this week in literature

ART AT A TIME LIKE THIS: LIVESTREAM CONVERSATION WITH JERRY SALTZ

(Jerry Saltz)

Jerry Saltz will discuss his new book and the state of art during the age of corona in live online conversation (photo courtesy Jerry Saltz)

Who: Jerry Saltz, Barbara Pollack, Anne Verhallen
What: Book and art talk with Jerry Saltz
Where: Livestream (email info@artatatimelikethis for password)
When: Friday, April 17, free, 4:00
Why: Rock star art critic Jerry Saltz’s latest book has come along at just the right moment. How to Be an Artist (Riverhead Books, March 2020, $22) guides you through the creation of art — by anyone, regardless of talent and skill — espousing a dedicated work ethic, something that many of us are paradoxically demonstrating more than ever now that we’re stuck at home. “I have tried every way in the world to stop work-block or fear of working, of failure. There is only one method that works: work. And keep working,” Saltz, the Pulitzer Prize-winning senior art critic for New York magazine, writes in the book. “Every artist and writer I know claims to work in their sleep. I do all the time. Jasper Johns famously said, ‘One night I dreamed that I painted a large American flag, and the next morning I got up and I went out and bought the materials to begin it.’ How many times have you been given a whole career in your dreams and not heeded it? It doesn’t matter how scared you are; everyone is scared. Work. Work is the only thing that takes the curse of fear away.”

On March 17, Barbara Pollack and Anne Verhallen launched Art at a Time Like This, a website that features the work of a different artist every weekday, focusing on the question “How can you think of art at a time like this?” Among the participating artists are Ai Weiwei, Mickalene Thomas, Jacolby Satterwhite, Lynn Hershman Leeson, Dread Scott & Jenny Pollak, Marilyn Minter, and Dan Perjovschi, presenting new and older paintings, photographs, and videos, all of which illuminate in some way the crisis we are facing together, the onslaught of Covid-19, which has shut down galleries and museums around the world.

how to be an artist

A social media icon, Saltz will join Pollack and Verhallen on April 17 at 4:00 for a live online conversation about the state of art on a planet in lockdown. “Jerry Saltz is a natural for livestream because he is the completely accessible art critic, dedicated to reaching all kinds of art lovers, from the aficionado to the art-curious,” Pollack told twi-ny. “His new book puts forth the insane idea that anyone can be an artist, or at least artistic. Of course, people love him for this!”

As someone who has been writing about art for nearly twenty years, I’ve been forced to reconsider how we all experience art during this pandemic, looking at it onscreen, right next to Facebook, Google, and my day-job site. Obviously it’s not the same, and I have to admit I at first had trouble adjusting, but I’m getting more used to it every day. But can you critique a work of art you’ve seen only online, not in person? When viewed in real life, you can sense a painting’s texture, its physical presence; a photograph can envelop you and shake your surroundings loose; and videos can beam out from unique sculptural installations. But when is the next time any of us is likely to step foot in a gallery or museum in the five boroughs (or elsewhere)? What will things be like once they do reopen? Will crowds descend on MoMA and the Met like they did before corona?

In his October review of the new MoMA for New York magazine, a piece entitled, “What Does the New MoMA Mean for Modernism? And What Was Modernism Anyway?,” Saltz wrote, “Here’s how art has already moved on. Modernism is now just part of art history to artists, and not even the only or best part.” How will art move on after Covid-19? What will become part of art history? I can’t wait to hear what Saltz has to say about what will become of art’s future.

