this week in literature

VIRTUAL ST. PATRICK’S DAY 2021

On March 14, 2020, Mayor Bill de Blasio stated, “I am not ready today at this hour to say, let’s have a city with no bars, no restaurants, no rec centers, no libraries. I’m not there.” But he was there the next day, shutting down the city while allowing St. Patrick’s Day revelers one last chance to become superspreaders, letting them have one final party night on March 16. A year later, Gotham has suffered 775,000 cases and more than 30,000 deaths, so for 2021, the St. Patrick’s Day Parade will be virtual, but restaurants are back open. For those who are not planning on cramming into any pubs quite yet, there are several online gatherings to celebrate the patron saint of Ireland.

The parade, a New York City institution since 1762, will be virtual in 2021, honoring first responders and essential workers. There will be events all day long, from a livestreamed mass and a composite of previous parades to live entertainment and interviews.

The Gingold Theatrical Group, which is dedicated to the work of George Bernard Shaw, is hosting a livestreamed Irish Poetry Slam with Robert Cuccioli, Tyne Daly, Melissa Errico, Jessica Hecht, Daniel Jenkins, Andrea Marcovicci, Tonya Pinkins, Thom Sesma, Renee Taylor, Sally Wilfert, Karen Ziemba, and others taking part in an open mic night beginning at 6:00 (admission is free with advance RSVP), with people contributing poetry, songs, toasts, jokes, monologues, sayings, and more, preferably by or inspired by Irish writers. “Ordinarily, we’d be having our annual Golden Shamrock Gala on the seventeenth, but . . . nope!” Gingold artistic director David Staller said in a statement. “This shindig will take place over Zoom! Not Irish? Not a problem. On St. Pat’s, we’re ALL a little Irish. This is just a party. Not a performance. Not a fundraiser. Just a chance for us all to raise a glass and be ‘together.’”

Meanwhile, Knowledge Workings Theater Company, started in 2018 by Joe Queenan, T. J. Elliott, and Marjorie Phillips Elliott, is holding its Second Annual Virtual (Not Necessarily Virtuous) St. Patrick’s Day Celebration. Anyone can participate by making their own video, following specific instructions on YouTube here and seeing what contributors posted last year. It’s free, but it you want to donate, Knowledge suggests you do so to the Irish Rep, which is presenting JM Synge’s The Aran Islands, starring Brendan Conroy, March 16-28, including 3:00 and 8:00 screenings March 17.

On Wednesday night at 8:00 GMT, Dublin’s St. Patrick’s Day Festival concludes with Barróg Lá Fhéile Phádraig, featuring performances by Lisa O’Neill, Colm Mac Con Iomaire, Caoimhe Ní Fhlatharta, Seamus and Ronan Ó Flatharta, Diarmuid and Brian Mac Gloin, Cormac Begley, Ronan O’Snodaigh and Myles O’Reilly, Doireann, and Siún Glackin and Mohammad Syfkhan, sharing a big virtual hug extending across the Atlantic.

THE YEAR OF MAGICAL THINKING

Who: Kathleen Chalfant
What: Benefit livestream
Where: Keen Company
When: Saturday, March 13, $25, 7:00 (available on demand through March 17)
Why: It’s been precisely a year since the coronavirus crisis shuttered theaters across the country. With more than half a million Americans dead from Covid-19 and more than 2.6 million victims worldwide, the planet has experienced a tremendous amount of loss since the WHO declared on March 11, 2020, “We have made the assessment that Covid-19 can be characterized as a pandemic. Pandemic is not a word to use lightly or carelessly. It is a word that, if misused, can cause unreasonable fear, or unjustified acceptance that the fight is over, leading to unnecessary suffering and death.” In homage to what this year has wrought, Keen Company is presenting a livestreamed virtuaL reading of Joan Didion’s 2007 play, The Year of Magical Thinking, which she adapted from her memoir that detailed what she experienced in the twelve months and one day following the sudden death in 2003 of her husband, writer John Gregory Dunne, during which their daughter, Quintana Roo, was seriously ill with a series of health issues that began with the flu; she passed away shortly before the National Book Award–winning bestseller was published, an incident that was added to the play.

