this week in literature

LIKE A ROLLING STONE: JANN WENNER IN CONVERSATION WITH BRUCE SPRINGSTEEN

Who: Bruce Springsteen, Jann S. Wenner
What: Virtual and in-person discussion
Where: 92nd St. Y, Kaufmann Concert Hall, 1395 Lexington Ave., and online
When: Tuesday, September 13, $60 (includes book), 7:00
Why: “I went to the Rolling Stone offices on a Monday morning in mid-May 2019. My assistant met me downstairs to take my attaché case, as I was still walking with two canes. It was a gray day in New York, one of rain, with a forecast for more all week. When I got to our second-floor lobby, workmen were putting up plywood to protect the walls from the movers,” Jann S. Wenner writes in “The Last Days,” the prologue to his new memoir, Like a Rolling Stone (Little, Brown, $35). Cleaning out his office, he writes, “I took down Annie Leibovitz’s portrait of a young Pete Townshend, his hands bloody from playing his guitar. . . . I packed up the small wood and metal sculpture of a skier that Patti Scialfa sent for my birthday.” Describing the memoir itself, he posits, “Our readers often referred to Rolling Stone as a letter from home. This is my last letter to you.”

On September 13, Wenner will be at the 92nd St. Y to discuss his memoir with his longtime friend Bruce Springsteen, who has appeared on the cover of Rolling Stone by himself fourteen times and another eight with others; the conclusion to Wenner’s prologue is a reference to Springsteen’s most recent album, Letter to You. Bruce, whose wife is Patti Scialfa, has been the subject of numerous RS interviews, but this time he turns the tables, interviewing Wenner about the new book, delving into the New York City native’s often controversial life and career. Springsteen says of the memoir, “If you were young, alone, and in the far lands of New Jersey, Rolling Stone was a dispatch from the front, carrying news of a bigger world and another life awaiting. Like a Rolling Stone is a touchingly honest memoir from a man who recorded and shaped our times and of a grand life well lived. It is a wonderfully deep and rewarding reading. I loved it.”

The book features seventy-seven chapters that explore the counterculture, politics, family, and such journalists, musicians, and pop-culture icons as Hunter S. Thompson, Ralph J. Gleason, the Beatles, the Rolling Stones, John Belushi, Jackie Onassis, Tom Wolfe, the Dalai Lama, and the Grateful Dead. In addition to being the founder and publisher of Rolling Stone, Wenner, a cofounder of the Rock and Roll Hall of Fame, has interviewed such figures as Bono, Bob Dylan, Mick Jagger, Bill Clinton, John Kerry, Jerry Garcia, John Lennon, and Townshend for the magazine; Jagger and music executive Ahmet Ertegun inducted Wenner into the hall in 2004. Tickets are $60 and come with a copy of the book, which will be signed for those attending the event in person.

CROSSING THE LINE FESTIVAL 2022

Fouad Boussouf’s Näss will be performed at the Joyce as part of FIAF fest (photo © Charlotte Audureau)

CROSSING THE LINE FESTIVAL
FIAF and other locations
55 East 59th St. between Madison & Park Aves.
September 9–October 28, free – $75
212-355-6100
fiaf.org

FIAF’s fifteenth annual Crossing the Line Festival is another journey into exciting, challenging, and experimental music, dance, and theater from the French-speaking world. Running September 9 through October 28, the programs take place at such venues as Abrons Arts Center, New York Live Arts, the Chinese Consolidated Benevolent Association, the Joyce, and BAM in addition to FIAF’s Gallery, Florence Gould Hall, and Skyroom.

“For our first year curating this festival, we wanted to honor its founding principles: presenting compelling multidisciplinary art forms throughout the city, bringing acclaimed cutting-edge French and Francophone productions to our shores, and nurturing dialogue between international and New York-based artists,” curators Mathilde Augé and Florent Masse write in a program note. “The fifteenth edition of the festival features a diverse group of audacious artists engaging with the most pressing issues of our time — including gender, sexuality, human connection, race, and climate change — and exploring new territories in performing arts.”

