twi-ny recommended events

BIG APPLE BARBECUE BLOCK PARTY

Perhaps the weather will cut down the ridiculously long lines at annual Big Apple Barbecue in Madison Square Park (photo by twi-ny/mdr)

Madison Square Park
23rd to 26th Sts. between Fifth & Madison Aves.
Saturday, June 11, and Sunday, June 12, 11:00 am – 6:00 pm
Admission: free; $8 per plate of barbecue, $4 per dessert
www.bigapplebbq.org
www.madisonsquarepark.org

When it first began nine years ago, we were instantly addicted to the Big Apple Barbecue Block Party, in which BBQ experts from around the country offered their delectable delights in a city starving for good ’cue. But soon the crowds became so ridiculous, the lines hours and hours long, that it just wasn’t worth it. And then the Union Square Hospitality Group, which sponsors the event in Madison Square Park, began selling a Fastpass a few years ago, a ticket that allows you to pay extra to cut the line — and then those lines started getting long as well. It all left a bad taste in the mouth, but we’re willing to give it another shot, all in the anticipation of fine barbecue; we’re also thinking that maybe the weather will keep a lot of people away. This year’s pitmasters include Joe Duncan from Baker’s Ribs in Dallas (St. Louis-style ribs), Mike Emerson from Pappy’s Smokehouse in St. Louis (baby back ribs), Chris Lilly from Big Bob Gibson Bar-B-Q in Decatur (pulled pork shoulder), Patrick Martin from Martin’s Bar-B-Que Joint in Nashville (western Tennessee-style whole hog), the ever-popular Mike Mills of 17th Street Bar & Grill in Murphysboro (baby backs), Raleigh’s Ed Mitchell (whole hog, all-natural whole turkey barbecue), Jimmy Hagood from BlackJack Barbecue in Charleston (pulled pork shoulder), Tommy Houston from the Checkered Pig in Danville (St. Louis-style ribs), Myron Nixon from Jack’s Old South in Unadilla (beef brisket), Garry Roark from Ubon’s Barbeque of Yazoo (pulled pork shoulder), Drew Robinson from Jim ‘N’ Nick’s Bar-B-Q in Birmingham (smoked sausage), and Michael Rodriguez from the Salt Lick Bar-B-Que in Driftwood (beef brisket sausage). There are also several booths from New York City, but we never understand why people would wait two or three hours to get a small plate of food from a restaurant they can go to anytime they want. Bambi Kino, Guitar Shorty, and Dale Watson will perform on Saturday, with Doug Wamble, Those Darlins, and Black Joe Lewis & the Honeybears playing on Sunday. Among the free seminars are “Corn: The Great Comrade,” “Dips & Drinks,” “The Raw Deal: Killer Sides from Raw Ingredients,” “Southern Living Fourth of July Feast,” “Kentucky Toast,” and “To Live and Die in Avoyelles Parish.”

BROOKLYN FOLK FESTIVAL 2011

Brooklyn Waterfront Artists Coalition (BWAC)
499 Van Brunt St.
June 10-12, $20 per day, $55 weekend pass
718-596-2506
www.brooklynfolkfest.com

Brooklyn’s vibrant grass-roots music scene is on display this weekend at the third annual Brooklyn Folk Festival, which will feature both old-school performers from the golden age of 1960s folk as well as newer acts, with styles spanning the folk spectrum, from bluegrass and old-time string band to jug band, acoustic blues, and world music from Africa, Mexico, and Eastern Europe. The festival got under way Friday night at atmospheric local hot spot Jalopy with a full lineup that included such legends as Peter Stampfel and Tommy “Uncle Monk” Ramone in addition to the prolific Feral Foster, host of the venue’s weekly free “Roots and Ruckus” series. On Saturday and Sunday the action shifts to the Brooklyn Waterfront Artists Coalition, a spacious gallery located in a Civil War-era warehouse at the end of Van Brunt St. in Red Hook. The diverse roster of musicians appearing throughout each afternoon and into the evening reads like a veritable who’s who of local talent. Among the many acts performing are Brooklyn’s reunited Roulette Sisters, acclaimed bluesman “Blind Boy” Paxton, the infectious male/female amplified guitar ‘n’ drums duo Boom Chick, and North Carolinian banjo player Clifton Hicks, who specializes in traditional Appalachian mountain music. There will also be screenings of films by John Cohen and from the archives of Alan Lomax (free with day or weekend pass), a Hazel Dickens Singing Workshop, Beginning and Intermediate Old Time Jamming with Alan Friend, Songs of the Sea and Tavern group singing with Heather Wood, and Banjo: Tunings and Styles in Old Time Music with Down Home radio host Eli Smith, each an additional $10.

