twi-ny recommended events

CONEY ISLAND FILM FESTIVAL: THE WARRIORS

The Warriors are ready to come out and play at the Coney Island Film Festival this weekend

THE WARRIORS (Walter Hill, 1979)
Sideshows by the Seashore
1208 Surf Ave.
Saturday, September 22, suggested donation $12, 10:30 pm
Festival runs September 21-23
www.coneyislandfilmfestival.com

At a huge gang meeting in the Bronx (actually shot in Riverside Park), the Warriors are wrongly accused of having killed Cyrus (Roger Hill), an outspoken leader trying to band all the warring factions together to form one huge force that can take over the New York City borough by borough. The Warriors then must make it back to their home turf, Coney Island, with every gang in New York lying in wait for them to pass through their territory. This iconic New York City gang movie is based on Sol Yurick’s novel, which in turn is loosely based on Xenophon’s Anabasis, which told of the ancient Greeks’ retreat from Persia. Michael Beck stars as Swan, who becomes the de-facto leader of the Warriors after Cleon (Dorsey Wright) gets taken down early. Battling Swan for control is Ajax (Dexter’s James Remar) and tough-talking Mercy (Too Close for Comfort’s Deborah Van Valkenburgh). Serving as a Greek chorus is Lynne (Law & Order) Thigpen as a radio DJ, and, yes, that young woman out too late in Central Park is eventual Oscar winner Mercedes Ruehl. Among the cartoony gangs of New York who try to stop the Warriors are the roller-skating Punks, the pathetic Orphans, the militaristic Gramercy Riffs, the all-girl Lizzies, the ragtag Rogues, and the inimitable Baseball Furies. Another main character is the New York City subway system. The Warriors is a gritty, tense, violent, funny, romantic, wholly absorbing movie, a brutal yet tender tale that will quickly work its way into your heart. The Warriors is having its annual screening at the Coney Island Film Festival on September 23 as a fundraiser for Coney Island USA. The festival runs September 21-23 at Sideshows by the Seashore and the Coney Island Museum and includes such other films as Teller’s Play Dead, starring Sideshow veteran Todd Robbins; Alessandra Giordano’s work-in-progress documentary Coney Island: Dreams for Sale, about the recent changes in Coney Island involving politicians and corporations; and such shorts as Fins of Fury: Tails of Glory in Coney Island’s Mermaid Parade, Forgotten New York: Yellow Submarine, Staten Island Siren, Warm Beer Lousy Food, There’s a Dead Crow Outside, AmLeftCrap, and Derelict.

ATP: I’LL BE YOUR MIRROR

ALL TOMORROW’S PARTIES USA 2012
Pier 36
East River between Manhattan & Brooklyn Bridges
September 21-23, $60-$75 per day, three-day pass $199
www.atpfestival.com

At long last, after more than ten years, the ATP festival is finally coming to New York City. All Tomorrow’s Parties, the international music festival that has taken place in the UK, Australia, Asbury Park, and the Catskills, will be presenting I’ll Be Your Mirror this weekend at Pier 36 on the East River between the Brooklyn and Manhattan Bridges. Past ATP festivals have been curated by the likes of Sonic Youth, Pavement, Portishead, Mogwai, the Breeders, Matt Groening, Modest Mouse, the Flaming Lips, and Nick Cave and the Bad Seeds; taking the reins at IBYM 2012 is Greg Dulli, leader of the recently reunited Afghan Whigs, who has invited friends and colleagues to participate from all over the musical map. Things get going on Friday with Frank Ocean, Philip Glass and Tyondai Braxton, Janeane Garofalo, Lightning Bolt, Lee Ranaldo’s “Hanging Guitar,” Hannibal Buress, DJ Edan, and Kurt Braunohler. Saturday’s schedule includes the Afghan Whigs, the Roots, José González, the Mark Lanegan Band, Dirty Three, the Antlers, JEFF the Brotherhood, the Dirtbombs, Scrawl, Emeralds, Vetiver, Afterhours, Charles Bradley and the Extraordinaires, Joseph Arthur, and DJ Questlove, while Sunday’s roster consists of Godspeed You! Black Emperor, the Make-Up, Hot Snakes, the Magic Band, Autolux, Thee Oh Sees, Lee Ranaldo, the Album Leaf, BRAIDS, Quintron and Miss Pussycat, Tall Firs, Blanck Mass, the Psychic Paramount, Endless Boogie, Demdike Stare, and DJ Jonathan Toubin. In addition, Criterion and Dulli have come up with a great selection of films that will be shown during the weekend, with Quadrophenia on Friday, The Night of the Hunter, Something Wild, The King of Marvin Gardens, and Dazed & Confused on Saturday, and Big Star: Nothing Can Hurt Me, Paul Fejos’s Lonesome, The Royal Tenenbaums, Eating Raoul, and Harold & Maude on Sunday. Dulli has also recommended a handful of books, some of which will be highlighted on the Lapham’s Quarterly Literary Stage: James Ellroy’s The Black Dahlia, Steve Toltz’s A Fraction of the Whole, Denis Johnson’s Nobody Move, Katherine Dunn’s Geek Love, and Joan Didion’s Play It as It Lays, with Evan Michelson and Mike Zohn of Oddities talking about Geek Love on Saturday and Julie Klausner of How Was Your Week discussing Play It as It Lays on Sunday. To get in the mood, you can check out Dulli’s festival mixtape here.

