twi-ny recommended events

DRINK THE CITY

HONOR THE DRINKS THAT MAKE UP NEW YORK’S HISTORY
Parish Hall
109A North Third St., Williamsburg
Tuesday, August 7, free admission, 8:00
718-782-2602
www.parishhall.net
robinshulman.com

Over the course of the last three weeks, Canadian-born New York City journalist Robin Shulman has been celebrating the publication of her first book, Eat the City: A Tale of the Fishers, Foragers, Butchers, Farmers, Poultry Minders, Sugar Refiners, Cane Cutters, Beekeepers, Winemakers, and Brewers Who Built New York (Crown, July 10, 2012, $26), with a series of events at bars, markets, and restaurants, including a special dinner last Thursday at Parish Hall in Brooklyn. Shulman returns to Parish Hall tonight for “Drink the City,” where attendees can sample some of the beer, wine, and hard liquor that Shulman covers in the book, in which she talks to people who produce their own food and drink. “In 1626, the year the Dutch purchased the island of Manhattan,” Shulman notes in the “Beer” chapter, “a visitor from Holland wrote that they ‘brew as good beer here as in our Fatherland, for good hops grow in the woods.’” Weaving fascinating historical details into her smoothly flowing narrative, Shulman also writes about honey, vegetables, meat, sugar, fish, and wine. Shulman will be joined at Parish Hall by some of the characters in Eat the City as everyone enjoys homegrown cocktails, both old and new, mentioned in the book, all made with local ingredients.

ARTHUR ASHE KIDS’ DAY

Carly Rae Jepsen will be among the performers at annual Arthur Ashe Kids’ Day at Billie Jean King National Tennis Center

Billie Jean King National Tennis Center
Flushing Meadows Corona Park
Saturday, August 25, $10-$40 ($5 with promotional code WILD4TNS through August 12), 9:30 am – 3:00 pm
www.usopen.org
www.arthurashekidsday.com

The official kickoff to the U.S. Open, which runs August 27 to September 9, takes place Saturday, August 25, with the annual Arthur Ashe Kids’ Day celebration. Honoring the legacy of the late Arthur Ashe, the 1968 Open champion who died of AIDS complications in 1993 at the age of forty-nine, the event includes tennis skill activities, workshops, and demonstrations tailored to children, as well as face painting, storytelling, hair braiding, an obstacle course, juggling, interactive games, and more. Hosted by Jordin Sparks and Quddus, the day will feature appearances by such tennis superstars as Novak Djokovic, Roger Federer, Kim Clijsters, Mardy Fish, and John Isner, who will be on hand to sign autographs, play exhibition matches, and hit with kids. There will also be live performances by the Wanted, Carly Rae Jepsen, Owl City, Mindless Behavior, Rachel Crow, the Love Jones Girlz, Ahsan, Caroline Sunshine, Alex Aiono, and Megan and Liz. Although admission to the grounds is free, tickets are needed for the stadium show; they go for $10 to $40, but you can get general admission promenade tickets for just five bucks if you use promotional code WILD4TNS by 11:59 pm on August 12.

GENART FILM FESTIVAL

Jennifer (Laura Prepon) has a tough time turning thirty in GenArt closing-night film THE KITCHEN

School of Visual Arts Theatre
333 West 23rd St. between Eighth & Ninth Aves.
August 8-14, $30 (includes film screening and free drinks at after-party), seven-day pass $150
212-255-7300
festival.genart.com

