twi-ny recommended events

SONG OF THE DAY — DEBBIE MILLER: “INCH BY INCH”

Rockwood Music Hall Stage 2
196 Allen St. between Houston & Stanton Sts.
Saturday, March 31, free, 7:00
212-477-4155
thedebbiemiller.com
www.rockwoodmusichall.com

“Please inhale these minutes / And hold it in, swish it around / To savor the love / That we found,” Debbie Miller sings on the touching “Inch by Inch,” the single from her brand-new EP, Measures + Waits. “Once upon a time I / Breathed warm rivulets down your spine / All I have left are / Patterns on cheekbones once buried in your chest,” she continues. The utterly delightful singer-songwriter, a native New Yorker who now lives in Seattle, mixes elements of classical, folk, jazz, Tin Pan Alley, and pop with an endearing honesty and a delightful sense of humor into her personal, intimate songs. The follow-up to her 2010 debut album, Fake Love, the EP contains five studio tracks and a live version of “Snippets from a Bathroom Stall,” which is composed of actual graffiti taken from bathroom stalls: “Love one another / Drink lots of holy water / Isaac Newton practiced alchemy . . . on your mother,” Miller sings. On the playful “What She’s Got,” Miller compares herself to a romantic rival, asking, “What’s she got that I don’t got / Except bigger boobs / A few inches to my height / And nothing to lose lose lose loo-loo-lose.” Miller, who plays piano and guitar and recently charmed audiences with the new song “Queen of Hearts” written for a Bushwick Book Club event in Seattle dedicated to Lewis Carroll’s Alice in Wonderland, will be at Rockwood Music Hall on March 31 celebrating the release of Measures + Waits.

THE SOAP MYTH

Annie Blumberg (Andi Potamkin) and Milton Saltzman (Greg Mullavey) search for the horrific truth in THE SOAP MYTH (photo by Richard Termine)

Black Box Theatre
Harold and Miriam Steinberg Center for Theatre
111 West 46th St. between Sixth & Seventh Aves.
Through April 22, $50-$60
212-352-3101
www.thesoapmyth.com
www.nationaljewishtheater.com

For more than sixty years, historians and Holocaust survivors have debated whether or not the Nazis actually manufactured soap from the fat of Jewish victims. Inspired by the true story of concentration camp survivor Morris Spitzer, whose one-man crusade to get Holocaust museums to include exhibits on soap made from murdered humans was detailed in a 2000 article in Moment magazine, Jeff Cohen’s The Soap Myth examines the horrific claim in an emotionally moving production running at the Black Box Theatre through April 22 (with no shows during Passover). Greg Mullavey (Mary Hartman, Mary Hartman) stars as Milton Saltzman, a survivor who is determined to convince Holocaust museum historians and curators Esther Feinman (Dee Pelletier) and Daniel Silver (Donald Corren) that the Nazis indeed made soap from human remains. He just can’t understand why they have changed their minds about something that used to be accepted as fact. Feinman and Silver try to explain to him that because of the growing number of Holocaust deniers, the bar for evidence has been raised dramatically, so there is not enough documentation to support this specific claim anymore. “The question of soap no longer meets our evidentiary criteria,” Feinman tells Saltzman. Thrust into the middle of the battle is Annie Blumberg (the adorable Andi Potamkin), a young writer assigned by a magazine to do an article on Saltzman and soap. “I am just a witness,” Saltzman explains to the journalist, whom he continually says is too nice to take on such an important story. “And soon I will be gone. Soon, all the witnesses will be gone.” Despite some serious structural flaws — Blumberg addresses the audience directly several times, a device that is klunky and awkward; a midpoint transition to Pelletier as a popular Holocaust denier seems to come out of nowhere; and a late embrace descends into treacly melodrama — The Soap Myth does a good job of presenting all sides of the controversy. Cohen (The Man Who Ate Michael Rockefeller), who was given a copy of the Moment article directly by Spitzer, has written a compelling play that is not just about soap but about the search for the truth and the importance of getting things right as the number of Holocaust witnesses decline. Mullavey gives a powerful performance as Saltzman, a tightly wound old man who sees only his own reality. Corren is also strong as a Borscht Belt comic, Silver, and a series of Nuremberg witnesses who appear behind a scrim on Heather Wolensky’s sparse set. Directed by Arnold Mittelman for the National Jewish Theater, The Soap Myth offers an intriguing look into the speculative nature of history and one man’s furious dedication to setting the record straight.

