this week in literature

SARAH SZE IN CONVERSATION WITH JENNIFER EGAN: TRIPLE POINT

192 Books
112 Tenth Ave. at Twenty-First St.
Tuesday, November 12, free, 7:00
212-255-4022
www.192books.com
www.sarahsze.com

Boston-born, New York-based visual artist Sarah Sze creates fragile, intricately constructed architectural environments using such materials as string, bottle caps, colored tape, Styrofoam cups, paper, and other items that combine elements of painting and sculpture. Sze, whose “Infinite Line” show ran at Asia Society in 2011-12, is currently representing America at the U.S. Pavilion at the fifty-fifth Venice Biennale with the massive installation “Triple Point,” about which she said in a statement, “Central to the exhibition is the notion of the ‘compass’ and how we locate ourselves in a perpetually disorienting world.” In May 2012, Pulitzer Prize-winning author Jennifer Egan (A Visit from the Goon Squad, The Keep) began posting her New Yorker short story “Black Box” on Twitter in paragraphs of no more than 140 characters, weaving together a written narrative that echoes the ones that Sze builds with objects. On November 12 at 7:00, Sze and Egan will be at 192 Books in Chelsea, celebrating the release of the new book Triple Point (Gregory R. Miller / Bronx Museum of the Arts, October 2013, $45), which examines the installation in detail, featuring an introduction by Biennale co-commissioners Holly Block and Carey Lovelace, an essay by curator Johanna Burton, a conversation between Sze and Egan, and the complete text of Egan’s “Black Box.”

SWANN’S WAY: A NOMADIC READING

2013: A YEAR WITH PROUST
Multiple locations
November 8-14, free (some events require advance RSVP)
www.frenchculture.org

Earlier this week, Flavorwire posted “50 Incredibly Tough Books for Extreme Readers,” which included such classic difficult favorites as Herman Melville’s Moby-Dick, James Joyce’s Finnegans Wake, William Faulkner’s The Sound and the Fury, and Marcel Proust’s In Search of Lost Time. If you’ve never made it through even the beginning of Proust’s challenging epic, you can now have others do it for you, as the Cultural Services of the French Embassy presents a one hundredth anniversary public reading of Swann’s Way as part of its major celebration 2013: A Year with Proust. “A Nomadic Reading” kicks off November 8 at the Wythe Hotel and continues November 9 at Soho Rep., November 10 at the New York Botanical Garden, November 11 at the Oracle Club, November 12 at Simone Subal Gallery, and November 13 at Le Baron Chinatown before concluding November 14, the actual centennial of the publication of Swann’s Way, at the French Embassy. All programs are free, with some requiring advance RSVP; among the scheduled readers are Ira Glass, Deborah Treisman, Jonathan Galassi, Paul Holdengraber, Judith Thurman, and Mike Birbiglia. Here’s a little amuse-bouche to get you started, from Lydia Davis’s 2003 translation for Viking:

For a long time I used to go to bed early. Sometimes, when I had put out my candle, my eyes would close so quickly that I had not even time to say “I’m going to sleep.” And half an hour later the thought that it was time to go to sleep would awaken me; I would try to put away the book which, I imagined, was still in my hands, and to blow out the light; I had been thinking all the time, while I was asleep, of what I had just been reading, but my thoughts had run into a channel of their own, until I myself seemed actually to have become the subject of my book: a church, a quartet, the rivalry between François I and Charles V. This impression would persist for some moments after I was awake; it did not disturb my mind, but it lay like scales upon my eyes and prevented them from registering the fact that the candle was no longer burning. Then it would begin to seem unintelligible, as the thoughts of a former existence must be to a reincarnate spirit; the subject of my book would separate itself from me, leaving me free to choose whether I would form part of it or no; and at the same time my sight would return and I would be astonished to find myself in a state of darkness, pleasant and restful enough for the eyes, and even more, perhaps, for my mind, to which it appeared incomprehensible, without a cause, a matter dark indeed.

