twi-ny recommended events

JIM JARMUSCH: THE LIMITS OF CONTROL

Jim Jarmusch will discuss THE LIMITS OF CONTROL as part of Anthology Film Archives’ fortieth anniversary programming (photo by Pipo Fernandez)

Anthology Film Archives
32 Second Ave. at Second St.
Thursday, November 18, 7:30
212-505-5181
www.anthologyfilmarchives.org

Anthology Film Archives was founded in 1969 by Jonas Mekas, Jerome Hill, P. Adams Sitney, Peter Kubelka, and Stan Brakhage as a place where Essential Cinema could be viewed and studied as legitimate works of art and has since expanded its mission, “striving to advance the cause and protect the heritage of a kind of cinema that is in particular danger of being lost, overlooked, or ignored.” As part of the downtown venue’s continuing fortieth anniversary celebration, Ohio-born, New York-based writer-director Jim Jarmusch (STRANGER THAN PARADISE, DOWN BY LAW, DEAD MAN) will be at Anthology on November 18, introducing his 2009 film, THE LIMITS OF CONTROL, which stars Isaach De Bankolé as an assassin and also features Bill Murray, Tilda Swinton, John Hurt, Gael García Bernal, and Paz de la Huerta. In addition, Jarmusch will screen the “Strange to Meet You” segment of COFFEE AND CIGARETTES, starring Roberto Begnini and Steven Wright and which was filmed while Anthology was setting up its current space as its permanent home back in the mid-1980s.

THE A.W.A.R.D. SHOW!

Helen Simoneau will be among the competitors at A.W.A.R.D. competition at the Joyce SoHo (photo by Jo Grabowski)

Joyce SoHo
155 Mercer St. between Houston & Prince Sts.
November 17-20, $18, 7:00
212-242-0800
www.joyce.org

A far cry from DANCING WITH THE STARS and AMERICA’S GOT TALENT, “The A.W.A.R.D. Show!” returns to the Joyce SoHo this week, with twelve emerging choreographers, selected by a panel that judged them on potential, originality, execution and merit, fighting it out for $10,000; similar competitions are going on at the Dance Center of Columbia College Chicago, REDCAT in Los Angeles, Dance Affiliates in Philadelphia, the ODC Theater in San Francisco, and On the Boards in Seattle. Founded in 2005, “The A.W.A.R.D. Show!,” which stands for Artists with Audiences Responding to Dance, fosters an intimate dialogue between performer and viewer, as each dancer puts on a twelve-to-fifteen-minute piece, followed by a moderated open discussion and audience vote. The artists and audiences then convene for a postperformance reception where they can mingle and talk more. On Wednesday, the competitors will be Julie Bour (Compagnie Julie Bour), Eunkyungkim (GoGoVertigoat Dance and/or Performance), Yin Yue, and Takehiro Ueyama (TAKE Dance), while Helen Simoneau, Lauri Stallings (gloATLANTA), Aaron McGloin (Aaron McGloin Dance), and Alejandro Chavez (Compañia Ciudad Interior) will go at it on Thursday and Michel Kouakou (Daara Dance), Christopher Williams, Satoshi Haga (binbinFactory), and Roger Celedonio and Esther Mayda (Alma Boliviana) battling it out on Friday. The three winners of each night will be back on Saturday, when the ultimate victor will be decided by a panel of experts.

NO FEAR: THE FILMS OF CLAIRE DENIS

IFC Center series includes a look at Claire Denis’s career as an assistant director on such films as Jim Jarmusch’s DOWN BY LAW and Wim Wenders’s PARIS, TEXAS

IFC Center
323 Sixth Ave. at Third St.
Through Thursday, November 18
212-924-7771
www.ifccenter.com

The IFC Center is celebrating the Friday release of French writer-director Claire Denis’s WHITE MATERIAL with a retrospective that has already included screenings of such films as CHOCOLAT (1988), BEAU TRAVAIL (1999), and 35 SHOTS OF RUM (2008). The French-born auteur, who was raised in colonial Africa, trained under Costa-Gavras, Jacques Rivette, Jim Jarmusch, and Wim Wenders, and the series turns to that last relationship with Wednesday screenings of Wenders’s stunning WINGS OF DESIRE and Thursday showings of Wenders’s powerful PARIS, TEXAS, both assistant directed by Denis. Also still on the bill are VERS MATHILDE (2005), the short POUR USHARI AHMED MAHMOUD, and L’INTRUS (2004) today, the television drama U.S. GO HOME (1994) and documentary CLAIRE DENIS: LA VAGABONDE (Sébastien Lifshitz, 1996) tomorrow, and NO FEAR, NO DIE (1990) on Thursday.