EGG ROLLS & EGG CREAMS ’11

The Chinese and Jewish communities of the Lower East Side will come together for annual Egg Rolls & Egg Creams Festival on Eldridge St. (photo by twi-ny/mdr)

Museum at Eldridge Street
12 Eldridge St. between Canal & Division Sts.
Sunday, June 12, 12 noon – 4:00 pm
Admission: free
212-219-0302
www.eldridgestreet.org

The eleventh annual Egg Rolls & Egg Creams block party will bring together the Jewish and Chinese communities of the Lower East Side on June 12 for what is always a fun day of food and drink, live music and dance, history, culture, and lots more. Among the highlights of the festival are the kosher egg creams and egg rolls, yarmulke and challah workshops, tea ceremonies, a genealogy clinic, Yiddish and Chinese lessons, Hebrew and Chinese calligraphy classes, mah jongg, cantorial songs, Jewish paper cutting and Chinese paper folding, face painting, and free tours (in English and Chinese) of the wonderfully renovated Eldridge St. Synagogue, which now boasts the East Window designed by Kiki Smith and Deborah Gans. Last year’s performers, many of whom will be back again on Sunday, included the Chinatown Senior Center Folk Orchestra, Qi Shu Fang’s Peking Opera, the Shashmaqam Bukharan Jewish Cultural Group, Ray Muziker Klezmer Ensemble, and Cantor Eric Freeman.

QUEEN OF THE SUN: WHAT ARE THE BEES TELLING US?

Artist, beekeeper, and energy healer Sara Mapelli performs a ritual dance in QUEEN OF THE SUN (photo by Ruby Bloom)

QUEEN OF THE SUN: WHAT ARE THE BEES TELLING US? (Taggart Siegel, 2010)
Cinema Village
22 East 12th St.
June 10-16, 1:00, 3:00, 5:00, 7:00, 9:00
212-924-3363
www.queenofthesun.com
www.cinemavillage.com

In a November 1923 lecture, Austian anthroposopher Rudolf Steiner said, “Perhaps you noticed something about the entire nature of beekeeping, something, I would say, of the nature of an enigma. The beekeeper is understandably interested above all in what must be done. Actually, every human being should show the greatest interest in this subject, because, much more than you can imagine, our lives depend upon beekeeping.” Steiner also predicted that bees would disappear from the face of the earth in eighty to one hundred years. Sadly, Taggart Siegel’s compelling documentary about colony collapse disorder, Queen of the Sun, reveals that Steiner just might be right. Siegel (The Real Dirt on Farmer John) meets with experts around the world, including author Michael Pollan, biodynamic beekeeper Gunther Hauk, philosopher Horst Kornberger, Indian activist and physicist Vandana Shiva, Slow Food International president Carlo Petrini, molecular biologist Johannes Wirz, entomologist May Berenbaum, and such serious, oddball, and quirky beekeepers as Yvon Archard, Michael Thiele, David Heaf, Gunther Friedmann, Massimo Carpinteri, Ron Breland, and Warren Thompson, who talk about how integral bees are not only to the natural environment but to the very future of humanity. They also proudly show off their rather close personal relationships with their queens and hardworking drones as they discuss the hazards of monoculture, corporate migratory beekeeping, pesticide usage, and other factors that have led to the frightening disappearance of millions of colonies. “We could call it colony collapse of the human being too,” Hauk says. The film, which also includes a look at the legal battle over beekeeping in New York City, begins and ends with artist, energy healer, and beekeeper Sara Mapelli performing a ritual dance covered with some twelve thousand bees. Queen of the Sun has built quite a buzz, having won awards at festivals around the world, including the Planet in Focus Film Festival; it opens at Cinema Village today for a one-week run, the perfect prelude to National Pollinator Week, which takes place June 20–26. You’ll never look at honey the same way again.

DRAMA QUEENS — THE SOAP OPERA IN EXPERIMENTAL AND INDEPENDENT CINEMA: FAR FROM HEAVEN

Julianne Moore faces a family crisis in Todd Haynes’s FAR FROM HEAVEN

FAR FROM HEAVEN (Todd Haynes, 2002)
MoMA Film
Museum of Modern Art
11 West 53rd St. between Fifth & Sixth Aves.
Saturday, June 11, 5:00
Series continues through June 19
Tickets: $10, in person only, may be applied to museum admission within thirty days, same-day screenings free with museum admission, available at Film and Media Desk
212-708-9400
www.moma.org
www.farfromheavenmovie.com

Douglas Sirk and Thomas Mann would be proud. In Todd Haynes’s wonderfully retro Far from Heaven, Oscar-nominated Julianne Moore is amazing as 1950s housewife Cathy Whitaker, who thinks she has the perfect idyllic suburban life — until she discovers that her husband (Dennis Quaid) has a secret that dare not speak its name. Mr. & Mrs. Magnatech they are not after all. When she starts getting all chummy with the black gardener (Dennis Haysbert), people start talking, of course. Part Imitation of Life (Douglas Sirk, 1959), part Death in Venice, and oh-so-original, Haynes’s awesome achievement will have you believing you’re watching a film made in the 1950s, propelled by Elmer Bernstein’s excellent music, Edward Lachman’s remarkable photography, and Mark Friedberg’s terrific production design. Far from Heaven is screening at MoMA on June 11 with Tom Kalin’s 1991 short finally destroy us as part of the series “Drama Queens — The Soap Opera in Experimental and Independent Cinema,” which continues with such films as Sirk’s All That Heaven Allows (1955), Bette Gordon’s Variety (1984), and Rainer Werner Fassbinder’s Angst essen Seele auf (Ali: Fear Eats the Soul) (1973), many of which are also paired with short works.