None of the nine live performances — there were supposed to be ten but Caroline Guiela Nguyen’s FRATERNITY, A Fantastic Tale had to be canceled because of visa problems — has ever been seen before in New York, including several North American, US, and world premieres. The mix of dance, theater, art, music, and literature hails from Senegal, France, South Africa, Rwanda, the United States, and Morocco, examining societal change, Vaslav Nijinsky, science, Cheikh Anta Diop, intergenerational culture, the political views of René Char and Frantz Fanon, and a Detroit rave.

In addition, FIAF is hosting the fall open house celebration Fête de la Rentrée, highlighted by an opening reception for Omar Ba’s “Clin d’oeil” art exhibition on September 9 at 6:00 (free with RSVP) and a Sunset Soirée at Le Bain on October 12 at the Standard Hotel (free with RSVP). Below is the full Crossing the Line schedule.

Helena de Laurens stars in Marion Siéfert’s _ jeanne_dark _ at FIAF’s Crossing the Line Festival (photo © Matthieu Bareyre)

September 9 – October 28
Exhibition: “Clin d’oeil,” by Omar Ba, FIAF Gallery, free

Wednesday, September 14, and Thursday, September 15
Theater: _ jeanne_dark _, by Marion Siéfert, starring Helena de Laurens, North American premiere, FIAF Florence Gould Hall, $40, 7:30

Wednesday, September 21
Theater: Traces – Speech to African Nations, by Felwine Sarr and Étienne Minoungou, with Étienne Minoungou and Simon Winsé, New York premiere, Abrons Arts Center, $25, 8:30

Thursday, September 22, through Saturday, September 24
Dance: And so you see… our honourable blue sky and ever enduring sun… can only be consumed slice by slice…, by Robyn Orlin, performed by Albert Ibokwe Khoza, US premiere, New York Live Arts, $15-$35, 7:30

Saturday, September 24
Theater: Freedom, I’ll have lived your dream until the very last day, by Felwine Sarr and Dorcy Rugamba, featuring Marie-Laure Crochant, Majnun, Felwine Sarr, and T.I.E., North American premiere, Florence Gould Hall, $40, 7:30

Bruno Latour and Frédérique Aït-Touati’s Terrestrial Trilogy closes out FIAF fest (photo © zonecritiquecie)

Thursday, September 29, and Friday, September 30
Performance: Fire in the Head, by Christopher Myers, world premiere, Chinese Consolidated Benevolent Association, $20, 7:30

Thursday, October 6, through Saturday, October 8
Dance: The Encounter, by Kimberly Bartosik, performed by Kimberly Bartosik, Claude “CJ” Johnson, Burr Johnson, Joanna Kotze, Ryan Pliss, Kalub Thompson, Mac Twining, River Bartosik-Murray, Logan Farmer, and Ellington Hurd, world premiere, FIAF Skyroom, $30, 7:30

Thursday, October 13, through Saturday, October 15
Dance: CROWD, by Gisèle Vienne, US premiere, BAM Howard Gilman Opera House, $35-$75, 7:30

Tuesday, October 18, through Sunday, October 23
Dance: Näss, by Fouad Boussouf, New York premiere, the Joyce Theater, $20-$55

Thursday, October 27, and Friday, October 28
Theater: The Terrestrial Trilogy, a Performance in Three Parts: Inside, Moving Earths, and Viral, by Bruno Latour and Frédérique Aït-Touati, with special guest Bruno Latour, North American premiere, FIAF Florence Gould Hall, $40