Thus, the time seems right for a reading of the one-woman show, which premiered on Broadway in 2007 at the Booth Theater, starring Vanessa Redgrave; more recently, Kathleen Turner performed the role in a 2016 run at Arena Stage. The Keen presentation features the grande dame of New York theater, five-time Obie winner Kathleen Chalfant, who in the fall of 2019 portrayed Mabel Loomis Todd in Rebecca Gilman’s one-woman play, A Woman of the World. The online show is helmed by Keen artistic director Jonathan Silverstein, who said in a statement, “I am thrilled and honored to be reunited with Kathleen Chalfant on this beautiful play. Working with Kathleen for A Walk in the Woods [in 2014] was a highlight of my career, and she is a brilliant match for Joan Didion’s moving text. Didion’s words are clear-eyed, inspiring, and resonate on this one-year anniversary of the pandemic. We will be coming to you remotely, yet this intimate reading of Didion’s play will make you feel you’re in conversation with Chalfant and Didion.” Chalfant (Wit, Angels in America) is always elegant and graceful, whether onstage, on the big and small screens, or on Zoom. The one-night-only event takes place March 13 at 7:00 and will be followed by a talkback; tickets are $25, and purchasers can access the stream through March 17 at 7:00. Proceeds will benefit Keen’s Hear/Now season of audio theater in addition to Keen Playwrights Lab and Keen Teens.

Kathleen Chalfant is exquisite in livestreamed reading of Joan Didion’s The Year of Magical Thinking for Keen Company

Update: Kathleen Chalfant gives an exquisite, beautiful reading of Joan Didion’s The Year of Magical Thinking for Keen Company. It is so well done you will sometimes forget you’re watching an actress performing and think you’re seeing Didion reading from her own book. Chalfant, who had contacted director David Hare about originating the part on Broadway, a role that had already been given to Vanessa Redgrave, rehearsed the play four times with director Jonathan Silverstein, including once in her home, where she delivers this performance, sitting in her living room, book in hand. She was offered a TelePrompter but found reading directly from the published play was more effective, and she’s right. She touches her chin, adjusts her glasses, pauses at a poignant moment when, by chance, ambulance sirens can be heard outside, and looks directly at the viewer, baring her character’s soul as she shares Didion’s tragic story over one hundred uncut, unedited minutes. It’s a gentle tour de force that comes at a time when we are all reflecting on a year like no other, delivered by a wonderful actress like no other. The reading is followed by a short talkback that lends further insight into this moving virtual presentation.

THE 14th ANNUAL CHARLES BUKOWSKI MEMORIAL READING

Who: Mike Watt, Mike Daisey, Jennifer Blowdryer, Kim Addonizio, S. A. Griffin, Puma Perl, George Wallace, Richard Vetere, Michael Puzzo, Peter Carlaftes, Kat Georges
What: Annual Charles Bukowski Memorial Reading
Where: Three Rooms Press YouTube and Facebook
When: Tuesday, March 9, free, 7:00
Why: “What sort of cultural hangover keeps Charles Bukowski in print and popular more than twenty years after his death?” S. A. Griffin asks in his Three Rooms Press essay “Charles Bukowski: Dean of Another Academy.” “In light of the fact that a good portion of what has been published since his passing in 1994 may not be the man’s best work, along with some heavy editing at times, why does Charles Bukowski remain relevant well into the 21st century?” The fourteenth annual Charles Bukowski Memorial Reading, which this year takes place virtually on March 9 at 7:00, will explore what Bukowski would think about today’s social-media-obsessed society in the midst of a pandemic lockdown, with tribute readings by monologist Mike Daisey, performance artists Jennifer Blowdryer, poets Kim Addonizio, S. A. Griffin, Puma Perl, and George Wallace, and playwrights Richard Vetere and Michael Puzzo, hosted by Kat Georges and Peter Carlaftes of Three Rooms Press and featuring a special video appearance by bassist extraordinaire Mike Watt (Minutemen, Dos, Firehose, Big Walnuts Yonder). Admission is free.

JOYCE CAROL OATES: WOMEN ON THE MOVE

Who: Joyce Carol Oates, Zibby Owens
What: Livestreamed conversation
Where: The Temple Emanu-El Streicker Center
When: Tuesday, March 9, free with RSVP, $25 with book, 11:00 am
Why: On February 16, mother of four and creator and host of the podcast “Moms Don’t Have Time to Read Books” Zibby Owens was introduced as the moderator for the Temple Emanu-El Streicker Center’s new virtual conversation series, “Women on the Move.” Owens, whose Moms Don’t Have Time To: A Quarantine Anthology (Skyhorse, February 2021, $24.99) was published last month, spoke with Jeanine Cummins on February 23 and Nicole Krauss on March 3. On March 9 at 11:00 in the morning, Owens will Zoom in with eighty-two-year-old living legend Joyce Carol Oates, the New York State native who has written more than a hundred novels, novellas, short stories, essays, and plays. The latest collection from the winner of two O. Henry Awards, the National Book Award, the Jerusalem Prize, and the National Humanities Medal is The (Other) You: Stories (HarperCollins, February 2021, $26.99), which, among other things, is about the act of reading itself. “Bought a bookstore. Mostly secondhand books,” the title story begins. Admission to the live webinar is free with RSVP, although you can receive a copy of the book for a $25 fee.