OUR BRILLIANT FRIENDS AFTER DINNER BOOK CLUB AND WATCH PARTY

watch party

Who: Ann Goldstein, Michael Reynolds, Alexander Chee, Sarah Treem
What: Live discussion, reading, and watch party to benefit #SaveIndieBookstores
Where: McNally Jackson Zoom meeting
When: Monday, April 13, advance registration required here, suggested donation $5 and up, 9:00
Why: Fans of Elena Ferrante’s novels, which include The Days of Abandonment, The Story of a New Name, and The Lost Daughter, will gather online on April 13 at 9:00 for a book club and watch party hosted by Ferrante’s publisher, Europa Editions, along with City Lights Books in San Francisco, the Elliott Bay Book Company in Seattle, and McNally Jackson Books here in New York City. The event begins at 9:00 with a live conversation and chat about Ferrante’s work and the HBO adaptation My Brilliant Friend, followed at 9:50 by a reading from her latest book, The Lying Life of Adults (Europa Editions, November 2019, $26) and a watch party at 10:00 of episode five of the second season of the series, The Betrayal, which is directed by Italian auteur Alice Rohrwacher, the writer-director of such international successes as Heavenly Body, The Wonders, and Happy as Lazzaro. (Note that the show will not be aired over the livestream but must be watched over HBO.) The discussion features Ferrante’s English-language translator, Ann Goldstein, who will read an excerpt from the new novel; Europa editor in chief Michael Reynolds; writer, professor, and poet Alexander Chee; and writer and producer Sarah Treem (The Affair, In Treatment). The mysterious and elusive, pseudonymous Ferrante will not be participating, of course. Suggested donation is $5 (or more if you can afford it), with all proceeds benefiting #SaveIndieBookstores.

COVID-19 & NEW YORK CITY ARTS AND CULTURE

covid-19-faq

Since May 2001, twi-ny has been recommending cool things to do throughout the five boroughs, popular and under-the-radar events that draw people out of their homes to experience film, theater, dance, art, literature, music, food, comedy, and more as part of a live audience in the most vibrant community on Earth.

With the spread of Covid-19 and the closing of all cultural institutions, sports venues, bars, and restaurants (for dining in), we feel it is our duty to prioritize the health and well-being of our loyal readers. So, for the next several weeks at least, we won’t be covering any public events in which men, women, and children must congregate in groups, a more unlikely scenario day by day anyway.

That said, as George Bernard Shaw once noted, “Without art, the crudeness of reality would make the world unbearable.”

Some parks are still open, great places to breathe in fresh air, feel the sunshine, and watch the changing of winter into spring. We will occasionally be pointing out various statues, sculptures, and installations, but check them out only if you are already going outside and will happen to be nearby.

You don’t have to shut yourself away completely for the next weeks and months — for now, you can still go grocery shopping and pick up takeout — but do think of others as you go about your daily life, which is going to be very different for a while. We want each and every one of you to take care of yourselves and your families, follow the guidelines for social distancing, and consider the health and well-being of those around you.

We look forward to seeing you indoors and at festivals and major outdoor events as soon as possible, once New York, America, and the rest of the planet are ready to get back to business. Until then, you can find us every so often under the sun, moon, clouds, and stars, finding respite in this amazing city now in crisis.

PANEL DISCUSSION & MARATHON READING OF KAFKA’S “THE TRIAL”

(photo by Natalia Kabanow)

Cancellation of Krystian Lupa’s Polish version of Franz Kafka’s The Trial at NYU Skirball has led to panel discussion and marathon reading in defense of artistic freedom (photo by Natalia Kabanow)

NYU Skirball Center for the Performing Arts
566 La Guardia Pl.
Sunday, March 8, free, 1:00 – 10:00
212-992-8484
nyuskirball.org

NYU Skirball is facing its own Kafkaesque drama in its attempt to stage a Polish version of Franz Kafka’s The Trial. Krystian Lupa’s adaptation was scheduled to come to the Washington Square theater March 7-8, but the show was canceled when the Adam Mickiewicz Institute (AIM) cut off its funding. “Kafka’s The Trial is the story of political corruption, government censorship, and social malevolence — a story that mirrors our current global realities,” Skirball director Jay Wegman said in a statement. “Sadly, and ironically, the Polish government has pulled its funding in an attempt to silence Krystian Lupa, making this North American premiere impossible.” In a revealing Theatermania article, Wegman went toe-to-toe with AIM acting director Barbara Schabowska, arguing over what really happened, whether it was censorship, sloppiness, or incompetence.

