twi-ny recommended events

SPA WEEK 2010

Devaspa is one of more than 120 spas offering specially priced treatments during Spa Week

Multiple locations
October 11-17, $50
www.spaweek.com

Spa Week, the twice-yearly festival in which spas offer two or three of their services at a special $50 rate, is now nationwide, with spas and sybarites in more than 10 states celebrating from October 11 to 17. But with more than 120 participating spots in Manhattan alone and now a dozen more in Brooklyn, New York City should be its capital. From quiet neighborhood favorites like Serenity Spa on the Upper East Side to laser medispa chains to the big names like Perricone and Trish McEvoy, Spa Week in New York City means being spoiled for choice. Among the offerings, we’re happy to once again spotlight the special seasonal facial at L’Institut Sothys New York; the winter detoxifying vanilla and warming caramel are the ingredients at this sleek New York outpost of the highly esteemed Parisian salon, and the wonderful Rose offers excellent manicures and pedicures at regular rates. It’s exciting to see the Sphatika Experience Spa on the menu: Among the most innovative and unusual spas in Manhattan, Sphatika offers a choice of three $50 facials, one of which includes their far infrared sauna treatment. Sphatika offers a very unusual suite of restorative mind, body, and spirit treatments including detoxifying skin brushing, a steam canopy, and natural quartz crystal skin care. And downtowners can rejoice: Deva Spa, part of the beloved Devachan hair salon, has head-to-toe offerings: a skin-brightening body exfoliation, an express facial and manicure, or an hour-plus deluxe pedicure, each with natural and organic ingredients. Be sure to check out the nearly overwhelming list of spas and salons online; you’ll need to join the SpaWeek mailing list to see them, but it’s free and easy to manage.

DAVID MAMET, A LIFE IN FILM

David Mamet will take a look back on his career in film at the New School

Tishman Auditorium, the New School
66 West 12th St. between Fifth & Sixth Aves.
Wednesday, October 13, $12-$18, 7:00
www.movingimage.us

On October 12, David Mamet’s 1977 behind-the-scenes play, A LIFE IN THE THEATRE, makes its Broadway debut, starring Patrick Stewart and T. R. Knight, joining Mamet’s RACE (with Eddie Izzard, Dennis Haysbert, Afton C. Williamson, and Richard Thomas) on the Great White Way. The next day, Mamet will be at the New School for a rare public conversation, but he will not be talking about his life in the theatre. Instead, the discussion, moderated by Museum of the Moving Image curator David Schwartz, will focus on Mamet’s career as the screenwriter and/or director of such films as HOUSE OF GAMES (1987), THINGS CHANGE (1988), HOMICIDE (1991), GLENGARRY GLEN ROSS (1992), THE SPANISH PRISONER (1997), THE WINSLOW BOY (1999), STATE AND MAIN (2000), HEIST (2001), SPARTAN (2004), and REDBELT (2008), most of which are built around unexpected twists and turns that stray from conventional mainstream Hollywood storytelling. Winner of a Tony, two Obies, and a Pulitzer Prize, Mamet has been nominated for Best Screenplay twice, for THE VERDICT (1982) and WAG THE DOG (1997). The special evening will also feature clips from throughout Mamet’s film career.

NEW YORK COMIC CON: SUCK

Jennifer finds a novel way to get a drink in rock and roll vampire comedy SUCK

Jennifer finds a novel way to get a drink in rock and roll vampire comedy SUCK

SUCK (Rob Stefaniuk, 2009)
New York Comic Con / Anime Festival
Javits Center
11th Ave. between 34th & 39th Sts.
Sunday, October 10, Room 1E02, free with festival admission, 3:30
www.newyorkcomiccon.com
www.suckthemovie.com

