twi-ny recommended events

BICYCLE FILM FESTIVAL 2011

RACING TOWARDS RED HOOK is one of the highlights of the Bicycle Film Festival

Spencer Brownstone, 3 Wooster St. at Canal St.
Anthology Film Archives, 32 Second Ave. at Second St.
June 23-26
Tickets: $10 per film, Sunday pass $20 (all four programs), festival pass $40 (all programs)
www.bicyclefilmfestival.com

While New Yorkers continue their ever-present debate over the viability of bicycles and bike lanes in Manhattan, the Bicycle Film Festival rolled into town last night with a kickoff party at Santos Party House, and the festivities continue tonight with the opening of the Joyride Art Show at Spencer Brownstone, featuring bike-related imagery from such artists as Albert Maysles, Cheryl Dunn, Edwin De La Rosa, Jake Klotz, Leo Fitzpatrick, Mimi Gross, Mint and Serf, and Ryan Humphrey, followed by an after-party at Lit Lounge with Frances Rose, Unsolved Mysteries, Imaginary Friends, and DJs Dirtyfinger, Ramblinworker, and Joshua Wildman & Fancy. Screenings get under way Friday night at Anthology Film Archives, three days of film and video that involve bicycles, from Rob Luehrs’s one-minute commercial, Crazy About You, to Richard Press’s highly praised Bill Cunningham New York, from Lori Samsel’s stop-motion animated Snack Track, made with Japanese rice crackers, to Ben Lenzner’s The Backwards Rider, from Jessica Scott & Hyde Harper’s Racing Towards Red Hook, about a brakes-free race, to Spike Jonze’s Mark on Allen, in which skateboarder Mark Gonzales tries a series of tricks on Allen St. Friday night’s Program 2 will include a live performance by Richard Barone, with background video by Jonas Mekas. And on Saturday, the BFF Street Party will feature special activities and vendors, a BMX Jam, and more.

APICHATPONG WEERASETHAKUL: PRIMITIVE

Apichatpong Weerasethakul installation at New Museum is an enlightening experience

New Museum of Contemporary Art
235 Bowery at Prince St.
Wednesday – Sunday through July 3, $12 (Thursdays free 7:00 – 9:00)
212-219-1222
www.newmuseum.org
www.animateprojects.org

Light and memory are the driving forces behind Thai visual artist and filmmaker Apichatpong Weerasethakul’s exhilarating “Primitive” installation, on view at the New Museum through July 3. Over his nearly decade-long career, Weerasethakul has made beautiful, slow-paced, bittersweet films that combine dreamlike imagery with nature and deep personal introspection. In such works as Blissfully Yours (2002), Tropical Malady (2004), Syndromes and a Century (2006), and his latest, the subtly elegant Palme d’Or winner Uncle Boonmee Who Can Recall His Past Lives (2010), Weerasethakul creates involving, atmospheric tales that often include elements of magical realism while blurring the lines between past, present, and future. “Apichatpong Weerasethakul: Primitive” takes a similar course through a collection of nine interrelated short films set in the rural farming village of Nabua, the site of political and social upheaval and military intervention during the 1960s and ’70s. The hypnotic works, some screened in their own room, others shown en masse in a central area, meld fact and fiction, fantasy and reality. In Making of the Spaceship, members of the community build a time-travel clubhouse; in A Dedicated Machine, the resulting spaceship continuously rises in the distant horizon.

Apichatpong Weerasethakul explores reincarnation and transformation in multimedia installation

In I’m Still Breathing, teens run down a street and jump on a moving truck as a power-pop song by Modern Dog blasts away; in Phantoms of Nabua, a group of kids play around at night with a fireball, kicking it around until it reveals a projector behind a cloth screen. In An Evening Shoot, teens with a rifle pretend to shoot a friend walking through a grassy rice field, while in Nabua Song, a man pays tribute to Nabua’s military heroes. In the two-channel Primitive, a man relates a La Jetée–like story involving a legendary widow ghost, bathed in deep blacks and blurry reds. The slow, calm pace of the films are all interrupted by the crashing images and sounds of Nabua, as bolts of lightning rattle down from the sky, lighting up the village. According to Weerasethakul, “‘Primitive’ is about reincarnation and transformation. It’s a celebration of destructive force in nature and in us that burns in order to be reborn and mutate.” Take your time as you make your way around “Apichatpong Weerasethakul: Primitive,” an inventive, enlightening installation that offers myriad rewards, sometimes in the minutest of details, from one of the world’s most creative and innovative filmmakers. (Also on view at the New Museum is “Gustav Metzger: Historic Photographs,” David Medalla’s “Cloud Canyon no. 14,” and “Museum as Hub: The Incongruous Image Marcel Broodthaers and Liliana Porter.”)

AMIDST

Pavel Zuštiak’s immersive AMIDST is a haunting vision inspired by Jerzy Kosinski’s THE PAINTED BIRD (photo © 2011 by Robert Flynt)

Baryshnikov Arts Center
450 West 37th St. between Ninth & Tenth Aves.
June 23-25, $20
www.bacnyc.org
www.thepaintedbird.org

Inspired by Jerzy Kosinski’s 1965 novel, The Painted Bird, about a six-year-old wanderer during WWII, Pavel Zuštiak / Palissimo is presenting its own unique interpretation of loss and loneliness, darkness and deviance, at the Baryshnikov Arts Center June 23-25. The nostalgic Amidst is a site-specific multimedia performance in which the audience can walk among several projection screens and three dancers, Lindsey Dietz Marchant, Nick Bruder, and Zuštiak, in a smoky room. Composer and violist Christian Frederickson will perform his score live, along with Jason Noble and Ryan Rumery. The haunting, immersive environment features lighting by Joe Levasseur, set design by Nick Vaughan, photography by Robert Flynt, and video by Keith Skretch. The first part of the Painted Bird Trilogy, Bastard, was staged last November at La MaMa; the final section, Strange Cargo, is scheduled for PS 122 next year.