PAUL AUSTER: SUNSET PARK

Wednesday, November 17, Barnes & Noble Union Square, 33 East 17th St., free, 212-253-0810, 7:00
Thursday, November 18, Book Court, 163 Court St., free, 718-875-3677, 7:00
www.macmillan.com/sunsetpark

Ho hum; another year, another Paul Auster novel that deals with books, baseball, and Brooklyn. But before you dismiss the Newark-born author’s latest, SUNSET PARK (Henry Holt, November 2010, $25), you should also know that it is one of the best works of fiction of this young century. For more than twenty-five years, Auster has been one of America’s most distinguished novelists, having written such superb books as THE NEW YORK TRILOGY (1985-87), THE MUSIC OF CHANCE (1990), LEVIATHAN (1992), and THE BROOKLYN FOLLIES (2005), all of which feature unusual characters caught up in unusual situations often propelled by coincidence. But as good as Auster has been over the course of his career, he has taken a giant leap forward with SUNSET PARK, a marvelously crafted tale that is about a lot more than just books, baseball, and Brooklyn.

Miles Heller is an Ivy League dropout who is still trying to deal with the tragic death of his teenage brother and has fallen in love with a high school student, Pilar Sanchez, who is wise beyond her years but under the thumb of one of her older sisters. Heller hasn’t seen or talked to his long-divorced parents since he suddenly left Brown seven years earlier; his father, Morris, is an independent publisher of highly regarded literary fiction, while his mother, Mary-Lee Swann, is a world-famous Hollywood actress about to take on the challenging lead role in Samuel Beckett’s HAPPY DAYS on Broadway. With nowhere to turn after his personal safety is threatened by Pilar’s sister, Miles, who had been working in South Florida for a realty company, rummaging through houses for valuable items after the bank had evicted the owners, heads back to Brooklyn, where he moves into a squatter’s house across the street from Green-Wood Cemetery, joining his college friend Bing Nathan, who runs the Hospital for Broken Things; Ellen Brice, a lonely painter damaged by a complicated affair; and Alice Bergstrom, a Scandinavian woman with a brutish boyfriend and self-esteem problems who is toiling away on her dissertation, which focuses on William Wyler’s classic 1946 film, THE BEST YEARS OF OUR LIVES, while also working at the PEN American Center, which is trying to gain the release of imprisoned Chinese writer Liu Xiaobo (who actually was just honored with the Nobel Peace Prize in real life). Each of these characters could be the subject of their own book, as Auster fleshes them out wonderfully, getting into their psyche, not unlike how Wyler does in his award-winning movie about the effects WWII had on the American family.

Auster’s writing has always been cinematic — he has written several screenplays and directed films as well — but it’s particularly so in SUNSET PARK, as the longtime Brooklyn resident delves deep into each person’s past, bringing their fears and desires, their successes and failures, to life in long, brilliant passages that don’t want to end; the run-on sentences of the beginning soon flow into breathless narratives, one of which goes on for two and a half pages and some seven hundred words before a disappointing period finally appears. SUNSET PARK is a supremely beautiful book by one of Brooklyn’s best. Auster will be reading from and signing copies of SUNSET PARK on November 17 at the Union Square Barnes & Noble and November 18 at Book Court in Park Slope.

NITZER EBB

Nitzer Ebb will get bodies moving at the Gramercy on November 16 (photo by Emma Cohan)

Gramercy Theatre
127 East 23rd St. at Lexington Ave.
Tuesday, November 16, $33.25, 7:00
www.myspace.com/nitzerebbmusic