Writer, director, songwriter, and star Rob Stefaniuk (PHIL THE ALIEN) was well aware that he was daring critics and audiences to attack his sophomore effort by titling the vampire rock-and-roll horror comedy SUCK. Well, it doesn’t. SUCK, whcih is screening on Sunday afternoon at 3:30 at New York Comic Con, is a playful little piffle about the Winners, a loser of a group that is taking its last shot at the big time, going on a road trip from Toronto to New York City for a supposed CMJ showcase gig set up by their pitiful manager, Jeff (Kid in the Hall Dave Foley). But when bass player Jennifer (Jessica Paré) gets seduced and turned by master vampire Queeny (Dimitri Coats), the band starts getting popular, much to the chagrin of lead singer and songwriter Joey (Stefaniuk), who is not sure this is the best way to make it. Drummer Sam (Mike Lobel), guitarist Tyler (Paul Anthony), and Renfield-as-roadie Hugo (Alex Lifeson) have different ideas, as does afraid-of-the-dark vampire hunter Eddie Van Helsig (Malcolm McDowell). With teeth in neck – er, tongue in cheek – SUCK spoofs several genres in silly but fun ways, throwing in a little ROCKY HORROR here, some THIS IS SPINAL TAP there, and a dash of GET CRAZY over there, with hysterical guest appearances by Alice Cooper as a demonic bartender, Iggy Pop as a suburban record producer, Henry Rollins as an annoying radio host, and well-known vegan Moby as Beef Bellows, the lead singer of the Buffalo-based punk-rock band the Secretaries of Steak.

AUSTIN McCUTCHEN’S PSYCHEDELIC COWBOY SHOW

The Sweetback Sisters will be part of pscyhedelic cowboy show in Brooklyn on October 9

Union Pool
484 Union Ave. at Meeker St.
Saturday, October 9, 9:00
www.myspace.com/unionpool
www.thesweetbacksisters.com

Union Pool is the place to be on October 9 to catch an evening of eclectic (and electric?) country music. The bill features several bands, including Austin McCutchen, the Five Deadly Venoms, and local favorites the Sweetback Sisters. The Sweetbacks are a uniquely attired and entertaining six-piece. Frontwomen Zara Bode and Emily Miller make for a sweet-voxed, talented duo whose love of the stylings of Roger Miller and the Davis Sisters translates into a rollicking pastiche of country crooning and western swing that won’t disappoint admirers of Patsy Cline or Hank Sr. While the Sweetbacks embrace the genre’s kitsch in all its honky-tonk glory — take, for example, such songs as “My Uncle Used to Love Me but She Died” and “I Want to Be a Real Cowboy Girl” — it’s the combo’s top-flight, engaging music that puts it a “two-step” ahead, leaving schtick behind. The band is rounded out by a cast of characters straight out of Characterville: a polymath composer/fiddler from the deep woods of West Virginny, a swingin’ slap-bassist, a fresh-faced mandolin-playing drummer who looks like he should be walking door-to-door handing out tracts, and a lead guitarist whose propulsive surf leads ring out strong from his Telecaster. It all adds up to a combination of odd, inspired covers and sharp originals in a country vein, wells of achingly sweet harmony, and a strong, friendly stage presence.

BUDRUS

Documentary shows Palestinians and Israelis coming together in nonviolent protest

BUDRUS (Julia Bacha, 2009)
Quad Cinema
34 West 13th St.
October 8-14
212-255-8800
www.justvision.org/budrus
www.quadcinema.com

Written, directed, and edited by Julia Bacha, who also served as one of the producers, BUDRUS has been having an impact at film festivals around the world, including Sydney, Dubai, San Francisco, London, Berlin, Jerusalem, and Tribeca. The documentary follows a small group of protesters in the village of Budrus, population 1,500, as they battle the Israeli military, which has been charged with protecting construction workers who are bulldozing the people’s lifeblood, hundreds of acres of olive trees, in order to put up the wall known as the separation barrier, isolating the Palestinians in the West Bank; the “red line” also goes right through the village’s cemetery. But local leader Ayed Morrar decides to try something relatively different for the Middle East, emphasizing nonviolence and even permitting women, including his fifteen-year-old daughter, to participate in their dangerous movement. The Popular Committee Against the Wall’s mission appears destined to fail until they are joined by Jews who believe that the Israeli government needs to reconsider where they are putting up the fence and allow the Palestinians to keep their land and preserve their history. Bacha talks to people on both sides of the struggle, including the Morrars as well as Israeli soldiers Doron Spielman and Yasmine Levi, who all speak honestly about their complex situation. Made by a team of Jews and Palestinians who have formed Just Vision, an organization dedicated to bringing to light nonviolent peacebuilding efforts in the Middle East, BUDRUS could have easily turned into propaganda, but in the end its agenda is something difficult to argue with. The film opens at the Quad on October 8, with Bacha and producer Avni Ronit participating in Q&As following the 8:10 show every night.