THE AIPAD PHOTOGRAPHY SHOW

Andrew Moore, “Room 348, Hermitage Museum,” from the series “Russia,” 2003 (courtesy Yancey Richardson Gallery)

Park Avenue Armory
643 Park Ave. at 67th St.
March 29 – April 1, $25 for one day, $40 for all four days
202-367-1158
www.aipad.com
www.armoryonpark.org

These days everyone seems to think they’re a photographer, taking picture after picture after picture with their digital phones and other electronic devices, then posting the results all over social media and blogs. So we always like when the AIPAD Photography Show New York comes to town, reminding us that there’s actually a whole lotta skill that goes with capturing images of the world at large. The thirty-second gathering sponsored by the Association of International Photography Art Dealers takes place March 29 through April 1 at the Park Avenue Armory, featuring exhibits from seventy-five galleries as well as a series of special events, beginning March 28 with the gala kickoff benefiting inMotion, an organization that provides “justice for all women.” Exhibitors from Beijing, Munich, Toronto, Osaka, Paris, Buenos Aires, and London will join American galleries from across the country at the show, including such New York faves as Howard Greenberg, Nailya Alexander, Bonni Benrubi (which will be displaying photographs by Linda McCartney), Steven Kasher (Weegee, Vivian Meier), Danziger (Karen Knorr), Sasha Wolf (Elinor Carucci), Laurence Miller, Julie Saul (Jeff Chien-Hsing Liao), Bryce Wolkowitz, Yancey Richardson (Laura Letinsky, Rachel Perry Welty), Yossi Milo (Alejandro Chaskielberg), and David Zwirner (Philip-Lorca diCorcia). As you wind your way through the armory, you’ll also find works by Ansel Adams, Man Ray, André Kertész, Flip Schulke, and many others. The panel discussions ($10 in advance) will take place Saturday at Hunter College’s Hunter West Building, beginning at 10:00 am with “A Conversation with Rineke Dijkstra,” who will be interviewed by Guggenheim curator Jennifer Blessing, and will continue at 12 noon with “Curator’s Choice: Emerging Artists in Photography,” with Sarah Meister, Christopher Phillips, and Joshua Chuang, moderated by Lindsay Pollock; “How to Collect Photographs: What Collectors Need to Know Now” at 2:00, with Kenneth Montague and Joseph Baio, moderated by Steven Kasher; “A Celebration of Francesca Woodman” at 4:00 with Julia Bryan-Wilson, Sloan Keck, and Elisabeth Subrin, moderated by Robert Klein; and “Italian Contemporary Photography” at 6:00, with Maria Antonella Pelizzari, Yancey Richardson, Julie Saul, and Olivo Barbieri, moderated by Sandra Phillips.

SAKURA — SPRING RENEWS, BEAUTY BLOOMS: KABUKI DANCE

Japan Society celebrates the coming of spring with kabuki dance program this week (photo © Kiyofuji Studio)

Japan Society
333 East 47th St. at First Ave.
March 29-31,
212-715-1258
www.japansociety.org

For more than five hundred years, Japan has been telling stories using the art form known as kabuki, a highly stylized dance play that features ornate costumes, intricately choreographed movement, heavy makeup, and extreme facial gestures. As part of Japan Society’s “Sakura — Spring Renews, Beauty Blooms” festival, nihon buyo (Japanese classical dance) master Bando Kotoji will lead his troupe through four kabuki works March 29-31. Accompanied by live music, the program includes Sanbaso, Cho no Michiyuki (“The Last Journey of Two Butterflies”), Tamatori Ama (“The Pearl Diver”), and Yoshino-yama (“Yoshino Mountain”). All performances will be preceded by a lecture on shamisen music and kabuki dance by Dr. Sachiyo Ito. Japan Society will also be hosting a kabuki workshop on Saturday morning at 10:15 led by Bando; although participant tickets are sold out, you can still attend as an observer for eight dollars. Japan Society’s spring festival continues through April 14 with such films as Hirokazu Kore-eda’s Hana: The Tale of a Reluctant Samurai, a haiku workshop led by Sho Otaka and John Stevenson, and “J-Cation 2012,” an all-day event that includes live music, dance, art, film, food, storytelling, demonstrations, and more.

15 FOR 15 — CELEBRATING RIALTO PICTURES: NIGHTS OF CABIRIA

Giulietta Masina is unforgettable in Fellini masterpiece NIGHTS OF CABIRIA

NIGHTS OF CABIRIA (LE NOTTI DI CABIRIA) (Federico Fellini, 1957)
Film Society of Lincoln Center, Walter Reade Theater
165 West 65th St. at Amsterdam Ave.
Wednesday, March 28, 1:30
Series runs through March 29
212-875-5601
www.filmlinc.com

