film Forum’s ongoing fortieth anniversary celebration, the famed institution is featuring many outstanding programs throughout the year. Currently, Charles Chaplin’s relatively little-known 1928 comedy, THE CIRCUS, is in the midst of a one-week run, along with the 1922 short THE IDLE CLASS. That double feature is just the appetizer in a three-week cavalcade of Chaplin classics that continues through August 5, consisting of some of the Little Tramp’s most famous and influential works. Born in London in 1889, Chaplin had a troubled childhood that perhaps paved the way for his unique view of the world. One of cinema’s earliest multidisciplinary artists, Chaplin wrote, directed, starred in, and composed original scores for his films, which mix slapstick comedy with incisive social and political commentary. Film Forum will be screening nine of his full-length works in addition to several shorts, all in new 35mm prints, beginning July 22-25 with one of his masterpieces, 1931’s CITY LIGHTS, one of the most heartbreaking films ever made. The series then shifts gears to more sophisticated fare with A WOMAN OF PARIS (1923) and MONSIEUR VERDOUX (1947) before heading to Alaska for THE GOLD RUSH (1925). Chaplin burst through the limitations of film while commenting directly on the impact of sound in 1936’s MODERN TIMES, then took on no less a figure than Adolf Hitler in 1940’s THE GREAT DICTATOR. Five years after Herbert Hoover exiled Chaplin from the United States for his Communist leanings, Chaplin made KING OF NEW YORK (1957), not afraid to take on America on celluloid. The series ends with quite a bang, with Chaplin’s first big hit, THE KID (1921), on August 4, followed the next day by LIMELIGHT (1952), in which he and Buster Keaton mourn the death of the silent film era. Chaplin was one of cinema’s true originals, a man who created a genre-busting visual language that was way ahead of his time.

THE DAILY SHOW AND FRIENDS

John Oliver will have much to say when he joins fellow DAILY SHOW cast members in night of stand-up in Central Park

SummerStage Theater: Comedy Central Park
Rumsey Playfield, Central Park
Wednesday, July 21, free, 8:00
212-360-2777
www.summerstage.org
www.thedailyshow.com

THE DAILY SHOW WITH JOHN STEWART might be on vacation this week, but you can still catch several of the correspondents anyway, who will be performing stand-up at SummerStage in Central Park this Wednesday night. The festivities will be overseen by angry comic Lewis Black, who does the hysterical weekly “Back in Black” segments on THE DAILY SHOW. Among the participants are John Oliver, who recently did some of his funniest stuff with Stewart about the World Cup; military vet and Upright Citizens Brigade member Rob Riggle, who has found humor in Iraq; sleepy-eyed Wyatt Cenac; and executive producer and writer Rory Albanese. The first three thousand attendees will receive a Comedy Central ADDRESS THE MESS eco-conscious tote bag.

PAUL–ANDRÉ FORTIER: SOLO 30X30

Paul–André Fortier will reach out to audiences during thirty-day, thirty-minute lunchtime plaza performances (photo by Kyle Dean Reinford)

River to River Festival
One New York Plaza
Through August 14, free, 12 noon
212-945-0505
www.rivertorivernyc.com/events
www.fortierdanse.blogspot.com

Last Friday, Canadian choreographer Paul–André Fortier began “Solo 30×30,” a month-long site-specific performance that is part of the River to River Festival. For thirty days through August 14, Fortier will be at One New York Plaza at 12 noon, performing a minimalist thirty-minute dance piece that incorporates the urban environment as well as the audience and passers-by. Fortier, the artistic director of Fortier Danse-Création, just received the Chevalier de l’ordre des Arts et des Lettres from France. He has toured “Solo 30×30” throughout the world, including stops in England, France, Canada, Japan, and now the United States.