THEATRE FOR ONE IN TIMES SQUARE

Artistic director Christine Jones welcomes adventurous theatergoers back to unique Times Square venue (photo by twi-ny/mdr)

Duffy Square, 46th St. & Broadway
Through June 12
Admission: free (donations accepted)
www.theatreforone.com
online slide show

Last May, Tony-nominated set designer Christine Jones (American Idiot, Spring Awakening) opened up a very different kind of theater in Times Square, a unique venue that was not so concerned with glamour, glitz, long runs, and attendance figures. Set in a converted rock-and-roll road box designed by Ada Tolla, Giuseppe Lignano, and Baptiste Thevenon of LOT-EK, Theatre for One is back in Duffy Square, offering private vignettes for one person at a time in a space that is part confessional, part peep show. The short works, written by Zayd Dohrn, Stephanie Fleischman, Jacquelyn Reingold, Emily Schwend, and Beau Willimon, were commissioned specifically for TFO and will be performed by actor and magician Steve Cuiffo, Obie winner Birgit Huppuch (Ariana), Tony nominee Marin Ireland (reasons to be pretty), television and theater actress Tasha Lawrence, and Drama Desk nominee Dallas Roberts (Nocturne, The L Word), who also just happens to be married to Jones. Lighting and costumes are by Ana Cappelluto. Admission is free, but it’s first come, first served, so be prepared for some long lines if you go at prime time. (Afternoon and evening performances are scheduled for Thursday and Friday 7:00 – 11:30, Saturday 4:00 – 6:00 and 7:00 – 11:00, and Sunday 4:00 – 7:30.)

TRISHA BROWN DANCE COMPANY: ROOF PIECE

Trisha Brown Dance Company, “Roof Piece,” 1971 (photo by Babette Mangolte)

The High Line
Enter at 13th St. & Gansevoort
June 9-10, 7:00 pm
June 11, 5:00 & 7:00 pm
Admission: free
www.thehighline.org
www.trishabrowncompany.org
twi-ny slideshow

The Trisha Brown Dance Company has had quite a fortieth anniversary year, performing old and new works all over the world, including special shows at the Whitney and MoMA. They are concluding the celebration with a re-creation of their seminal 1971 dance “Roof Piece,” which will take place June 9-11 on rooftops surrounding the south end of the High Line. Unseen on outdoor rooftops since 1973, the piece, which is part of the High Line Art program, will feature the dancers — Neal Beasley, Elena Demyanenko, Dai Jian, Leah Morrison, Tamara Riewe, Nicholas Strafaccia, Laurel Tentindo, Samuel von Wentz, and Lee Serle — reacting to one another’s movement with improvisation. Admission is free and no RSVP is required, but be prepared for long lines to witness this wholly unique and exciting experience. The High Line is also likely to be crowded now that section two just opened, extending the former abandoned railway, which has been turned into a beautiful park, all the way to Thirtieth St. And keep a look-out for the various art projects along the High Line, including Kim Beck’s “Space Available,” which can also be found on surrounding rooftops; Julianne Swartz’s “Digital Empathy” sound pieces; Sarah Sze’s “Still Life with Landscape (Model for a Habitat)”; Stephen Vitiello’s “A Bell for Every Minute” installation; Spencer Finch’s “The River That Flows Both Ways,” about the Hudson; and official High Line photographer Joel Sternfeld’s “A Railroad Artifact, 30th St., May 2000.”

Trisha Brown Dance Company triumphantly re-creates seminal “Roof Piece” along the High Line to conclude fortieth anniversary (photo by twi-ny/mdr)

Update: On a beautiful early Friday evening on the High Line, Trisha Brown re-created her thrilling “Roof Piece” as hundreds of visitors lined the southern end of the High Line. Nine dancers wearing bold red outfits were spaced around the elevated park, two on the High Line itself, seven others scattered on surrounding rooftops, one dancer nearly within arm’s reach, another far off in the distance, barely visible. Improvised within a set dance vocabulary, the work begins as one dancer improvises the first move, which is then repeated as it travels from dancer to dancer in a specific order that recalls a visual game of telephone (and is then reversed), only without any mangling of the words. Although they’re all performing the same slow movements, they each come off in different manners, one dancer seen against the blue sky, another against a white brick wall, a third against the Jersey skyline, a fourth in a rectangular doorway that resembles a framed work of art. In an odd way, they recall Antony Gormley’s life-size, rooftop statues (“Event Horizon”) that filled Madison Square Park and the Flatiron District last year. There is no single place to be able to see all the dancers at once, so make your way around the area to catch each one. The thirty-minute performance, which concludes TBDC’s fortieth anniversary year, will be repeated Saturday at 5:00 and 7:00, with Sunday as a rain date in case one of the shows is canceled because of bad weather.