STAND WITH SALMAN: DEFEND THE FREEDOM TO WRITE

Who: Paul Auster, Reginald Dwayne Betts, Tina Brown, Kiran Desai, Andrea Elliott, Amanda Foreman, A. M. Homes, Siri Hustvedt, Hari Kunzru, Colum McCann, Douglas Murray, Andrew Solomon, Gay Talese, more
What: Public reading of Salman Rushdie’s The Satanic Verses
Where: The New York Public Library, Fifth Ave. and Forty-Second St., and online
When: Friday, August 19, free, 11:00 am
Why: “‘To be born again,’ sang Gibreel Farishta tumbling from the heavens, ‘first you have to die. Ho ji! Ho ji! To land upon the bosomy earth, first one needs to fly. Ta-taa! Taka-thun! How to ever smile again, if first you won’t cry? How to win the darling’s love, mister, without a sigh? Baba, if you want to get born again . . .’”

So begins Salman Rushdie’s 1988 Booker Prize finalist and Whitbread winner, The Satanic Verses, which famously led the Ayatollah Khomeini to issue a fatwa on the Indian-born British-American novelist, calling for his death, complete with a multimillion-dollar bounty. While others associated with the publication of the book have indeed been murdered (Italian translator Ettore Capriolo, Japanese translator Hitoshi Igarashi; Norwegian publisher William Nygaard and Turkish translator Aziz Nesin survived attacks), Rushdie spent years in hiding but ultimately emerged to become a leading international literary figure. But on August 12, Rushdie was stabbed ten times as he prepared to give a talk and lecture at the Chautauqua Institution; the alleged assailant, twenty-four-year-old Hadi Matar, claims to have read only two pages of The Satanic Verses but decided to try to kill Rushdie after watching numerous speeches of his on YouTube.

Rushdie, who has been writing and speaking about human rights and free speech around the world for decades, will be celebrated on August 19 at 11:00 am when a group of his friends and colleagues gather on the steps of the New York Public Library in Midtown for a public reading of his most famous book; there was also a public reading of the work a few days after the fatwa was declared, some thirty-three years ago. Organized by PEN, the NYPL, PenguinRandom House, and House of SpeakEasy, “Stand with Salman: Defend the Freedom to Write” will include such authorial stalwarts as Paul Auster, Reginald Dwayne Betts, Tina Brown, Kiran Desai, Andrea Elliott, Amanda Foreman, A. M. Homes, Siri Hustvedt, Hari Kunzru, Colum McCann, Douglas Murray, Andrew Solomon, and Gay Talese. The grassroots event is open to all and will be livestreamed as well; in addition, you can post your own reading of a short passage on social media using #StandWithSalman and tagging @penamerica.

“We are again facing a watershed moment,” Foreman wrote in a statement. “The war against freedom of expression is gaining strength. Globally, over two thousand writers and journalists have been murdered since Rushdie was sentence to death by Iran. On August 19 we have an opportunity to make a stand: courage breeds courage.”

QUEENS ON SCREEN: SWERVE / ENTRE NOS

Lynne Sachs’s poetic short Swerve moves to the rhythm of Queens

ENTRE NOS (Paola Mendoza & Gloria La Morte, 2009) / SWERVE (Lynne Sachs, 2022)
Museum of the Moving Image
35th Ave. at 36th St., Astoria
Friday, July 15, 7:15, and Sunday, July 17, 1:30, $15
718-777-6800
movingimage.us

The Astoria-based Museum of the Moving Image’s monthly “Queens on Screen” series — which is not about royalty or LGBTQIA+ issues but comprises films set in one of the most diverse areas on the planet — continues July 15 and 17 with two works set in the borough. Up first is Lynne Sachs’s seven-minute Swerve, in which artist and curator Emmy Catedral, blaqlatinx multidisciplinary artist ray ferreira, director and cinematographer Jeff Preiss, film curator and programmer Inney Prakash, and actor Juliana Sass recite excerpts from Pilipinx poet Paolo Javier’s O.B.B. (Nightboat, November 2021, $19.95).

