this week in literature

TWI-NY TALK: JOHN PIZZARELLI AND JOE COSGRIFF

Friends, coauthors, and musical colleagues Joe Cosgriff and John Pizzarelli look sharp at the Carlyle (photo by Doug Grad)

Friends, coauthors, and musical colleagues Joe Cosgriff and John Pizzarelli looking sharp at the Carlyle (photo by Doug Grad)

SANDY BENEFIT CONCERT
powerHouse Arena
37 Main St. at Water St., Brooklyn
Monday, February 25, $20, 7:00
718-666-3049
www.powerhousearena.com
www.johnpizzarelli.com

“What they don’t tell you when you sign up to become an author is how many times you will end up reading your own book,” jazz guitarist and vocalist John Pizzarelli writes in the finale to his first book, World on a String: A Musical Memoir (Wiley, October 2012, $26.95). “I can also tell you that I have been around the block so many times with this manuscript that I’m beginning to have issues with this vaguely familiar John Pizzarelli character who seems to get a lot of airtime in this book.” The son of legendary musician Bucky Pizzarelli, John, now fifty-two, has been recording original songs and covering standards for more than thirty years, playing with such greats as Skitch Henderson, Paul McCartney, Rosemary Clooney, James Taylor, and many others, including his wife, Jessica Molaskey, and his father. On his most recent record, Double Exposure (Telarc, May 2012), John reinterpreted a wide range of jazz, pop, rock, and folk classics by the likes of Neil Young, the Beatles, Elton John, Elvis Costello, Steely Dan, and the Allman Brothers.

For his memoir, Pizzarelli teamed up with longtime friend Joe Cosgriff, who wrote one of Pizzarelli’s most popular hits, “I Like Jersey Best.” (The book includes a riotous section on how John and Bucky went to the Jersey State Assembly when the tune was being considered for official state song.) John and Joe, a pair of Jersey-born Red Sox fans who are both proud members of the Yankee-hating BLOHARDS group, will be at powerHouse Arena in DUMBO on Monday night, February 25, in a benefit for the Brooklyn institution, which suffered significant damage from Hurricane Sandy. Pizzarelli will read from and sign copies of World on a String and will perform a rare solo set. Admission is a mere twenty bucks for what should be a unique and wonderful evening. Pizzarelli and Cosgriff recently discussed their collaboration, the Boston Red Sox, meatballs, and Sandy with twi-ny.

twi-ny: You’ve been friends for some thirty years; how did the writing process go?

Joe Cosgriff: It took us a little while to hit our stride. We started out face-to-face, which was a blast but didn’t produce finished pages. And John submitted about a third of the book in written form. But what worked best were the voice files and CDs he sent from the road. They were hilarious, and John’s prodigious output of these helped us catch up with the publisher’s deadlines.

John Pizzarelli: That’s it! Mostly we wrote about what subjects Joe thought we should explore. Then for a follow-up I would put more exact answers onto a CD.

twi-ny: Were there moments that you wanted to kill each other?

JP: Joe was really great about specific things he may have gotten wrong. If I said, “I think it happened this way,” he was more than happy to fix things. So there was no head banging, sorry to say.

JC: John and I have collaborated on projects previously, although nothing as ambitious as this one in terms of sheer volume. We had other bumps in the road — three editors and counting — but never any issues with one another. He is a natural storyteller, worked hard on the book, and he helped to make the experience about as enjoyable as it could be.

twi-ny: When will you be starting on the sequel?

JC: Sequel? We need to do a better job of letting people know about this book first.

JP: Agreed!

world on a string

twi-ny: You’re both Jersey boys who love the Red Sox and live in New York City. That can’t be easy.

JC: It’s not an easy road and not one I’d recommend. Yankee Stadium, especially the previous one, was not hospitable. But our little club, the BLOHARDS, has a lot of fun at our two annual luncheons, and John and I have a good time preparing the material. “My Bobby Valentine” was one of last year’s best songs.