FIRST SATURDAYS: JEAN PAUL GAULTIER

Brooklyn Museum
200 Eastern Parkway at Washington St.
Saturday, November 2, free, 5:00 – 11:00 (some events require free tickets distributed in advance at the Visitor Center)
212-864-5400
www.brooklynmuseum.org

The career of French fashion designer John Paul Gaultier will be celebrated at the Brooklyn Museum’s November edition of its free First Saturdays program. In conjunction with the opening of the multimedia exhibition “The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk,” there will be a curator talk by Lisa Small, an arts workshop demonstrating how to make Gaultier-inspired fashion plates, fashion-related pop-up gallery talks, a lecture on fashion, ethics, and the law by Susan Scafidi, a special performance by Company XIV and Dances of Vice with Miss Ekat and DJ Johanna Constantine, a discussion with photographer Richard Corman about his book Madonna NYC 83, and screenings of Loic Prigent’s 2009 documentary The Day Before, which follows Gaultier as he prepares for a fashion show, and Luc Besson’s The Fifth Element, for which Gaultier designed the costumes. The night will also include live music by Au Revoir Simone, Watermelon, and Tamar-kali. In addition, the galleries will be open late, giving visitors plenty of opportunity to check out “Valerie Hegarty: Alternative Histories,” “Käthe Kollwitz: Prints from the ‘War’ and ‘Death’ Portfolios,” “Divine Felines: Cats of Ancient Egypt,” “Life, Death, and Transformation in the Americas,” “Connecting Cultures: A World in Brooklyn,” “Wangechi Mutu: A Fantastic Journey,” and other exhibits.

NEXT WAVE THEATER: NOSFERATU

Grzegorz Jarzyna adds to the vampire legend in multimedia NOSFERATU running this week at BAM (photo by Stefan Okolowicz)

Brooklyn Academy of Music
BAM Harvey Theater
651 Fulton St. between Ashland & Rockwell Pl.
October 30 – November 2, $20-$65
718-636-4100
www.bam.org

Halloween is quickly upon us, so arts organizations across the city are turning to horror to try to scare the hell out of us this week. Over at BAM, you can catch the frightening “Puppets on Film” series, which includes Godzilla, Aliens, and the terrifying The Great Muppet Caper; Alfred Hitchcock’s Family Plot and The Lodger, the latter with live music by Morricone Youth; and the twelfth annual BAMboo!, a free, child-friendly block party with music, candy, games, workshops, and more. But the strangest of them all is likely to be TR Warszawa and Teatr Narodowy’s multimedia production of Nosferatu, inspired by Bram Stoker’s 1897 novel Dracula — which was also the inspiration for F. W. Murnau’s 1922 horror classic, Nosferatu, a film that had to change its title, character names, and plot details because the Stoker family would not authorize the rights. Written and directed by Grzegorz Jarzyna, who brought Thomas Vinterberg’s Dogme 95 film The Celebration to mesmerizing life as Festen at St. Ann’s Warehouse last year, Nosferatu has an original score by John Zorn, with sets and costumes by Magdalena Maciejewska, lighting by Jacqueline Sobiszewski, and video design by Bartek Macias. The cast consists of Sandra Korzeniak, Katarzyna Warnke, Wolfgang Michael, Jan Englert, Jan Frycz, Krzysztof Franieczek, Marcin Hycnar, Lech Łotocki, and Adam Woronowicz. The show runs October 30 through November 2 at the BAM Harvey; on November 1 at 6:00 in the Hillman Attic Studio ($15), New Yorker journalist Joan Acocella will give the related talk “On Vampires.” In addition, Film Forum is showing Werner Herzog’s remake Nosferatu the Vampyre through November 7, with a bonus screening of Murnau’s original on November 4 at 7:30.

LORRIE MOORE: WATCHING TELEVISION

Lorrie Moore will discuss the changing nature of narrative on television in annual Robert B. Silvers lecture at the NYPL

New York Public Library
Stephen A. Schwarzman Building, Celeste Bartos Forum
Friday, October 25, $15-$25, 7:00
www.nypl.org
www.nybooks.com

Once upon a time, not really all that long ago, people had to get off their couches in order to change the channel on their television sets, and even then, their choices were limited; here in New York, it was only channels 2 (CBS), 4 (NBC), 5 (WNEW), 7 (ABC), 9 (WOR), 11 (WPIX), 13 (WNET), and 21 (WLIW). Television has gone through some maturation over the years, not only technologically but also in quality, as the once-standard phrase “the boob tube” has seemingly gone into disuse. Bestselling, award-winning author Lorrie Moore, who has written such novels as Anagrams and A Gate at the Stairs, such collections as Like Life and Birds of America, and the children’s book The Forgotten Helper, will discuss how storytelling and narrative has changed on the small screen when she delivers the annual Robert B. Silvers Lecture, titled “Watching Television,” on October 25 at the New York Public Library’s main branch. The lecture series is held in honor of Robert B. Silvers, who has been editor of the New York Review of Books since 1963, a year in which the most popular television shows included The Beverly Hillbillies, Bonanza, The Dick Van Dyke Show, The Andy Griffith Show, and Candid Camera. Moore, a native New Yorker, is a frequent contributor to the prestigious publication, having recently reviewed the Showtime series Homeland in the February 21 issue. Among the previous Robert B. Silvers lecturers are Joan Didion, J. M. Coetzee, Zadie Smith, Oliver Sacks, and Derek Walcott.