Illustrated by Alex Tarampi and Ernest Concepcion, the book, which stands for Original Brown Boy, consists of such sections as “Aren’t You a Mess,” “Goldfish Kisses,” “Restrained by Time,” and “Last Gasp.” New Yorkers Catedral, ferreira, Preiss, Prakash, and Sass share Javier’s words as they wander around Moore Homestead Playground and Elmhurst’s HK Food Court. “The words each operate on their own swerve, from music that would play in the background and from overheard conversation outside my window, on the subway, at the local Korean deli,” Javier says at the beginning, writing in a notebook.

The film was shot in one day in August 2021, during the Delta wave of Covid-19, so many people are wearing masks, and the food court is nearly empty; when Prakash orders, a plastic sheet separates him from the employee. The performers recite the poems as if engaging in free-flowing speech; words occasionally appear on the screen, including “free emptiness,” “unknown thoroughfare,” and “hum your savage cabbage leaf.”

Experimental documentarian Sachs (Film About a Father Who, Investigation of a Flame), who was the subject of a career retrospective at MoMI last year, captures the unique rhythm of both Javier’s language and the language of Queens; Javier and Sachs will be at the museum to discuss the film after the July 15 screening.

Swerve will be followed by Paola Mendoza and Gloria La Morte’s Entre Nos, a deeply personal semiautobiographical story in which Mendoza stars as a Colombian immigrant whose husband deserts her, leaving her to raise two children in Queens. The film is shot by Oscar-nominated cinematographer Bradford Young (Arrival, Selma), who makes the borough its own character.

In a director’s note, Mendoza explains, “Throughout my childhood my mother worked countless double-shifts at the toilet bowl cleaners business and flipping burgers at local fast food restaurants near me. We never talked about the roaches in the house or the yearning to see our family back in the country and culture of Colombia. Instead we had to learn to smile through the grit, the trial of tears, and dealing with heartache. As the years passed, I came to a sublime new realization that our story was not unique. Thousands of immigrant mothers, for hundreds of years, have endured problems when trying to adapt to their new immigration in the USA. My mother, like those before her, have overcome all that remains for exactly the same reason, to build the foundation for a better life for their children.”

SigSpace: EMANCIPATED STORIES

Who: Quiara Alegría Hudes, Sean Ortiz, Sean Carvajal, Dominic Colón, Kenyatta Emmanuel, Suave Gonzales, Renee Goust, David Zayas, Kenyatta Emmanuel, Renee Goust, Jamie Maleszka, more
What: Installation and pop-up events
Where: Signature Theatre, the Pershing Square Signature Center Lobby, 480 West Forty-Second St. at Tenth Ave.
When: June 29 – July 24, Tuesday – Sunday, noon – 5:00, free
Why: Last summer, the Signature Theatre reopened with the immersive installation The Watering Hole, which included Vanessa German and Haruna Lee’s “This Room Is a Broken Heart,” part of which involved choosing a postcard designed by an incarcerated individual and sending a note to someone living behind bars. This summer the Signature has taken that a step further by teaming with the Fortune Society and Emancipated Stories to present an installation focusing on words and art by incarcerated people. Founded in 1967, the Fortune Society’s mission is “to support successful reentry from incarceration and promote alternatives to incarceration, thus strengthening the fabric of our communities . . . through believing, building lives, and changing minds.” Emancipated Stories was started by prison reform activist and playwright Quiara Alegría Hudes and her cousin Sean Ortiz, who spent ten years behind bars, as a way for incarcerated people to have their voices heard through handwritten letters that are shared on Instagram and in special installations.

Hudes, the Signature’s premiere writer-in-residence and author of such works as In the Heights, Water by the Spoonful, Daphne’s Dive, and Miss You Like Hell, explained in a statement, “The thing that’s fun and safe about theater is that the basic rule of engagement is one of listening. The fundamental contract is: I’m going to listen, I’m going to pay attention. Similarly, what we’re seeking to create is a communal space of sharing and openness. Within this installation and the events we’ve planned, the lines between audience and performer are more porous; it’s more of a gathering, and there’s no fourth wall, and we put the original letters in people’s hands. When you hold someone’s piece of paper and it’s handwritten — and you feel the grooves — it’s like holding someone’s hand. It’s an instant connection that’s part of the liveness of it. Surprising heart doors come open in these moments.”

