twi-ny recommended events

BALLHAUS NAUNYNSTRASSE

Ballhaus Naunynstrasse will make its American debut at PS122 this week (photo © Ute Langkafel, Maifoto)

9th Space, PS122
150 First Ave. at Ninth St.
November 17-21, free
212-352-3101
www.ballhausnaunynstrasse.de
www.9thspace.org

The Berlin-based Ballhaus Naunynstrasse will move into PS122 for four performances of two productions this week, all free with RSVP. The self-described young postmigrant theater company is making its American debut today and tomorrow night at 8:00 with FERIENLAGER (HOLIDAY CAMP) — THE 3RD GENERATION, followed Saturday at 8:00 and Sunday at 4:00 by KLASSENTREFFEN (CLASS REUNION) — THE 2ND GENERATION. Both directed by Lukas Langhoff, the plays examine the lives of German Turks in Berlin; the former stars Ozan Aksu, Kader Arslan, Tamer Arslan, Ibrahim-Utku Erdogan, Duygu Sebnem Ince, Eray Kaya, Esra Kirtay, Lale Mahrt, Alkim Tas, and Çidem Topbas, while the latter features Tuna Basgerdan, Hülya Duyar, Özcan Mutlu, Dilek Sillmann-Bölükgiray, Ünal Yüksel, and Emel Zeynelabidin.

LAR LUBOVITCH DANCE COMPANY

“Coltrane’s Favorite Things” is one of three works the Lar Lubovitch Dance Company will perform November 18-21 at the Baryshnikov Arts Center

Baryshnikov Arts Center
450 West 37th St.
Thursday, November 18, benefit, $250-$1,000
November 19-21, $15-$45
www.bacnyc.org
www.lubovitch.org

The Lar Lubovitch Dance Company, founded in 1968 by the Chicago-born, New York City-based Lubovitch, will present its fall season at the Baryshnikov Arts Center this week, beginning with a benefit on November 18 that includes a preshow reception and postperformance light dinner and after-party. Lubovitch, who was nominated for a Tony for his choreography for the Broadway hit INTO THE WOODS, created a ballet that has been performed by the American Ballet Theatre and the National Ballet of Canada, and has choreographed ice-skating routines for such Olympic stars as Peggy Fleming, Dorothy Hamill, and the duo of Robin Cousins and Rosalynn Sumners, will be presenting the world premiere of “Legend,” set to Johannes Brahms’s Quintet for Piano in F Minor, in addition to a revival of the 1978 “North Star,” featuring music by Philip Glass, and “Coltrane’s Favorite Things,” set to jazz saxophonist John Coltrane’s unique take on the Rodgers and Hammerstein standard. The works will be performed by Jonathan E. Alsberry, Reid Bartelme, Nicole Corea, Attila Joey Csiki, Jenna Fakhoury, Jason McDole, Brian McGinnis, Laura Rutledge, Katarzyna Skarpetowska, and Christopher Vo.

(updated) Lar Lubovitch’s fall season at the Baryshnikov Arts Center begins with one of its signature pieces, 1978’s “North Star,” and it perfectly sums up the Chicago native’s choreographic vocabulary, which consists of a lot of flowing, swinging motion, big smiles, unchallenging music, and synchronous group movement. And that’s exactly how Lubovitch likes it, without irony or any kind of edge. His dances celebrate dance itself through feel-good pieces that mix elements of Broadway, ballet, and even figure skating. “North Star,” which features one of Philip Glass’s more uninspired compositions, is followed by the duet from Lubovitch’s 1999 “Meadow,” a beautiful pas de deux performed by Katarzyna Skarpetowska and Brian McGinnis to Gavin Bryars’s “Incipit Vita Nova.” For a long stretch Skarpetowska doesn’t touch the ground, instead twisting around McGinnis in unique ways. After an intermission, the full company returns for the world premiere of “The Legend of Ten,” which at times feel likes a silent film as the dancers act out scenes to Johannes Brahms’s “Quintet for Piano, Two Violins, Viola and Cello in F Minor, Opus 34.” They form a circle and dance a kind of hora, they nearly bring their hands together in claps, they float in and around one another as if at a wedding in a John Ford Western, and they watch the other dancers from the wings as they cross the stage as if one of the gangs in WEST SIDE STORY. The evening concludes with “Coltrane’s Favorite Things,” which premiered earlier this year. Lubovitch chooses a live performance by Coltrane, from Copenhagen in 1963, an odd decision, especially when the soundtrack includes applause from the Danish audience after a particularly powerful sax solo. Once again, the duets are more effective than the larger group gatherings, with Skarpetowska this time standing out with Jonathan E. Alsberry.