Instead, Skirball is hosting a panel discussion and marathon reading of The Trial, presented in conjunction with the Public Theater, New York Theatre Workshop, PEN America, and CUNY’s Segal Center. The free March 8 program begins at 1:00 with “Art in Danger, Artists at Risk,” a panel featuring Monika Fabijanska, Holly Hughes, Felix Kaputu, André Lepecki, Julie Trébault, and Lupa, moderated by Catharine R. Stimpson, as they explore issues of artistic freedom, particularly amid the global populist movement. “The declaration of Minister Gliński is clear,” Lupa said in a statement. “Artists who do not sympathize with the current leadership’s cultural policy, who criticize its values, decisions, and actions, will be treated as enemies of Poland and will not be supported by the Ministry of Culture and National Heritage in any form.” From 3:00 to about 10:00, there will be a marathon reading of Kafka’s posthumously published 1925 novel, with such special guests as Salman Rushdie, Kathleen Chalfant, Zadie Smith, and Kwame Anthony Appiah. Advance RSVP is recommended but not required; there will also be limited spots available to the public the day of the event. “Someone must have been spreading lies about Josef K, for without having done anything wrong he was arrested one morning.” And so it begins.

THE BOOKSELLERS

The Booksellers

Rare-book dealers such as Adam Weinberger scour through private homes to find buried treasure in The Booksellers

THE BOOKSELLERS (D. W. Young, 2019)
Quad Cinema
34 West 13th St. between Fifth & Sixth Aves.
Opens Friday, March 6
212-255-2243
booksellersdocumentary.com
quadcinema.com

“There’s so much more to a book than just the reading,” Maurice Sendak is quoted as saying in D. W. Young’s wonderfully literate documentary The Booksellers, which opens at the Quad March 6. I have to admit to being a little biased, as I work in the children’s book industry in another part of my life, and I serve as the managing editor on Sendak’s old and newly discovered works. The film follows the exploits of a group of dedicated bibliophiles who treasure books as unique works of art, buying, selling, and collecting them not merely for the money but for the thrill of it. “The relationship of the individual to the book is very much like a love affair,” Americana collector Michael Zinman explains.

Sisters Adina Cohen, Judith Lowry and Naomi Hample, owners of the Argosy Book Store, at the store on East 59th Street in Manhattan

Sisters Adina Cohen, Judith Lowry, and Naomi Hample of Argosy Book Store keep the family legacy alive

In the film, which features narration by executive producer Parker Posey, Young visits the Antiquarian Book Fair at Park Avenue Armory and speaks with a wide range of intellectual characters, including author and cultural commentator Fran Lebowitz, who relates her experiences in rare-book stores; bestselling writer Susan Orlean, who discusses her archives; leather-bound connoisseur Bibi Mohamed of Imperial Fine Books, who talks about going to her first estate sale; late-twentieth-century specialist Arthur Fournier; Nicholas D. Lowry and Stephen Massey of Antiques Roadshow, the latter of whom was the auctioneer for the most expensive book ever sold, Leonardo Da Vinci’s Hammer codex; sci-fi expert and author Henry Wessells; Justin Schiller, who worked with Sendak and other children’s book authors; Rebecca Romney of Pawn Stars; Jim Cummins, who owns some four hundred thousand books; Erik DuRon and Jess Kuronen of Left Bank Books; Nancy Bass Wyden of the Strand; and Adina Cohen, Naomi Hample, and Judith Lowry, the three sisters who own the Argosy Book Store, continuing the family legacy.

But times have changed, for both good and bad. Dealer Dave Bergman complains, “The internet has killed the hunt,” comparing the excitement of live auctions and the detective-like chase for a title to the boredom of automated online searches and bidding. However, diversity is on the rise, as explored with Kevin Young of the Schomburg Center for Research in Black Culture; Caroline Schimmel, a leading collector of books by women; and hip-hop archivist and curator Syreeta Gates. “I think the death of the book is highly overrated,” Heather O’Donnell of Honey and Wax Booksellers declares. From her mouth. . . . The Booksellers, which is worth seeing solely for Antiques Roadshow appraiser and Swann Auction Galleries president Nicholas D. Lowry’s fab mustache, is screening in conjunction with the sixtieth anniversary of the New York Antiquarian Book Fair, taking place March 5-8 at Park Avenue Armory. The Quad is hosting a series of Q&As opening weekend, with Young and such guests as Posey, Wyden, Romney, O’Donnell, and Nicholas D. Lowry, moderated by Eugene Hernandez and Adam Schartoff.