“The Fortune Society is thrilled to be in community and collaboration with Signature Theatre and Quiara Alegría Hudes to help bring this insightful and moving project to life,” Fortune Society director of creative arts Jamie Maleszka added. “The goal of Emancipated Stories is to center and celebrate the full humanity of community members who are currently and formerly incarcerated and to grow meaningful connections through storytelling. The project perfectly aligns with our mission to build people, not prisons, and invest in more just collective futures.”

“SigSpace: Emancipated Stories” will be open in the theater lobby Tuesday through Sunday from June 29 through July 24, from noon to 5:00; admission is free. In addition, there will be four pop-up events, free with advance RSVP, featuring actors, artists, activists, musicians, writers, and members of the Fortune Society activating the installation, which was designed by Yazmany Arboleda with Emmanuel Oni, through music, discussions, readings, and writing letters in response to those from incarcerated individuals.

Wednesday, June 29
Kick-off, with actors David Zayas and Sean Carvajal, artist and activist Suave Gonzales, and Felix Guzman and Daniel Kelly of the Fortune Society, hosted by playwright Quiara Alegría Hudes, free with RSVP, 5:00 – 7:00

Wednesday, July 13
Music Night, with composer Kenyatta Emmanuel, singer-songwriter Renee Goust, writer and actor Dominic Colón, and others, hosted by Quiara Alegría Hudes, free with RSVP, 5:00 – 7:00

Sunday, July 17
Family Day, with Fortune Society community members and actor Sean Carvajal, moderated by Fortune Society director of creative arts Jamie Maleszka and Quiara Alegría Hudes, free with RSVP, noon – 2:00

Wednesday, July 20
Quiet Writing Time, free with RSVP, 5:00 – 7:00

SCHOMBURG CENTER LITERARY FESTIVAL 2022

Who: Harambee Dance Company, Jason Reynolds, Roxane Gay, Roger Reeves, Jennifer Mack Watkins, Akwaeke Emezi, A. J. Verdelle, Linda Villarosa, Jacqueline Woodson, more
What: Schomburg Literary Festival
Where: Schomburg Center for Research in Black Culture, 515 Malcolm X Blvd. at 135th St.
When: Saturday, June 18, 10:30 am – 5:00 pm, free
Why: The fourth annual Schomburg Literary Festival takes place on Saturday, June 18, with poetry readings, live music, workshops, discussions, book signings, and more on Malcolm X Blvd. Among the highlights are appearances by Jason Reynolds, Roxane Gay, Jennifer Mack Watkins, and Jacqueline Woodson. Below is the full schedule; all events are free. In addition, the Marketplace features booths from the Center for Fiction, the Reading Team, Subsume, Harlem Writers Guild, Total Equity Now, Countee Cullen Library, New York Urban League, and others.

Woke Baby! Festival, with Theo Gangi, Cathy Linh Che, Max Michael Jacob, Soré Agbaje, Stephanie Pachecho, Miah Prescod, Oluwatoyin Kupoluyi, Ayonnah Sullivan, and Jasmine Dabney, curated and hosted by Mahogany L. Browne, Adam Clayton Powell Jr. Stage, 10:30

Reading, an Act of Rebellion and Joy, procession and discussion with Harambee Dance Company, Jason Reynolds, and Roxane Gay, Langston Hughes Auditorium, Schomburg Center for Research in Black Culture, 11:00

Workshop: The Art of Creating Historical Fiction, facilitated by Minnette Coleman, American Negro Theatre, 12:00

​Poetry for Our Time, with Kemi Alabi, Zora Neale Hurston Stage, 12:15

Mateo Askaripour, with moderator Rahshib Thomas, Aaron Douglas Reading Room, 12:30