VICTORIA COHEN: HOTEL CHELSEA

Third Streaming
10 Greene St., second floor
Monday – Friday through October 25, free
646-370-3877
www.thirdstreaming.com
www.victoriacohen.com

In the summer of 2011, when New York native Victoria Cohen heard that the Hotel Chelsea was being sold and would be undergoing extensive renovations, she “felt many emotions,” she writes in her debut photo book, the beautiful, deluxe, oversize Hotel Chelsea (Pointed Leaf Press, August 2013, $95). “First and foremost, as an artist, I was angry and sad that an institution such as the Chelsea would have this fate. . . . It just didn’t seem possible — at least to me — that a place with such an extraordinary history, and where so many of the greatest literary minds, visual artists, musicians, and eccentrics of the twentieth century have called home for over a hundred years, could be torn apart.” So Cohen set out to capture the heart and soul of the hotel that had helped give birth to seminal works by Jack Kerouac, Arthur C. Clarke, Leonard Cohen, William S. Burroughs, Larry Rivers, Patti Smith, Allen Ginsberg, Bob Dylan, and so many others. For three weeks, Cohen shot what she calls “portraits” of the hotel’s guest rooms, rooftop, and hallways, although no humans are ever seen.

Victoria Cohen, “Room 1024, Chair,” C-print, 2011 (© 2011 by Victoria Cohen)

Instead, it is as if ghosts and spirits inhabit Cohen’s pictures, taken with a handheld camera using only natural light. More than two dozen are on view at Third Streaming in SoHo through October 25, wonderfully arranged by curator Michael Steinberg and Cohen. A mop and bucket, seemingly timeless, stand by themselves in a corner. An old piano looks like it might not have been played in years. Brick walls in disrepair on the roof hint at some bad times gone by. But the real mysteries of the Hotel Chelsea, which was recently sold to luxury hotel developer King & Grove, can be found in Cohen’s marvelously composed shots of the guest rooms, each one unique and different, from the dark couch in “Room 632” to the two bright-red chairs in “Eighth Floor South,” from the card table in “Fifth Floor South” to the mini-fridge and coffee paraphernalia against green wallpaper in “Room 203.” One series of photos zeroes in on made beds, while another focuses on rooms with two windows, adding a compelling geometric element to the works. One of the most striking images is “Room 1024,” the camera placed just in front of the entrance to a sparkling living room with chairs that seem to be inviting the viewer to take a seat. In each of these photos, Cohen also invites the viewer to create their own narrative about the past, present, and future, and it’s almost impossible not to.

SELECTED SHORTS: THE STORIES OF JOHN UPDIKE

Symphony Space, Peter Jay Sharp Theatre
2537 Broadway at 95th St.
Wednesday, October 16, $28, 7:30
212-864-5400
www.symphonyspace.org

Winner of multiple Pulitzer Prizes, National Book Critics Circle Awards, National Book Awards, O. Henry Prizes, and others, literary master John Updike was born in Reading, Pennsylvania, so it is appropriate that a group of actors and writers will be paying tribute to him by reading from his work at the latest edition of Symphony Space’s Selected Shorts series. (We know that the town in Pennsylvania is pronounced differently from the verb, but we couldn’t help ourselves.) The event will feature Tony Kushner, Sally Field, Alec Baldwin, Jane Kaczmarek, and others introducing and/or reading from the new eight-hundred-page Updike: Collected Early Stories (Library of America, September 2013, $24.49), comprising 102 stories published between 1953 and 1975, 80 of which first appeared in The New Yorker. Selected Shorts continues November 6 with Colum McCann, Gabriel Byrne, Terry Tempest, Tea Obreht, Rebecca Naomi Jones, and others presenting stories from the new collection The Book of Men.