LETTERS TO FATHER JACOB

Kaarina Hazard stars as a recently released prisoner trying to put her life back together in Finnish film LETTERS TO FATHER JACOB

LETTERS TO FATHER JACOB (POSTIA PAPPI JAAKOBILLE) (Klaus Härö, 2009)
Cinema Village
22 East 12th St.
Opens Friday, October 8
212-924-3363
www.cinemavillage.com
www.ses.fi

Upon suddenly being pardoned after serving twelve years of a life sentence, Leila Sten (Kaarina Hazard) is offered a position as personal assistant to an elderly blind priest, Father Jacob (Heikki Nousiainen). A hard-edged woman not wanting anyone’s help, Leila has nowhere else to turn, so she accepts the job, although she’s determined to not make it easy for Father Jacob and insists she will be there for only a short time. But Father Jacob, who lives by himself in the country, far from anyone else, is not seeking a housekeeper or a nursemaid; instead, he merely requires Leila to read the letters he receives every day from people in need of a little hope and guidance, asking him to say a prayer for them. Father Jacob then dictates responses for Leila to write down and mail back to his epistolary flock. At first Leila simply throws some of the letters away, but as she warms to the kind, frail priest, she takes another look at her own life and is not sure she likes what she sees. Written and directed by award-winning Finnish filmmaker Klaus Härö (MOTHER OF MINE, ELINA: AS IF I WASN’T THERE), LETTERS TO FATHER JACOB is a gentle, moving story of faith and redemption. Cinematographer Tuomo Hutri shoots many of the interior scenes using only natural light, the characters mostly hidden in dark shadows. Dani Strömbäck’s piano-based score contributes to the slow pace and somber mood of a film that builds like steeping tea toward an emotionally powerful conclusion.

VAJRA SKY OVER TIBET

Thangka Festival in Drepung is one of the many highlights of VAJRA SKY OVER TIBET (photo by John Bush/Direct Pictures)

THE YATRA TRILOGY: VAJRA SKY OVER TIBET (John Bush, 2006)
The Interdependence Project
302 Bowery, third floor (middle buzzer)
Friday, October 8, suggested donation $7-$10, 7:30
www.journeyintobuddhism.com
www.theidproject.org
www.vajra-sky.com

John Bush’s Yatra Trilogy concludes with VAJRA SKY OVER TIBET: JOURNEY INTO AN ENDANGERED WORLD, a reverential documentary that examines the history of the Tibetan people, focusing on the long-standing battle with China. In 1959, the fourteenth Dalai Lama was forced into exile, finding safe haven in India. Although many Tibetans escaped with him, many stayed behind, where they practice their faith under the sharp watch of the Chinese government, which would like to name their own Dalai Lama in time. VAJRA SKY OVER TIBET is the third part of the Yatra Trilogy by producer/director John Bush, following DHARMA RIVER and PRAJNA EARTH, as Bush completes his Buddhist pilgrimage that previously took him to Southeast Asia. Bush, a Western Buddhist himself, gained remarkable access to some of Vajrayana Buddhism’s holiest palaces and sites of worship, including Jokhang Temple in Llasa, the Potala, and the Norbulinka. Bush winds his way through the Drepung Festival, traveling with a Tibetan guide whose name he can’t share because of possible reprisals. Bush narrates much of the film, along with Tenzin L Choegyal, the nephew of the current Dalai Lama, and Dadon, a popular Tibetan singer. The meditative score is by David Hykes and the Harmonic Choir, supplemented with devotional music by Dadon and other Himalayan musicians. Although it often plays too much like a travel show on PBS or the Travel Channel, VAJRA SKY, which has been personally endorsed by the Dalai Lama, is an illuminating look into a fascinating culture that is in serious danger of disappearing. “Tibetan civilization,” writes the Dalai Lama as the film begins, “forms a distinct part of the world’s precious common heritage. Humanity would be the poorer if it were to be lost.” For nearly ninety minutes, with beautiful cinematography, captivating music, and gorgeous settings, Bush takes viewers deep inside a mysterious, peaceful, and threatened world that you will not soon forget. Bush will be on hand for this special screening at the Interdependence Project to participate in a postscreening Q&A — in addition, there will also be a prescreening optional meditation.