While we weren’t part of the initial Nitzer Ebb revolution that began in the mid-1980s with such albums as BASIC PAIN PROCEDURE (1983), THAT TOTAL AGE (1987), SO BRIGHT SO STRONG (1988), and BELIEF (1989), we have quickly fallen under the British band’s powerful techo spell with INDUSTRIAL COMPLEX (Artists Addiction, November 2010), their first new record in fifteen years. When they declare “Get down on your knees” on the disc, we can’t help but get down on our knees, and you’ll be hard-pressed not to as well. And when they proclaim, “Left right left / left right left / move that body / move that body,” with the help of Depeche Mode’s Martin Gore, we get right in line. Essex duo Douglas McCarthy and Vaughn “Bon” Harris fill INDUSTRIAL COMPLEX, which inexplicably took a while to get released here in the States, with big-sounding electro-pop and thrilling techno beats, although they do slow things down on the beautiful Chili Peppers-esque “Going Away from Me.” “Again and again, I come back,” they sing on “I Am Undone,” and indeed they are back, playing a small club gig that is a far cry from their European arena tour in early 2010 supporting Depeche Mode. Joined by drummer Jason Payne, who first played with NE on the 1995 BIG HIT tour, Nitzer Ebb will be at the Gramercy Theatre on November 16, with Tense and Twitch the Ripper opening up.

STRANGER THAN FICTION: 12th & DELAWARE

Documentary looks at battle between prolife center and abortion clinic on a Florida street corner

12th & DELAWARE (Heidi Ewing & Rachel Grady, 2010)
IFC Center
323 Sixth Ave. at Third St.
Tuesday, November 16, $16, 8:00
212-924-7771
www.ifccenter.com
www.hbo.com/documentaries

Heidi Ewing and Rachel Grady, who have teamed up for such documentaries as THE BOYS OF BARAKA (2005), the Oscar-nominated JESUS CAMP (2006), and one segment of FREAKONOMICS (2010), spent a year on the rather indistinct corner of 12th St. & Delaware Ave. in the small community of Fort Pierce, Florida, where an intense battle is waging. On one side of the street sits an abortion clinic, while on the other side is the prolife Pregnancy Care Center. Ewing and Grady are able to get the primarily young, poor pregnant women considering abortion to open up and share their stories as they face one of the most difficult decisions anybody will ever have to make. The women are met by a constant handful of protesters outside the abortion clinic, who try to get them to change their mind and go across the street. Several of the women go to the Pregnancy Care Center by accident, believing it to be the abortion clinic — which is precisely why the center set up shop there — where they are not told of their mistake and are offered money and clothing to not go through with the termination of their pregnancies. They become pawns in a religious and moral battle that Ewing and Grady show can be as infuriating as it is heartbreaking, although the filmmakers do an excellent job of remaining neutral, not casting judgment. Interestingly, while the workers at the prolife center have a lot to say on the issue, the people at the abortion clinic are far more cautious and reserved, with the owner-doctor never being seen on camera but only pulling up in his car (perhaps at least partly for safety reasons, as Kansas abortion doctor George Tiller was murdered during the time the film was being made). This special screening of 12th & DELAWARE, which will be followed by a Q&A with Ewing and Grady, is part of the fourteenth season of IFC’s Stranger than Fiction series, which continues November 23 with Maximilian Schell’s MARLENE (1984) and November 30 with John-Keith Wasson’s SURVIVING HITLER: A LOVE STORY (2010).

YOUTH BRIGADE

Youth Brigade will look back on thirty years of punk Sunday night at the Mercury Lounge

Mercury Lounge
217 East Houston St.
Sunday, November 14, $12-$15, 7:00
www.mercuryloungenyc.com
www.myspace.com/youthbrigadebyo

Thirty years ago, the brothers Stern — Shawn (guitar and vocals), Mark (bass), and Adam (drums) — formed Youth Brigade, a California punk band that went on to record such albums as SOUND & FURY (1982) and TO SELL THE TRUTH (1996) and such tracks as “I Hate My Life,” “Did You Wanna Die,” “Fuck You,” “Somebody’s Gonna Get Their Head Kicked In,” and “Where Are All the Old Man Bars.” Shawn and Mark also founded BYO (Better Youth Organization) Records back in 1982, and the history of the band and the label is captured in the documentary LET THEM KNOW: THE STORY OF YOUTH BRIGADE AND BYO RECORDS (Jeff Alulis, 2009). In honor of their thirtieth anniversary, the band is back out on the road; before heading off on their first European tour in seven years, which will take them to the Netherlands, Greece, Germany, Italy, France, Switzerland, Belgium, and Spain, they’ll be making a highly anticipated stop at the Mercury Lounge on November 14. The festivities begin at 7:00 with a screening of LET THEM KNOW, followed by live performances by TV Tramp at 8:30 and the Scandels at 9:10 before the headliners take the stage at 10:00. Just be ready for YB to rip up the halls and tear down the walls, and beware that pool of blood on the dance hall floor. . . .