ARTISTS & COMMUNITY: FIRST LOVE

Who: Bill Camp, JoAnne Akalaitis, Alisa Solomon
What: One-man show and live discussions
Where: TFANA Vimeo
When: Thursday, February 25, free with RSVP, 7:00 (available through March 1 at 7:00)
Why: “I associate, rightly or wrongly, my marriage with the death of my father, in time. That other links exist, on other levels, between these two affairs, is not impossible. I have enough trouble as it is in trying to say what I think I know.” So begins Samuel Beckett’s short story First Love, which was written in French in 1946 but was not translated into English by the author until 1973. Theatre for a New Audience will be presenting a theatrical adaptation of the work performed by Tony and Emmy nominee and Obie winner Bill Camp (The Crucible, Homebody/Kabul, The Queen’s Gambit), streaming February 25 at 7:00 through March 1 at 7:00; admission is free with advance RSVP. The show, a confessional that deals with death, desire, and solitude, is directed by six-time Obie winner JoAnne Akalaitis, with lighting by Jennifer Tipton, costumes and scenery by Kaye Voce, and video design by Eamonn Farrell. Camp has previously appeared in Measure for Measure, Macbeth, Sore Throats, and Notes from Underground at TFANA; in 2007-8, he collaborated with Akalaitis, Tipton, and Voce on Beckett Shorts at New York Theatre Workshop.

“If theaters opened up tomorrow, I wouldn’t do this on the stage: it’s made specifically for Zoom and our times, and very do-it-yourself,” Akalaitis said in a statement. “Part of my wanting to do it is to acknowledge that the world has changed. One of the big game players in cultural change was Samuel Beckett, to whom I owe so much. It just felt right to put this work by a young, war-damaged Beckett — this mean-spirited, mordant, misanthropic piece from the point of view of this fucked up, misogynist character — in the hermetic setting of Zoom.” Part of TFANA’s “Artists & Community” series, the performance, filmed over Zoom from Camp’s family home in Vermont, will be supplemented by two live talks with Akalaitis, Camp, and other members of the team, moderated by Alisa Solomon, on February 25 and 26 at 8:45.

WALKING WITH GHOSTS: GABRIEL BYRNE IN CONVERSATION WITH SARAH McNALLY

Who: Gabriel Byrne, Sarah McNally
What: Livestreamed discussion
Where: McNally Jackson Books Zoom
When: Thursday, February 25, $5, 7:00
Why: “How many times have I returned in my dreams to this hill. It is always summer as I look out over the gold and green fields, ditches foaming with hawthorn and lilac, river glinting under the sun like a blade. When I was young, I found sanctuary here and the memory of it deep in my soul ever after has brought me comfort. Once I believed it would never change, but that was before I came to know that all things must. It’s a car park now, a sightseers panorama.” So begins award-winning actor Gabriel Byrne’s widely hailed, poetic, soul-searching memoir, Walking with Ghosts (Grove Press, January 2021, $26).

The seventy-year-old Dublin native has appeared in such films as The Usual Suspects and Miller’s Crossing, such television series as In Treatment and Vikings, and such Broadway productions as A Moon for the Misbegotten and Long Day’s Journey into Night. On the book, he recounts his childhood in a working-class family, his discovery of the theater, and his battle with addiction with grace, humor, and bracing honesty. On February 25 at 7:00, he will speak with McNally Jackson Books founder Sarah McNally about the memoir and his career, live over Zoom. Admission is $5, but you can get those five bucks back if you buy a copy of the book when registering for the event and using discount code BYRNE5OFF.

A CELEBRATION OF OCTAVIA E. BUTLER

An all-star lineup will pay tribute to Octavia E. Butler on February 24 via Symphony Space

Who: Branden Jacobs-Jenkins, N. K. Jemisin, Walter Mosley, Imani Perry, Yetide Badaki, Adepero Oduye
What: Readings and conversations
Where: Symphony Space Virtual Space
When: Wednesday, February 24, $15, 7:00
Why: In honor of the fifteenth anniversary of the passing of award-winning American science-fiction writer Octavia E. Butler, who died on February 24, 2006, at the age of fifty-eight, a stellar group of writers and actors are gathering virtually at Symphony Space for an evening of readings and live discussion. A feminist and, arguably, an Afro-futurist, Butler wrote such works as Kindred, Bloodchild and Other Stories, and the Patternist, Xenogenesis, and Earthseed series. In her 1998 MIT speech “Devil Girl from Mars: Why I Write Science Fiction,” she said, “It’s impossible to begin to talk about myself and the media without going back to how I wound up writing science fiction and that is by watching a terrible movie.The movie was called Devil Girl from Mars, and I saw it when I was about twelve years old, and it changed my life.” There’s no telling how many people’s lives were changed by reading Butler; the evening will feature playwright Branden Jacobs-Jenkins, authors N. K. Jemisin, Walter Mosley, and Imani Perry, and actors Yetide Badaki and Adepero Oduye.