The seventeenth annual GenArt Film Festival begins August 8, kicking off a week of screenings dedicated to one feature, one short, and one after-party each night. The opening-night films are Martin Snyder’s Missed Connections, a New York-set romantic comedy that won the Audience Award at this year’s Sarasota Film Festival, and Leah Shore’s animated documentary Old Man, made from actual conversations between author Marlin Marynick and Charles Manson. The festival continues with such films as Jorg Ihle’s cell-phone thriller Privacy, Nelson Cheng’s magician documentary The Magic Life, Jonah Ansell’s animated afterlife short Cadaver, with the voices of Christopher Lloyd and Kathy Bates, Jaime King’s Latch Key, in which a young teenager tries to ignore the sudden death of her mother, and Evan Abramson and Carmen Lopez’s Carbon for Water, about the search for clean water in Kenya. The closing-night selections are Ishai Setton’s The Kitchen, in which a woman’s (Laura Prepon) thirtieth birthday is not quite the celebration she imagined, and Ryan Eggold’s Literally, Right Before Aaron, about a man (Adam Rose) invited to his ex-girlfriend’s wedding. Awards will be given out for Best Feature, Best Short Film, best emerging-actor performance, and audience favorite; this year’s jury consists of Jay Duplass, Ben Lyons, Matt Singer, and David Blaustein. Each evening will begin with a cocktail reception, include a postscreening Q&A, and conclude with an after-party at the Thompson LES hotel in the East Village or another location.

A VIEW FROM THE VAULTS, 2012: BLACK SWAN

Nina, Nina, ballerina discovers that the mirror has at least two faces in BLACK SWAN

RECENT ACQUISITIONS: BLACK SWAN (Darren Aronofsky, 2010)
MoMA Film, Museum of Modern Art
11 West 53rd St. between Fifth & Sixth Aves.
Tuesday, August 7, 7:00
Series runs through August 19
Tickets: $12, in person only, may be applied to museum admission within thirty days, same-day screenings free with museum admission, available at Film and Media Desk
212-708-9400
www.moma.org
www.foxsearchlight.com/blackswan

A companion piece to 2008’s multilayered The Wrestler, in which a rejuvenated Mickey Rourke plays an aging athlete trying to regain control of his body and his life while attempting to reestablish a connection with his daughter, Darren Aronofsky’s Black Swan is an even more complex psychological study of just how far the mind and body can go to get what it wants and needs. Natalie Portman stars as Nina Sayers, a member of a Manhattan-based ballet company who is vying for the lead role in a new production of Tchaikovsky’s classic 1877 ballet, Swan Lake, the tragic tale of a princess transformed into a white swan who must find true human love to be released, complicated by an evil magician, a black swan rival, and a handsome prince. Nina lives a sheltered existence dominated by her failed-ballerina mother, Erica (Barbara Hershey), squeezed into a cramped New York City apartment and not allowed to have a social life. Womanizing choreographer Thomas Leroy (Vincent Cassel) is convinced that Nina can dance the white swan but has severe doubts that she has it within her to dance the black swan, even after selecting her to replace former prima ballerina Beth MacIntyre (Winona Ryder). Desperate to bring out Nina’s dark side, Leroy creates a competition between her and free-spirited dancer Lily (Mila Kunis), a sexy, tattooed young dancer who lives life on the edge. As opening night approaches, Nina must reach deep inside herself if she is to attain her dream, leaving all her fears and insecurities behind.

Lily (Mila Kunis) helps Nina (Natalie Portman) explore her darker side in BLACK SWAN