JP: My first recollection of baseball was the ’67 World Series [between Boston and St. Louis]. I loved the look of that Red Sox team, especially [Carl] Yastrzemski. Since there were no Red Sox uni’s then available in New Jersey, I was [Yankees second baseman] Horace Clarke for about a year, till about 1981-ish, when the Yanks fired Dick Howser.

twi-ny: John, you’ve put out dozens of albums and played thousands of shows. How has public and critical reaction to the book compared to what you’ve gotten throughout your career as a musician?

JP: The entire routine is like putting out a CD and waiting for the reviews, etc. The book has been largely well received, which has been a very pleasant surprise.

twi-ny: Joe, you worked for a printing company for several decades before recently retiring. What’s it like to have your name on the cover of a book for the first time, after having printed so many millions with others’ names on them?

JC: Good question! The best part of this “author thing” has been hearing from people who connected emotionally with the book. A couple of people at John’s shows had tears rolling down their faces talking about what we wrote about Zoot Sims and Dave McKenna. Those experiences have been powerful and unexpected.

twi-ny: How were John’s son Johnny’s meatballs at the annual Birdland after-party? I understand that they were not made at their usual location, Cosgriff’s kitchen.

JP: We did use Joe’s stove for an earlier meatball fest. I had to get out of there, though. I didn’t want to get used to that stove; it’s tremendous. When we do anything at Joe’s, wine tasting, meatballs, or book editing, he plays the best music — Zoot Sims, Anita O’Day, Oscar Peterson.

JC: Johnny is a meatball machine at this point. There were some time constraints this time with the Birdland gig, so they did the prep on the West Side. And the prep is half the fun. One common denominator about parties with Johnny’s meatballs — no leftovers!

twi-ny: John is playing a Sandy Benefit Concert at the powerHouse Arena in DUMBO on February 25. Were both of you affected by the hurricane, either directly or indirectly?

JP: I was lucky on the Upper West Side. Our cabin up north lost power for two weeks — lost some oxtail ragu that was in the freezer, but nothing else too bad. I am happy to help out any way I can to those affected much worse than I was.

JC: My apartment lost power for five days, but this was nothing compared with the devastation sustained by friends of ours in Brooklyn. And I am traveling this week in California with friends from the Jersey Shore whose home still needs significant repairs. When we heard about the damage to powerHouse, we told them we’d like to help, and that is how this event came about.

BOOK LAUNCH: LOUISE LAWLER

Louise Lawler

Louise Lawler, “Still Life (Candle),” digital cibachrome on aluminum museum box, 2003

Metro Pictures
519 West 24th St. between Tenth & Eleventh Aves.
Thursday, February 14, free, 6:00 – 7:30
212-206-7100
www.metropicturesgallery.com

For more than forty years, Pictures Generation artist Louise Lawler has been appropriating works through installation and photography, recontextualizing art and the art market in shots of paintings taken in auction house, in collectors’ homes, and before shows are hung, taking them out of their element, where they are usually seen on walls in galleries and museums. Now sixty-five, the New York-born conceptualist will be at Metro Pictures on Valentine’s Day, where she has shown since 1982, to celebrate the release of Louise Lawler: October Files (MIT Press, February 8, $35) as well as last year’s Louise Lawler and/or Gerhard Richter (Schirmer/Mosel, June 2012, $59.95). She will be joined by Helen Molesworth, editor of the former tome, and Tim Griffin, who contributed an essay for the latter. While at Metro Pictures, be sure to go upstairs to see some early works by Lawler, in addition to the main-floor exhibition featuring Trevor Paglen, which continues through March 9.