HAPPY TALK

The Rubin Museum examines the pursuit of happiness with a series of cool programs through December

Rubin Museum of Art
150 West 17th St. at Seventh Ave.
September 23 – December 21, $20 – $35 (Love Songs $85, Cabaret Cinema free with $7 bar purchase)
212-620-5000
www.rmanyc.org

Rubin Museum genius programmer Tim McHenry is at it again, coming up with yet another unique and fascinating series at one of the city’s most exciting institutions. “Just how happy are you?” the man behind the perennially thrilling Brainwave festival asks. “The alleviation of suffering is central to Buddhist belief; the result is a form of happiness. The pursuit of happiness is cited as an inalienable right in the Declaration of Independence; the result is what, exactly? Are we talking about the same condition?” We all want to be happy, but happiness is different for every one of us. On September 23, Happy Talk kicks off with a series of inspired pairings, as artists from a variety of disciplines sit down with scientists, philosophers, and other big-time thinkers to discuss what inner and outer, personal and public joy is all about. That first session will feature entertainment legend Elaine Stritch with Duke Institute for Brain Sciences member P. Murali Doraiswamy and will be followed by such promising duos as performance artist Laurie Anderson and Harvard psychiatry professor Daniel Gilbert, meditation expert Sharon Salzberg and visual artist Josh Melnick, Dexter star Michael C. Hall and Cambridge research psychologist Kevin Dutton, playwright Neil Labute and singer-songwriter Aimee Mann, and award-winning actress Julianne Moore and Berkeley philosophy and psychology professor Alison Gopnik, among others. As a sidebar, the Rubin’s Friday-night Cabaret Cinema turns its attention to the theme of “Happiness is…,” with Dan Kleinman introducing Woody Allen’s Annie Hall on September 21, Molly Neuman discussing Alfred Hitchcock’s Strangers on a Train on September 28, and Lili Taylor talking about Frank Capra’s It’s a Wonderful Life on October 5; the series continues through December 21 with such other films that deal with various levels of unhappiness as Five Easy Pieces, 8½, The 400 Blows, Brief Encounter, South Pacific, and Grapes of Wrath. In addition, the Rubin will premiere Victress Hitchcock’s documentary When the Iron Bird Flies, which examines Tibetan Buddhism’s path around the world, October 19-24, with most screenings including special speakers. And finally, on December 7, Rosanne Cash will present “Love Songs,” an evening of music with a trio of happy musical couples: Cash and John Leventhal, Steve Earle and Allison Moorer, and Larry Campbell and Teresa Williams. Wanna know one of the things that makes us happy? Our regular visits to the Rubin Museum, which never fails to ignite our minds and put huge smiles on our faces.