A gripping thriller that works on multiple levels, Black Swan is a superbly crafted examination of innocence and experience, good and evil, loyalty and betrayal that goes far beyond the basic black and white. Aronofsky and co-screenwriters Mark Heyman and Andrés Heinz delve into the nature of duality and the very creation of art itself, as the story of Black Swan mimics that of Swan Lake, and Nina continually sees doppelgangers of herself in mirrors and other people, especially Lily and Beth. As Nina struggles to bring out the black swan within her, her body literally bleeds, evoking both birth and death, her hallucinations and fantasies walking the fine line between dream and nightmare. As serious and frightening as Black Swan can be, however, Aronofsky has also infused it with cheesy horror-movie scares, referencing such diverse films as Carrie and The Turning Point, All About Eve and Single White Female, Repulsion and The Red Shoes, The Fly and Rosemary’s Baby, a potent mix of Polanski and Cronenberg filtered through Balanchine and Baryshnikov. (The cheesiness factor also extends to character names; it takes both gumption and supreme confidence to name your star ballerina Nina.) Even the casting touches on the idea of the double; Nina is replacing Beth much the way Portman is now getting the kind of roles Ryder used to get. Once again Aronofsky (Pi, Requiem for a Dream) has proved himself to be one of cinema’s most inventive directors, a master visual storyteller not afraid to take chances both with himself and with the audience. Nominated for four Oscars — Portman took home the picture’s only statuette, for Best Actress — Black Swan is screening August 7 at 7:00 at MoMA as part of the series “A View from the Vaults, 2012: Recent Acquisitions,” which continues through August 19 with such new films in MoMA’s collection as Nicolas Winding Refn’s Drive, Elaine May’s Mikey and Nicky, Lynn Hershman-Leeson’s Conceiving Ada, and William A. Wellman’s Frisco Jenny.

BRYANT PARK SUMMER FILM FESTIVAL: THE ADVENTURES OF ROBIN HOOD

Olivia de Havilland and Errol Flynn capture each other’s fancy in one of the grandest adventure movies ever made

THE ADVENTURES OF ROBIN HOOD (Michael Curtiz, 1938)
Bryant Park Summer Film Festival
41st St. at Sixth Ave.
Monday, August 6, free, dusk
212-512-5700
www.bryantpark.org

With King Richard the Lionheart (Ian Hunter) off fighting the Crusades, his scheming brother, Prince John (Claude Rains), has taken over England, planning to become king with the help of the conniving Sir Guy of Gisbourne (Basil Rathbone) and the cowardly Sheriff of Nottingham (Melville Cooper). But one brave man stands in his way, “an impudent, reckless rogue who goes around the shire stirring up the Saxons against authority,” according to the Bishop of the Black Canons (Montagu Love). “And he has the insolence to set himself up as a protector of the people.” Sir Robin of Locksley (Errol Flynn), better known as Robin Hood, is fiercely loyal to King Richard and will do anything to preserve the sanctity of the throne and fight for the rights of the common people as he occupies Sherwood Forest with his band of merry men in tights, including Will Scarlet (Patric Knowles), Little John (Alan Hale Sr.), Friar Tuck (Eugene Pallette), and Much (Herbert Mundin). He also falls for the lovely Maid Marian (Olivia de Havilland), King Richard’s ward whom John promises to Gisbourne. Directed with appropriate flair and fanfare by Michael Curtiz (Casablanca, Mildred Pierce) and William Keighley (Each Dawn I Die, The Man Who Came to Dinner) The Adventures of Robin Hood is a rollicking romp through the famous legend, complete with exciting fight scenes, lots of male camaraderie, and just the right touch of romance. Flynn and de Havilland, who ended up making eight films together, are magnetic as Robin Hood and Maid Marian, a classic love story mired in life-threatening danger. There have been numerous versions of Robin Hood, starring such actors as Douglas Fairbanks, Russell Crowe, Kevin Costner, Patrick Bergin, Cary Elwes, and the voice of Brian Bedford, but there’s no Sir Robin quite like Flynn, who flits about with an endless supply of charm, humor, grace, and bravery. By the way, Marian’s horse, then known as Golden Cloud, was sold after the movie to Roy Rogers and was renamed Trigger, going on to have quite a career himself. Winner of Three Oscars (for art direction, editing, and original score — it lost Best Picture to Frank Capra’s You Can’t Take It with You) — The Adventures of Robin Hood is screening on August 6 as part of the Bryant Park Summer Film Festival, which continues August 13 with All About Eve before concluding August 20 with Raiders of the Lost Ark.