ANNE MORGAN’S WAR: REBUILDING DEVASTATED FRANCE 1917-1924

Anne Morgan and Anne Murray Dike, founders of the American Committee for Devastated France Blérancourt, ca. 1919–1921, sulfur-toned silver print (courtesy Franco-American Museum, Château de Blérancourt)

Morgan Library
225 Madison Ave. at 36th St.
Tuesday – Sunday through November 21
Admission: $8-$12 (free Friday nights from 7:00 to 9:00
212-685-0008
www.themorgan.org

War can bring out the worst in people, but it can also bring out their best. Deeply affected by the devastation suffered by France during World War I, Anne Tracy Morgan, daughter of the late financier J. Pierpont Morgan, led the American Committee for Devastated France from 1917 to 1924, as some 350 women, living in barracks in Blérancourt not far from the front, raised funds and provided food, clothing, medical care, and education to the French people, particularly children. The civilian wing of the American Fund for French Wounded, which was founded by Morgan and Isabel Lathrop in 1915, the organization also published weekly bulletins and commissioned photographs and film, much of which is on view at the Morgan Library through Sunday in the exhibition “Anne Morgan’s War: Rebuilding Devastated France 1917-1924,” which tells a remarkable story of French-American cooperation that continues today at the Franco-American Museum of the Château of Blérancourt.

One of seven photographic portraits of Mark Twain, each inscribed by Twain, gelatin silver prints on card, 1906

It’s a terrific time to visit the Morgan, which has several other excellent shows up through the new year. “Mark Twain: A Skeptic’s Progress” includes more than 120 of Samuel Clemens’s original manuscripts, photographs, diaries, rare books and letters, and other fascinating paraphernalia, held in honor of the 175th anniversary of his birth. As part of the Morgan’s free Friday night programming, Declan Kiely will lead a tour of the exhibit at 7:00. In addition, December 5’s Winter Family Day Celebration will feature live performances by characters from Twain’s work as well as Charles Dickens’s, whose A CHRISTMAS CAROL will also be on view. And on December 7, Twain scholar Shelley Fisher Fishkin will deliver the lecture “Originally of Missouri, Now of the Universe: Mark Twain and the World.” The wonderful “Roy Lichtenstein: The Black-and-White Drawings, 1961-1968” comprises fifty-five large-scale drawings that reveal Lichtenstein beginning to incorporate pop-culture imagery into his work, which would explode into bright, bold comic-book colors in the 1970s. On Saturday afternoon, the symposium “Lichtenstein in Context: Drawing in the 1960s” will examine the techniques used by Lichtenstein and his contemporaries. And the excellent but small “Degas: Drawings and Sketchbooks” includes twenty of the French artist’s beautiful drawings along with two sketchbooks.

JIM JARMUSCH: THE LIMITS OF CONTROL

Jim Jarmusch will discuss THE LIMITS OF CONTROL as part of Anthology Film Archives’ fortieth anniversary programming (photo by Pipo Fernandez)

Anthology Film Archives
32 Second Ave. at Second St.
Thursday, November 18, 7:30
212-505-5181
www.anthologyfilmarchives.org

Anthology Film Archives was founded in 1969 by Jonas Mekas, Jerome Hill, P. Adams Sitney, Peter Kubelka, and Stan Brakhage as a place where Essential Cinema could be viewed and studied as legitimate works of art and has since expanded its mission, “striving to advance the cause and protect the heritage of a kind of cinema that is in particular danger of being lost, overlooked, or ignored.” As part of the downtown venue’s continuing fortieth anniversary celebration, Ohio-born, New York-based writer-director Jim Jarmusch (STRANGER THAN PARADISE, DOWN BY LAW, DEAD MAN) will be at Anthology on November 18, introducing his 2009 film, THE LIMITS OF CONTROL, which stars Isaach De Bankolé as an assassin and also features Bill Murray, Tilda Swinton, John Hurt, Gael García Bernal, and Paz de la Huerta. In addition, Jarmusch will screen the “Strange to Meet You” segment of COFFEE AND CIGARETTES, starring Roberto Begnini and Steven Wright and which was filmed while Anthology was setting up its current space as its permanent home back in the mid-1980s.

THE A.W.A.R.D. SHOW!

Helen Simoneau will be among the competitors at A.W.A.R.D. competition at the Joyce SoHo (photo by Jo Grabowski)

Joyce SoHo
155 Mercer St. between Houston & Prince Sts.
November 17-20, $18, 7:00
212-242-0800
www.joyce.org

A far cry from DANCING WITH THE STARS and AMERICA’S GOT TALENT, “The A.W.A.R.D. Show!” returns to the Joyce SoHo this week, with twelve emerging choreographers, selected by a panel that judged them on potential, originality, execution and merit, fighting it out for $10,000; similar competitions are going on at the Dance Center of Columbia College Chicago, REDCAT in Los Angeles, Dance Affiliates in Philadelphia, the ODC Theater in San Francisco, and On the Boards in Seattle. Founded in 2005, “The A.W.A.R.D. Show!,” which stands for Artists with Audiences Responding to Dance, fosters an intimate dialogue between performer and viewer, as each dancer puts on a twelve-to-fifteen-minute piece, followed by a moderated open discussion and audience vote. The artists and audiences then convene for a postperformance reception where they can mingle and talk more. On Wednesday, the competitors will be Julie Bour (Compagnie Julie Bour), Eunkyungkim (GoGoVertigoat Dance and/or Performance), Yin Yue, and Takehiro Ueyama (TAKE Dance), while Helen Simoneau, Lauri Stallings (gloATLANTA), Aaron McGloin (Aaron McGloin Dance), and Alejandro Chavez (Compañia Ciudad Interior) will go at it on Thursday and Michel Kouakou (Daara Dance), Christopher Williams, Satoshi Haga (binbinFactory), and Roger Celedonio and Esther Mayda (Alma Boliviana) battling it out on Friday. The three winners of each night will be back on Saturday, when the ultimate victor will be decided by a panel of experts.