Giulietta Masina was named Best Actress at Cannes for her unforgettable portrayal of a far-too-trusting street prostitute in Nights of Cabiria. Directed by her husband, Federico Fellini, produced by Dino De Laurentiis, and written in collaboration with Pier Paolo Pasolini, the film opens with Cabiria taking a romantic stroll by the river with her boyfriend, Giorgio (Franco Fabrizi), who suddenly snatches her purse and pushes her into the water, running off as she nearly drowns. Such is life for Cabiria, whose sweet, naive nature can turn foul tempered in an instant. Over the course of the next few days, she gets picked up by movie star Alberto Lazzari (Amedeo Nazzari), goes on a religious pilgrimage with fellow prostitutes Wanda (Franca Marzi) and Rosy (Loretta Capitoli), gets hypnotized by a magician (Ennio Girolami), and falls in love with a tender stranger named Oscar (François Périer). But nothing ever goes quite as expected for Cabiria, who continues to search for the bright side even in the direst of circumstances. Masina is a delight in the film, whether yelling at a neighbor, dancing the mambo with Alberto, or looking to confess her sins, her facial expressions a work of art in themselves, ranging from sly smiles and innocent glances to nasty smirks and angry stares. Fellini’s second film to win the Oscar for Best Foreign Language Film (after La Strada), Nights of Cabiria is screening March 28 as part of the Film Society of Lincoln Center’s “15 for 15: Celebrating Rialto Pictures” series honoring the fifteenth anniversary of the art-house distributor founded by Film Forum programmer extraordinaire Bruce Goldstein, who also worked on the updated translation for the 1998 restoration of this Fellini masterpiece.

KOREAN MOVIE NIGHT: MY GIRLFRIEND IS AN AGENT

Soo-ji (Kim Ha-neul) and Jae-joon (Kang Ji-hwan) attempt to save the world and maybe salvage their relationship in MY GIRLFRIEND IS AN AGENT

IT’S A FINE ROMANCE: MY GIRLFRIEND IS AN AGENT (7KEUP KONGMUWON) (Shin Tae-ra, 2009)
Tribeca Cinemas
54 Varick St. at Laight St.
Tuesday, March 27, free, 7:00
Series runs every other Tuesday through April 10
212-759-9550
www.koreanculture.org
www.tribecacinemas.com

A box-office blockbuster in South Korea, Shin Tae-ra’s My Girlfriend Is an Agent is a goofy but fun mosh-up of Mr. and Mrs. Smith and the television shows Get Smart and Mission: Impossible. As the movie opens, the weak-kneed Jae-joon (Kang Ji-hwan) is threatening to leave Soo-ji (Kim Ha-neul), tired of her many lies. What he doesn’t know is that she is actually a secret agent working undercover for the government, but she is not allowed to tell anyone, instead claiming she is a travel agent to explain all the time she spends away from him. Three years later, they accidentally meet up again — Soo-ji recognizes his, um, member in a men’s room while he is relieving himself at a urinal and she is pretending to be a cleaning lady — but now Jae-joon is a secret agent for a different department, working the same case but from another angle while telling her he is an accountant. Crazy hijinks ensue, including plenty of mistaken identity, a wacky car chase, and a shootout in an amusement park, with Soo-ji and Jae-joon continually bumping into each other as they get closer and closer to the international terrorists seeking to gain control of a lethal virus that could wipe out much of the country. My Girlfriend Is an Agent, which is getting the Bollywood treatment in a remake directed by Bosco, is screening on March 27 at 7:00 at Tribeca Cinemas as the second installment of the free Korean Movie Night series “It’s a Fine Romance,” which concludes on April 10 with Kim Jeong-hoon’s 2010 chick flick, Petty Romance.

IT’S A HARD ACT TO FOLLOW

Blair Underwood (in undershirt) will discuss taking on the role of Stanley Kowalski in Drama Desk panel at Sardi’s

A DRAMA DESK PANEL ON PLAYING ICONIC ROLES
Sardi’s
234 West 44th St.
Friday, March 30, $55 with RSVP, 11:45 am
www.dramadesk.org
www.sardis.com

On March 30, you can have lunch with four Broadway stars at Sardi’s as they talk about taking on iconic roles in hit shows in the special Drama Desk event “It’s a Hard Act to Follow.” As you enjoy your choice of salmon, chicken, pasta, or a vegetable basket, USA Today’s Elysa Gardner will moderate a panel discussion featuring Blair Underwood, who will play Stanley Kowalski, a role originated on stage and film by Marlon Brando, in the upcoming revival of A Streetcar Named Desire, which begins previews at the Broadhurst on April 3; Cynthia Nixon, currently earning raves as Dr. Vivian Bearing, a role that previously earned Kathleen Chalfant a slew of awards, in the Broadway debut of Margaret Edson’s Wit, joined by director Lynne Meadow; Hunter Parrish, starring as Jesus in the Godspell revival at Circle in the Square; and Michael McKean, who is playing Dick Jensen in an all-star production of Gore Vidal’s The Best Man, now in previews preparing for an April 1 opening at the Gerald Schoenfeld Theatre.