SIDI TOURÉ

Saturday, August 4, Joe’s Pub, 425 Lafayette St., $18, 9:30
Monday, August 6, SummerStage, Marcus Garvey Park, free, 7:00
www.myspace.com/siditoure

Amadou & Mariam might be the most well known Malian musicians around the world, but there’s another guitarist from that country who is also making a much-deserved name for himself, and both will be playing in New York City on August 4. The Blind Couple from Mali, who hail from Bamako, are headlining a free SummerStage show in the afternoon in Central Park, while Sidi Touré, an extraordinary guitarist from Gao, will be at Joe’s Pub at 9:30, followed by a free show Monday night in Marcus Garvey Park with Afro-Cuban specialists the Pedrito Martinez Group and South Africa’s Wouter Kellerman. On his full-length debut, 2011’s Sahel Folk, Touré recorded duets in his sister’s Gao home, but on his follow-up, Koïma (Thrill Jockey, April 2012), which means “Go hear,” Touré has opted for a fuller sound, heading into a Bamako studio with a quintet and coming out with ten pristine tunes built around traditional Songhaï music blended with Western folk and blues, featuring Touré and Oumar Konaté on guitar, Alex Baba on calabash, Charles-Eric Charrier on bass, and Zumana Téreta on sokou. Touré, who was born into a noble Malian lineage, is joined by female vocalist Leïla Gobi for sweet harmonies and beautiful conversational back-and-forths on such standout tracks as “Maïmouna,” “Woy tiladio (Beautiful Woman, Goddess of Water),” and “Ishi tanmaha (They No Longer Hope).” Although not related to his late fellow countryman Ali Farka Touré, Sidi Touré is well on his way to establishing himself as another Malian musician making his mark on the world music scene.

SUMMERSTAGE: AMADOU & MARIAM

Amadou & Mariam will lead their own unique celebration of world music in Central Park on August 4

Rumsey Playfield, Central Park
Saturday, August 4, free, 3:00
212-360-2777
www.summerstage.org
www.amadou-mariam.com

For more than thirty years, Amadou and Mariam, the Blind Couple from Mali, have been making beautiful music together, combining the personal with the political in singing about love, compassion, freedom, social change, and good times. Both born in Bamako, guitarist Amadou Bagayoko, who lost his sight when he was sixteen, and vocalist Mariam Doumbia, who lost hers when she was five, met at the Institute for the Blind and got married in 1980. They’ve recorded seven studio albums together since 1998, displaying their intoxicating take on world music and Afro-blues while compiling a growing list of international musicians who have recorded with them. Their latest album, Folila (Nonesuch, April 2012), which means “music,” was originally going to be two very different discs, one recorded in Bamako with traditional Mali musicians, the other in New York with indie superstars, but instead it merged into one stellar collection of twelve songs featuring such special guests as Santigold, Jake Shears of the Scissor Sisters, Nick Zinner of the Yeah Yeah Yeahs, members of Antibalas, Ebony Bones, Abdallah Oumbadougou, Tunde Adebimpe and Kyp Malone of TV on the Radio, and Theophilus London, among others. They also collaborated on most of the record with controversial French musician Bertrand Cantat, the former leader of Noir Désir who killed his girlfriend, popular French actress Marie Trintignant, in 2003 and was paroled in 2007 after spending less than half of his eight-year sentence in prison. On the bluesy “Oh Amadou,” one of the three songs with prominent vocals from Cantat, they sing, “There are happy days / There are miserable days / There are moments of pleasure / There are moments of suffering.” Although they do get serious, they also know how to have plenty of fun. “We’re here to cheer people up and make them happy,” they explain on “Dougou Badia,” which features Santigold, continuing, “Life’s about having fun / It’s about joy and celebration.” It all comes together most fabulously on “C’est Pas Facile Pour Les Aigles,” with Amadou and Mariam joined by Ebony Bones for a rollicking song sung in multiple languages and taking on such topics as racism and immigration. The Mali duo will be headlining a free SummerStage show in Central Park on August 4 at 3:00, on a bill with funky Kenyan quartet Just a Band and Trinidad-born Brooklyn rapper London, who is likely to join Amadou and Mariam on their Folila collaboration, “Nebe Miri.”