YEONGHWA — KOREAN FILM TODAY: IN ANOTHER COUNTRY

A lifeguard (Yu Jun-sang) makes the first of several offers to Anne (Isabelle Huppert) in Hong Sang-soo’s IN ANOTHER COUNTRY

IN ANOTHER COUNTRY (DA-REUN NA-RA-E-SUH) (Hong Sang-soo, 2012)
MoMA Film, Museum of Modern Art
11 West 53rd St. between Fifth & Sixth Aves.
Thursday, September 20, 7:00
Series runs September 19-30
Tickets: $12, in person only, may be applied to museum admission within thirty days, same-day screenings free with museum admission, available at Film and Media Desk
212-708-9400
www.moma.org

Korean auteur Hong Sang-soo continues his fascinating exploration of cinematic narrative in In Another Country, although this one turns somewhat nasty and tiresome by the end. After being duped in a bad business deal by a family member, an older woman (Youn Yuh-jung) and her daughter, Wonju (Jung Yumi), move to the small seaside town of Mohjang, where the disenchanted Wonju decides to write a screenplay to deal with her frustration. Based on an actual experience she had, she writes three tales in which a French woman named Anne (each played by an English-speaking Isabelle Huppert) comes to the town for different reasons. In the first section, Anne is a prominent filmmaker invited by Korean director Jungsoo (Kwon Hye-hyo), who has a thing for her even though he is about to become a father with his very suspicious wife, Kumhee (Moon So-ri). In the second story, Anne, a woman married to a wealthy CEO, has come to Mohjang to continue her affair with a well-known director, Munsoo (Moon Sung-keun), who is careful that the two are not seen together in public. And in the final part, Anne, whose husband recently left her for a young Korean woman, has arrived in Mohjang with an older friend (Youn), seeking to rediscover herself. In all three stories, Anne searches for a lighthouse, as if that could shine a light on her future, and meets up with a goofy lifeguard (Yu Jun-sang) who offers the possibility of sex, but each Anne reacts in different ways to his advances. Dialogue and scenes repeat, with slight adjustments made based on the different versions of Anne, investigating character, identity, and desire both in film and in real life. Hong wrote the film specifically for Huppert, who is charming and delightful in the first two sections before turning ugly in the third as Anne suddenly becomes annoying, selfish, and irritating, the plot taking hard-to-believe twists that nearly undermine what has gone on before. As he has done in such previous films as Like You Know It All, The Day He Arrives, Tale of Cinema, and Oki’s Movie, Hong weaves together an intricate plot that is soon commenting on itself and coming together in unexpected, surreal ways, but he loses his usual taut narrative thread in the final, disappointing section. In Another Country is screening on September 20 at 7:00 as part of MoMA’s third annual “Yeonghwa: Korean Film Today” series, a collaboration with the Korea Society, which kicks off September 19 with Shin Sang-ok’s 1990 Mayumi: Virgin Terrorist and 1961 Mother and a Guest before focusing on such contemporary works as Byun Young-joo’s Helpless, Lee Sang-cheol’s Jesus Hospital, and Lee Sang-woo’s Fire in Hell through September 30.

NEW YORK ORIGINALS LAUNCH PARTY

Rizzoli Bookstore
31 West 57th St. between Fifth & Sixth Aves.
Thursday, September 20, free with RSVP, 5:30
www.rizzoliusa.com
www.newyorkoriginalsonline.com

It’s rather ironic that the first place profiled in Jamie McDonald’s New York Originals: A Guide to the City’s Classic Shops and Mom-and-Pops (Universe, September 2012, $24.95) is Domenick DeNigris Monuments in the Bronx, which has been selling headstones and mausoleums for more than a hundred years, since one of the things the book celebrates is longevity in addition to originality. “Decades ago, most small towns sold out their town squares in favor of cheaper and more convenient megastores on the outskirts of the city,” writes the man behind the Emmy-winning television series the book is named after. “People began to forget that the corner coffee shop or local shoe store provided not only goods and services, but also a small part of their community’s uniqueness and character. New York City is ironically one of the last vestiges of small-town America.” In words and pictures, McDonald, who was born in Indiana but now lives in Midtown Manhattan, visits seventy-five shops in all five boroughs, from Neir’s Tavern & Steakhouse, established in Woodhaven in 1829, to Brooklyn Copper Cookware, which opened its doors in Dumbo just two years ago. In the book, arranged alphabetically by borough, McDonald talks with the current managers and owners, many of whom are third and fourth generation, providing the history behind the shop as well as its current status. He makes stops at such honored eateries as Brennan and Carr, De Robertis Pasticceria and Caffe, Ear Inn, Eisenberg’s Sandwich Shop, Keens Steakhouse, Nom Wah Tea Parlor, Russ & Daughters, and the Lemon Ice King of Corona as well as the Umbee Sunshade Company, which has been making umbrellas in Williamsburg since 1933; the Jane Hotel, which has been taking in travelers in the West Village since 1908; Brownies Pro and Sport Hobbies, a hobby shop in Port Richmond that opened in 1971; the Cameo Pet Shop, which has been selling tropical fish, birds, and other animals in Richmond Hill since, 1947; and JJ Burck Marine Supplies, which has been specializing in boating equipment on City Island since 1928. To celebrate the release of the book, McDonald will be signing copies at the Rizzoli Bookstore on Thursday, September 20, from 5:30 to 7:00, with refreshments supplied by some of the shops included in the book. Each book purchased that night will come with engraved New York City Taxi Correspondence Cards inside a hand-lined envelope, courtesy of Dempsey & Carroll, which has been making engraved stationery since 1878 on the Upper East Side.