Health and Racism in America, with Linda Villarosa, moderated by Rebecca Carroll, Langston Hughes Auditorium, 12:45

Poetry for Our Time, with Akwaeke Emezi, Zora Neale Hurston Stage, 12:45

Literary Monuments, Friendship, and Toni Morrison, with A. J. Verdelle, moderated by Tiphanie Yanique, Adam Clayton Powell Jr. Stage, 1:00

​Black Food Stories, with Bryant Terry, Zora Neale Hurston Stage, 1:30

Cleyvis Natera and Jacinda Townsend, with moderator Leslie-Ann Murray, Aaron Douglas Reading Room, 1:45

Black Manhattan in and out of the Archives, with Kia Corthron and Kevin McGruder, moderated by Eric K. Washington, Langston Hughes Auditorium, 2:00

Workshop: Intro to Personal Storytelling, American Negro Theatre, 2:00

To Be Brave and in Love, with Akwaeke Emezi, moderated by Nicole Dennis-Benn, Adam Clayton Powell Jr. Stage, 2:15

Poetry for Our Time, with Roger Reeves, Zora Neale Hurston Stage, 2:15

Featured Literary Festival Artist: Jennifer Mack Watkins, Zora Neale Hurston Stage, 3:00

Caleb Gayle, with moderator Joy Bivins, Aaron Douglas Reading Room, 3:00

Embracing Desire, A Debut Author’s Journey, with Mecca Jamilah Sullivan, moderated by Jacqueline Woodson, Langston Hughes Auditorium, 3:15

Crafting Community in Short Stories, with Sidik Fofana and Ladee Hubbard, moderated by Ainehi Edoro, Adam Clayton Powell Jr. Stage, 3:30

​Poetry for Our Time, with Harold Green III, Zora Neale Hurston Stage, 3:45

The Last Poet’s Abiodun Oyewole, listening session and conversation, Langston Hughes Auditorium, 4:30

ULYSSES: ELEVATOR REPAIR SERVICE TAKES ON BLOOMSDAY

Elevator Repair Service will celebrate the hundredth anniversary of Ulysses at Symphony Space on June 16

Who: Elevator Repair Service
What: Bloomsday on Broadway
Where: Symphony Space, Peter Jay Sharp Theatre, 2537 Broadway at Ninety-Fifth St.
When: Thursday, June 16, $17-$28, 8:00
Why: Last year, walking on the Lower East Side, I bumped into Scott Shepherd, longtime member of Elevator Repair Service (ERS), which has been presenting unique, experimental theatrical works since 1991. I asked him what he was up to and he said, “Just wait to see what we’re doing for Bloomsday at Symphony Space.” That day has arrived. On June 16, in honor of the centennial of the publication of James Joyce’s masterpiece, Ulysses, ERS will be doing something different at Symphony Space, which has been celebrating the novel for decades by having all-star marathon lineups reading the book on June 16, the day in 1904 in which the story takes place.

Helmed by ERS artistic director John Collins, the two-hour presentation features ERS ensemble members Shepherd, Dee Beasnael, Kate Benson, Maggie Hoffman, Vin Knight, Christopher-Rashee Stevenson, and Stephanie Weeks performing excerpts from each of the book’s eighteen episodes, bringing the tale to life as only ERS can. ERS has previously brought its unpredictable style to F. Scott Fitzgerald’s The Great Gatsby (the eight-hour Gatz), William Faulkner’s The Sound and the Fury, and Ernest Hemingway’s The Sun Also Rises (The Select). The set design is by dots, with costumes by Enver Chakartash, lighting by Mark Barton, sound by Ben Williams, and props by Patricia Marjorie. It all begins with “Stately, plump Buck Mulligan came from the stairhead, bearing a bowl of lather on which a mirror and a razor lay crossed.” For more on the centenary of the novel, be sure to head over to the Morgan Library to see the new exhibit “One Hundred Years of James Joyce’s Ulysses.