THE LETTERS OF EFRATIA GITAI: A STAGED READING

efratia gitai

“IN TIMES LIKE THESE”: AMOS AND EFRATIA GITAI
MoMA, Museum of Modern Art
11 West 53rd St. between Fifth & Sixth Aves.
Thursday, March 5, $8-$12, 7:00
Series continues through March 9
212-708-9400
www.moma.org
primolevicenter.org/events

In conjunction with the publication of the English-language edition of Efratia Gitai: Correspondence 1929–1994, MoMA will host “‘In Times Like These’: Amos and Efratia Gitai,” a series of events featuring the author’s son, award-winning Israeli filmmaker Amos Gitai. Born in 1909 in Palestine to Russian Zionist parents, Efratia Gitai wrote letters throughout her life to Amos, her Bauhaus architect husband Munio Weinraub, and friends, sharing her views on the state of the world, from the Bolshevik Revolution and Viennese psychology to Churchill, Hitler, and kibbutzes. On March 5 at 7:00, Amos Gitai will introduce “The Letters of Efratia Gitai: A Staged Reading,” a ninety-minute presentation featuring Cannes Best Actress winner Barbara Sukowa (Berlin Alexanderplatz, Hannah Arendt) and Belgian actor and producer Ronald Guttman (Coastal Disturbances, Mildred Pierce) dramatizing the letters, which were curated by Rivka Gitai, Amos’s wife; they will be accompanied on piano by sixteen-year-old Yali Levy Schwartz. The series continues through March 9 with screenings of four of Amos Gitai’s films, Carmel, Esther, Berlin-Jerusalem, and Kedma, several of which will be introduced by the filmmaker.

PERFORMANCES INSPIRED BY ALFRED JARRY

DJ Spooky (photo courtesy Subliminal Kid Inc.) and Tony Torn and Julie Atlas Muz (photo by Max Basch) will pay tribute to Alfred Jarry at the Morgan on February 28

DJ Spooky (top, photo courtesy Subliminal Kid Inc.) and Tony Torn and Julie Atlas Muz (bottom, photo by Max Basch) will pay tribute to Alfred Jarry at the Morgan on February 28

Morgan Library & Museum
225 Madison Ave. at 36th St.
Friday, February 28, $25, 7:00
212-685-0008
www.themorgan.org

In conjunction with its current exhibit “Alfred Jarry: The Carnival of Being,” the Morgan is hosting a special event on February 28, bringing together a wide range of performers celebrating the vast influence of Jarry, the French Symbolist who died in 1907 at the age of thirty-four, having left behind an important legacy of plays (Ubu Roi), novels (Exploits and Opinions of Dr. Faustroll, Pataphysician), essays (The Green Candle), illustrations, and more. The evening includes musical excerpts from actor Tony Torn and Julie Atlas Muz’s Ubu Sings Ubu, a mashup of Ubu Roi and songs by Cleveland art-punk provocateurs Pere Ubu; a screening of British speculative sculptor Lawrence Lek’s two-minute 2010 film The Time Machine, “a translation of surrealist science fiction into physical form” based on Jarry’s 1899 essay “How to Construct a Time Machine”; “Reading Jarry,” a collaboration between DJ Spooky and Belgian actor and producer Ronald Guttman; and live scoring by DJ Spooky to clips from the late Polish graphic designer and cartoonist Jan Lenica’s 1979 film, Ubu et la grande Gidouille. The program begins at 7:00, but ticket holders are invited to check out the exhibition, which continues through May 10, beginning at 6:00.