VALENTINE’S DAY COOKIE SWAP AND COOKBOOK SIGNING

Deb Perelman of the Smitten Kitchen will one of several Brooklyn cookbook authors taking part in cookie swap and signing at powerHouse Arena on February 12 (photo by twi-ny/mdr)

Deb Perelman of the Smitten Kitchen will be one of several New York cookbook authors taking part in cookie swap and signing at powerHouse Arena on February 12 (photo by twi-ny/mdr)

powerHouse Arena
37 Main St. at Water St., Brooklyn
Tuesday, February 12, free, 7:00
718-666-3049
www.powerhousearena.com

DUMBO’s powerHouse Arena is doing its part in trying to make sure everyone has a sweet Valentine’s Day with a cookie swap and cookbook signing on February 12 featuring four of the hottest baking enthusiasts around. On hand to talk about their favorite recipes and to sign copies of their books will be Deb Perelman and The Smitten Kitchen Cookbook (Knopf, October 2012, $35), Dawn Casale and One Girl Cookies (Clarkson Potter, January 2012, $22.50), Adam Roberts and Secrets of the Best Chefs (Artisan, November 2012, $27.95), and Matt Lewis and Renato Poliafito with Baked Elements (Stewart, Tabori & Chang, September 2012, $32.50). Attendees who bring their own homemade cookies will go home with a tin of other cookies in what should be a rather tasty swap.

FIRST SATURDAYS: AFRICAN INNOVATIONS

Unidentified Lega artist, “Three-Headed Figure (Sakimatwemtwe),” South Kivu or Maniema province, Democratic Republic of the Congo, wood, fiber, kaolin, nineteenth century (Brooklyn Museum, Museum Expedition 1922, Robert B. Woodward Memorial Fund)

Unidentified Lega artist, “Three-Headed Figure (Sakimatwemtwe),” South Kivu or Maniema province, Democratic Republic of the Congo, wood, fiber, kaolin, nineteenth century (Brooklyn Museum, Museum Expedition 1922, Robert B. Woodward Memorial Fund)

Brooklyn Museum
200 Eastern Parkway at Washington St.
Saturday, February 2, free, 5:00 – 11:00 (some events require free tickets distributed in advance at the Visitor Center)
212-864-5400
www.brooklynmuseum.org

The Brooklyn Museum celebrates Black History Month at February’s free First Saturdays program with a focus on the long-term installation “African Innovations,” which comprises approximately 200 works spread across 2,500 years. The evening will include live music by the Republic of Cameroon’s Kaïssa, the multinational Akoya Afrobeat, and Sierra Leone’s Bajah + the Dry Eye Crew, guided pop-up gallery tours, the debut of Zimbabwe dancer-choreographer Rujeko Dumbutshena’s Jenaguru, children’s workshops on traditional West African instruments and linguist staffs, a curator talk on “African Innovations” with Kevin D. Dumouchelle, the multimedia Afrika21 project, a screening of Africa Straight Up preceded by a discussion with Applause Africa, a fashion show with designs inspired by African textiles and music by Ethiopian DJ Sirak, and a book club discussion of Nigerian writer Chinua Achebe’s 1958 novel Things Fall Apart. Also on view at the museum now are “GO: a community-curated open studio project,” “Raw/Cooked: Duron Jackson,” and “Aesthetic Ambitions: Edward Lycett and Brooklyn’s Faience Manufacturing Company” as well as long-term installations and the permanent collection.

FIRST SATURDAYS: OUTSIDE THE FRAME

Mickalene Thomas will be at the Brooklyn Museum on Saturday night to discuss beauty, race, and gender with fellow artist Carrie Mae Weems and curator Eugene Tsai (photo by twi-ny/mdr)

Brooklyn Museum
200 Eastern Parkway at Washington St.
Saturday, January 5, free, 5:00 – 11:00 (some events require free tickets distributed in advance at the Visitor Center)
212-864-5400
www.brooklynmuseum.org