NO FEAR: THE FILMS OF CLAIRE DENIS

IFC Center series includes a look at Claire Denis’s career as an assistant director on such films as Jim Jarmusch’s DOWN BY LAW and Wim Wenders’s PARIS, TEXAS

IFC Center
323 Sixth Ave. at Third St.
Through Thursday, November 18
212-924-7771
www.ifccenter.com

The IFC Center is celebrating the Friday release of French writer-director Claire Denis’s WHITE MATERIAL with a retrospective that has already included screenings of such films as CHOCOLAT (1988), BEAU TRAVAIL (1999), and 35 SHOTS OF RUM (2008). The French-born auteur, who was raised in colonial Africa, trained under Costa-Gavras, Jacques Rivette, Jim Jarmusch, and Wim Wenders, and the series turns to that last relationship with Wednesday screenings of Wenders’s stunning WINGS OF DESIRE and Thursday showings of Wenders’s powerful PARIS, TEXAS, both assistant directed by Denis. Also still on the bill are VERS MATHILDE (2005), the short POUR USHARI AHMED MAHMOUD, and L’INTRUS (2004) today, the television drama U.S. GO HOME (1994) and documentary CLAIRE DENIS: LA VAGABONDE (Sébastien Lifshitz, 1996) tomorrow, and NO FEAR, NO DIE (1990) on Thursday.

PAUL AUSTER: SUNSET PARK

Wednesday, November 17, Barnes & Noble Union Square, 33 East 17th St., free, 212-253-0810, 7:00
Thursday, November 18, Book Court, 163 Court St., free, 718-875-3677, 7:00
www.macmillan.com/sunsetpark

Ho hum; another year, another Paul Auster novel that deals with books, baseball, and Brooklyn. But before you dismiss the Newark-born author’s latest, SUNSET PARK (Henry Holt, November 2010, $25), you should also know that it is one of the best works of fiction of this young century. For more than twenty-five years, Auster has been one of America’s most distinguished novelists, having written such superb books as THE NEW YORK TRILOGY (1985-87), THE MUSIC OF CHANCE (1990), LEVIATHAN (1992), and THE BROOKLYN FOLLIES (2005), all of which feature unusual characters caught up in unusual situations often propelled by coincidence. But as good as Auster has been over the course of his career, he has taken a giant leap forward with SUNSET PARK, a marvelously crafted tale that is about a lot more than just books, baseball, and Brooklyn.

Miles Heller is an Ivy League dropout who is still trying to deal with the tragic death of his teenage brother and has fallen in love with a high school student, Pilar Sanchez, who is wise beyond her years but under the thumb of one of her older sisters. Heller hasn’t seen or talked to his long-divorced parents since he suddenly left Brown seven years earlier; his father, Morris, is an independent publisher of highly regarded literary fiction, while his mother, Mary-Lee Swann, is a world-famous Hollywood actress about to take on the challenging lead role in Samuel Beckett’s HAPPY DAYS on Broadway. With nowhere to turn after his personal safety is threatened by Pilar’s sister, Miles, who had been working in South Florida for a realty company, rummaging through houses for valuable items after the bank had evicted the owners, heads back to Brooklyn, where he moves into a squatter’s house across the street from Green-Wood Cemetery, joining his college friend Bing Nathan, who runs the Hospital for Broken Things; Ellen Brice, a lonely painter damaged by a complicated affair; and Alice Bergstrom, a Scandinavian woman with a brutish boyfriend and self-esteem problems who is toiling away on her dissertation, which focuses on William Wyler’s classic 1946 film, THE BEST YEARS OF OUR LIVES, while also working at the PEN American Center, which is trying to gain the release of imprisoned Chinese writer Liu Xiaobo (who actually was just honored with the Nobel Peace Prize in real life). Each of these characters could be the subject of their own book, as Auster fleshes them out wonderfully, getting into their psyche, not unlike how Wyler does in his award-winning movie about the effects WWII had on the American family.

Auster’s writing has always been cinematic — he has written several screenplays and directed films as well — but it’s particularly so in SUNSET PARK, as the longtime Brooklyn resident delves deep into each person’s past, bringing their fears and desires, their successes and failures, to life in long, brilliant passages that don’t want to end; the run-on sentences of the beginning soon flow into breathless narratives, one of which goes on for two and a half pages and some seven hundred words before a disappointing period finally appears. SUNSET PARK is a supremely beautiful book by one of Brooklyn’s best. Auster will be reading from and signing copies of SUNSET PARK on November 17 at the Union Square Barnes & Noble and November 18 at Book Court in Park Slope.