JAMS FOR JOPLIN

Tenth Rail
413 Tenth Ave. at 33rd St.
Thursday, June 23, suggested donation $10, 6:00 – 9:00
www.facebook.com/event
www.american.redcross.org

Jamband veteran Greg Merritt, whose latest project is Heavy Road, and producer and songwriter Mark Marshall (Merge, New Eye) are teaming up June 23 for a special show at Tenth Rail benefiting the Red Cross Disaster Relief Fund to help those affected by the deadly tornado in Joplin, Missouri. They’ll be playing acoustic covers of songs by the Beatles, Bob Dylan, the Grateful Dead, and others, in addition to original improvisations. Admission is free but they are requesting a suggested donation of $10 to help the many victims of the tornado. There will also be $5 drink specials until 8:00.

RICHARD DUPONT

Richard Dupont offers visitors a look inside his creative process at Carolina Nitsch Project Gallery (photo by twi-ny/mdr)

Carolina Nitsch Project Room
534 West 22nd St. between Tenth & Eleventh Aves.
Through Saturday, June 25, free, 11:00 am – 6:00 pm
212-645-2030
www.carolinanitsch.com
exhibition slideshow

Over the last several years, native New York artist Richard Dupont has displayed polyurethane versions of himself, which he calls “anti-self-portraits,” that challenge conventional perspective, changing as the viewer walks around them. If you were wondering what was inside his head to come up with such awe-inspiring statuary, which has been shown at Lever House, the FLAG Art Foundation, and Carolina Nitsch, among other venues, you can find out through Saturday in his second solo exhibition at the Carolina Nitsch Project Gallery in Chelsea. Once again experimenting with form, process, and material, Dupont has created a series of transparent resin heads filled with the detritus of his life, from found objects and garbage to items from his studio and empty beer cans, from photos and aluminum foil to candy wrappers and cords. Evoking thought and memory through seemingly random chaos, the colorful self-portrait busts are like individual time capsules; you’ll wonder what kind of stuff is in your own head as you wander around these unique sculptural representations of the human mind.

SEE A LITTLE LIGHT WITH BOB MOULD

Bob Mould will shed a lot of light on his life and times June 23 at 92YTribeca (photo by twi-ny/mdr)

AN EVENING OF READING AND MUSIC
92YTribeca
200 Hudson St. at Canal St.
Thursday, June 23, $25, 9:00
212-415-5500
www.92YTribeca.org
www.bobmould.com

On his most recent record, 2009’s Life and Times, Bob Mould sang, “What the fuck, what kicked up all this dust / taking me back to the places I left behind / the old life and times.” The postpunk icon, who went from the seminal Hüsker Dü in the 1980s to the fierce Sugar in the ’90s to a solo career and nightclub DJ this past decade, further examines his life and times in his just-released memoir, See a Little Light: The Trail of Rage and Melody (Little, Brown, June 15, $24.99). In the book, Mould discusses childhood abuse, his homosexuality, drug and alcohol addiction, and his deep love of championship wrestling and music; he began writing songs when he was nine and has, thankfully, never stopped. He’ll be at 92YTribeca on June 23, reading from his book, playing songs, and talking about his life in an intimate gathering that should be simply fascinating and extremely entertaining. Whether blasting loud music till black stuff oozes out his ears or revealing unique aspects of his life, Mould never disappoints.

IN FOCUS: IFC FILMS — NOBODY KNOWS

Hirokazu Kore-eda’s NOBODY KNOWS offers a heartrbreaking look at a unique family

NOBODY KNOWS (DAREMO SHIRANAI) (Hirokazu Kore-eda, 2004)
MoMA Film
Museum of Modern Art
11 West 53rd St. between Fifth & Sixth Aves.
Thursday, June 23, 8:45, and Friday, June 24, 4:30
Series runs through June 24
Tickets: $10, in person only, may be applied to museum admission within thirty days, same-day screenings free with museum admission, available at Film and Media Desk
212-708-9400
www.moma.org
www.kore-eda.com

Based on a true story that writer-director Hirokazu Kore-eda (Maborosi, After Life) read about back in 1988, Nobody Knows is a heartwarming, heartbreaking film about four extraordinary half-siblings who must fend for themselves every time their mother takes off for extended periods of time. Japanese TV and pop star YOU makes her feature-film debut as Keiko, a young woman who has four kids by way of four different men. When she’s home, she shows affection for the children, but the problem is, she’s rarely home. Instead, twelve-year-old Akira (Yagira Yuya) must take care of the shy Kyoko (Kitaura Ayu), who handles the laundry; the troublemaker Shigeru (Kimura Hiei), who can’t follow the rules; and sweet baby Yuki (Shimizu Momoko), who likes chocolates and squeaky shoes. At first, it is charming and uplifting watching how Akira handles the complicated situation — the other kids are not allowed outside because the landlord will evict them if he finds out about them, and Akira even helps teach the family, who do not attend school — but as Keiko disappears for longer periods of time, the children’s lives grow more dire by the day as food and money start running out. Kore-eda, who also edited and produced this powerful picture, has created a moving, involving film that nearly plays like a documentary, avoiding melodramatic clichés and instead wrapping the audience up in the closeted life of four terrific kids whose tragic existence will ultimately break your heart. Nobody Knows is screening at MoMA on June 23 and 24 as part of the series “In Focus: IFC Films,” which concludes with a sneak peek of Errol Morris’s Tabloid (2010) on June 24 at 8:00.