The Brooklyn Museum’s free First Saturday program for January is highlighted by what should be a fascinating discussion, with artist Mickalene Thomas and one of her major influences, award-winning photographer and videographer Carrie Mae Weems, in conversation with curator Eugene Tsai; Thomas’s “Origin of the Universe” continues at the museum through January 20, while her smaller gallery shows in Chelsea and on the Lower East Side, “How to Organize a Room Around a Striking Piece of Art,” are on view through January 5. Also on the schedule that night are live music by Ljova and the Kontraband, Lez Zeppelin, Das Racist’s Himanshu “Heems” Suri, Prince Rama’s Taraka and Nimai Larson, who have formed the Now Age, and Company Stefanie Batten Bland, which will perform A Place of Sun, a dance piece inspired by the BP oil spill. In addition, Writers for the 99% will discuss their book, Occupying Wall Street: The Inside Story of an Action that Changed America, Catherine Morris will give a curator talk on the exhibition “Materializing ‘Six Years’: Lucy R. Lippard and the Emergence of Conceptual Art,” an art workshop will teach participants to get creative with frames, and Art House Co-op, Trade School, and the Hip-Hop Dance Conservatory will lead interactive educational activities. Also on view at the museum now are “GO: a community-curated open studio project,” “Raw/Cooked: Duron Jackson,” Yoko Ono’s “Wish Tree,” and “Aesthetic Ambitions: Edward Lycett and Brooklyn’s Faience Manufacturing Company” as well as long-term installations and the permanent collection.

CULTURE BROKERS: PUBLISHING / THE BOOK TRADE

S&S president and publisher Jonathan Karp will take part in panel discussion on Jewish participation in postwar publishing on Thursday

Center for Jewish History
15 West 16th St. between Fifth & Sixth Aves.
Thursday, December 6, $15, 6:30
212-294-8301
www.cjh.org

With the recent merger between Random House and Penguin and the possibility of HarperCollins buying Simon & Schuster, the ever-changing world of book publishing has been providing the business pages with plenty of column inches. The Center for Jewish History will examine the industry post-WWII, focusing on Jewish participation, in the panel discussion “Culture Brokers: Publishing / The Book Trade.” A copresentation of the American Jewish Historical Society and the Jewish Book Council, the talk features S&S executive vice president and publisher Jonathan Karp, Open Road CEO (and former HarperCollins president and CEO) Jane Friedman, former Random House director Jason Epstein, and Schocken Books editorial director Altie Karper. It should be a lively discussion about power, money, digitalization — oh, and actual literature, one would hope.

FIRST SATURDAYS: GO

GO: A COMMUNITY-CURATED OPEN STUDIO PROJECT
Brooklyn Museum
200 Eastern Parkway at Washington St.
Saturday, December 1, free, 5:00 – 11:00 (some events require free tickets distributed in advance at the Visitor Center)
212-864-5400
www.brooklynmuseum.org

During its December free First Saturday program, the Brooklyn Museum will be collecting supplies for people and public schools affected by Hurricane Sandy, asking visitors to bring such items as baby diapers and wipes, hand sanitizer, construction paper, pencils, crayons, and notebooks. Among the special events scheduled for the evening are concerts by Underground System Afrobeat, Maya Azucena, and Avan Lava; screenings of Flex Is Kings, followed by a dance demonstration and a Q&A with directors Deidre Schoo and Michael Beach Nichols, and Jim Hubbard’s United in Anger: A History of ACT UP, in honor of a Day With(out)Art / World AIDS Day; a Book Club talk with Cristy C. Road about her new graphic novel, Spit and Passion; an excerpt from Parachute: The Coney Island Performance Festival; an interactive hunt led by Ben McKelahan; a talk with some of the artists included in the new exhibition “GO: a community-curated open studio project”; community-action art talks with Laura Braslow and Ian Marvy; a dance performance by L.O.U.D.; and more. Also on view at the museum now are “Mickalene Thomas: Origin of the Universe,” “Materializing ‘Six Years’: Lucy R. Lippard and the Emergence of Conceptual Art,” “Jean-Michel Othoniel: My Way,” “Raw/Cooked: Duron Jackson,” and “Aesthetic Ambitions: Edward Lycett and Brooklyn’s Faience Manufacturing Company” in addition to long-term installations and the permanent collection.