AN AUTEURIST HISTORY OF FILM: MR. ARKADIN

Orson Welles has quite a field day directing and starring in MR. ARKADIN

MR. ARKADIN (CONFIDENTIAL REPORT) (Orson Welles, 1956)
MoMA Film, Museum of Modern Art
The Lewis B. and Dorothy Cullman Education and Research Building
4 West 54th St. between Fifth & Sixth Aves.
September 19-21, 1:30
Tickets: $12, in person only, may be applied to museum admission within thirty days, same-day screenings free with museum admission, available at Film and Media Desk beginning at 9:30 am
212-708-9400
www.moma.org

Orson Welles re-creates Citizen Kane with a little bit of The Third Man in this offbeat, very strange story of a powerful man with a weird beard who has a thing for his daughter. The odd camera angles are often funny, and Michael Redgrave’s scene-stealing bit as an antiques dealer is a riot. The movie, which has appeared over the years in many different versions, is worth seeing just for Arkadin’s famous tale of the scorpion and the frog. Also known as Confidential Report, Mr. Arkadin is screening September 19-21 as part of MoMA’s ongoing “An Auteurist History of Film” series.

SIGNATURE CINEMA: TSOTSI

Presley Chweneyagae is devastating in Gavin Hood’s TSOTSI, based on Athol Fugard’s only novel

TSOTSI (Gavin Hood, 2005)
The Pershing Square Signature Center
The Alice Griffin Jewel Box Theatre
480 West 42nd St. between Tenth & Eleventh Aves.
Monday, September 24, $13, 7:00
212-244-7529
www.signaturetheatre.org/tickets/production.aspx?pid=2677
www.tsotsi.com

Every once in a while, a surprise movie comes along that just blows you away; Tsotsi is that kind of film. Based on the only novel by South African playwright and activist Athol Fugard, Tsotsi is set in the dangerous ghetto world on the outskirts of Johannesburg, where poverty goes hand in hand with violence. Presley Chweneyagae is simply remarkable as Tsotsi (South African for “thug” or “gangster”), the leader of a small group of hoods who pull off petty crimes — until they fatally stab a man on the subway, sending them into a dark and deadly tailspin. When Tsotsi shoots a woman and steals her car, he finds that there’s a baby in the backseat; he considers returning it or leaving it by the side of the road, but he instead brings it home, where he decides to take care of it himself — with the help of beautiful single mother Miriam (Terry Pheto). The baby triggers Tsotsi’s memories of his own horrific childhood, which writer-director Gavin Hood shows in brief but powerful flashbacks. Tsotsi struggles to keep the baby a secret from his cohorts, much the same as he tries to keep his past secret from everyone. But things soon come to a head, and Tsotsi must decide whether to reach inside his conscience — or for his gun. Chweneyagae dominates the screen from the very first moment, his intense stare filled with anger and hate, one of the most frightening you’ll ever see. Fortunately, Hood avoids any moments of sappy sentimentality or overemotional clichés, so you never know what’s going to happen next. The pulsing soundtrack of South African kwaito music comes from “Zola” Bonginkosi Dlamini, who also plays Fela. Reminiscent of such harrowing films about troubled children as Hector Babenco’s Pixote and Fernando Meirelles & Kátia Lund’s City of God, Tsotsi, which won an Oscar for Best Foreign Language Film, is a devastating, unforgettable story that will drive itself deep into your heart and soul. Tsotsi is screening on September 24 as part of the new Signature Cinema series, being shown in conjunction with the Signature Theatre’s New York premiere of Fugard’s The Train Driver, which continues at the Alice Griffin Jewel Box Theatre through September 23.