this week in literature

SCRIPT TO SCREEN CONFERENCE

Oscar-nominated writer-director Terry George (HOTEL RWANDA, THE BOXER) is one of the features guest at annual Script to Screen Conference at 92YTribeca

Oscar-nominated writer-director Terry George (HOTEL RWANDA, THE BOXER) is one of the featured guests at annual Script to Screen Conference at 92YTribeca

92YTribeca
200 Hudson St.
Weekend Pass: Members $150, Nonmembers $200
($150 with the discount code FREE2010)
www.conference.ifp.org

Looking to be the next Geoffrey Fletcher or Mark Boal, both of whom won screenwriting Oscars earlier this month for independently produced films? (Fletcher won for PRECIOUS, Boal for THE HURT LOCKER.) The Independent Filmmaker Project will be holding its annual Script to Screen Conference at 92YTribeca this weekend, featuring two days of panel discussions, in-depth conversations, workshops, networking opportunities, and more with award-winning screenwriters, producers, casting directors, film festival programmers, executives, and other industry insiders and outsiders. Among the participants at last year’s conference, the first after a five-year hiatus, were Lee Daniels, James Schamus, Nelson George, Ramin Bahrani, and Ted Hope, with such seminal figures as Paul Schrader, Allison Anders, James Toback, Gale Ann Hurd, and Tom Fontana having attended in previous years.

Saturday (9:00 am – 4:30 pm) is devoted to “Launching Your Next Project,” with such events as “Development Demystified,” with Sophie Barthes, Anne Carey, and Jonathan Shukat, moderated by Susan Lewis, and “The Art of Selling & Storytelling,” with Rodney Evans, John Hadity, and Jenny Schweitzer, moderated by Monty Ross, in addition to DAILY SHOW head writer Steve Bodow in conversation with Filmmaker magazine’s Jason Guerrasio. Sunday’s theme is “Sustaining Your Filmmaking Career,” beginning at 2:00 with Terry George (HOTEL RWANDA, IN THE NAME OF THE FATHER) in conversation with Filmmaker’s Scott Macaulay and followed by “Writing for a New Landscape: New Media & Cross-Platform Opportunities,” with Keith Bunin, Lena Dunham, Ryan Bilsborrow-Koo, and Zack Lieberman, moderated by Christian Vesper; “Now What? A Screenwriting Career with Peter Hedges,” with Hedges (PIECES OF APRIL, WHAT’S EATING GILBERT GRAPE) discussing his work with moderator Adam Brooks (ALMOST YOU, DEFINITELY, MAYBE); and concluding with Brian Koppelman (ROUNDERS, SOLITARY MAN) in conversation with film critic Elvis Mitchell. Weekend passes are $150 for IFP members and $200 for nonmembers, but nonmembers can get the member price with the discount code FREE2010.

TIBET IN NEW YORK

secretlives

SECRET LIVES OF THE DALAI LAMA by Alexander Norman (Doubleday Religion, February 2010, $15)
www.broadway-books.crownpublishing.com

Those Brits do tell a ripping yarn! And what better subject than Tibet, the nation once mythologized as Shangri-La? Alexander Norman is a British scholar and writer at Oxford; the Dalai Lama is a world-renowned Nobel Peace Prize–winning, sometimes controversial Tibetan spiritual leader. And a temporal leader. And a monk. And . . . Well, what, exactly? Westerners are often awed by Tenzin Gyatso, the current incarnation of Chenrezig, the bodhisattva of compassion, and frequently mistake him for something like the Pope of Buddhism, or at least of Tibetan Buddhists. Not so, not so at all, and Norman explains the how and why in SECRET LIVES OF THE DALAI LAMA. Norman’s excellent book looks at the whole span of Tibetan history and culture through the prism of the Dalai Lama. Trying to explain exactly who and what the Dalai Lamas (all fourteen of them) are and have been to the Tibetan people and the world creates a tome that does not shy away from troubling aspects of the society and its history while still conveying the magic and wisdom of Tibetan culture. (In fact, the current Dalai Lama even contributes the foreword.)

The book sparkles with insightful flashes of history, art, monastic life, magic and folklore, politics, military history, foreign affairs—the Tibetan world as a whole, warts, jewels, and all. Face it: Any book that starts with a politically motivated murder in the Dalai Lama’s compound in 1997 and proceeds to a discussion of both the doctrine of dependent origination (emptiness, or shunyata) and the living embodiment of compassion could be either dry or sensationalist. But not this one; Norman is too expert a storyteller and so devoted to the tale that one can’t help but be swept along—surprised, touched, exhilarated, and, finally, awed.

tibet in harlem

Norman was supposed to come to New York City for several talks and book signings, but those events were unexpectedly canceled. But that doesn’t mean there’s not a whole bunch of other things to do in relation to Tibet and its spiritual leader. The Dalai Lama himself will be teaching May 20-23 at Radio City Music Hall, discussing Nagarjuna’s Commentary on Bodhicitta and Shantideva’s Guide to the Bodhisattva’s Way of Life (tickets on sale now, $100-$360) and also giving a public lecture on “Awakening the Heart of Selflessness” (tickets on sale March 18, $25-$40). From March 14 to 20, the Maysles Institute’s Tibet in Harlem 2: Origins series features screenings of Sherwood Hu’s PRINCE OF THE HIMALAYAS (March 14, followed by the opening-night reception), Duan Jinchuan’s 16 BARKOR SOUTH STREET (March 15), Dorje Tsering Chenaktsang’s TANTRIC YOGI and ANI LHACHAM (March 16), Padma Tseten’s THE SILENT HOLY STONES (March 17, followed by a Q&A with the director), Sonam’s MILAREPA (March 18), Tseten’s THE GRASSLAND and Rigdan Gyatso’s THE GIRL LHARI (March 19, followed by a panel discussion and reception with Tseten and Gyatso), and Tseten’s THE SEARCH (March 20, followed by a Q&A with Tseten and the closing-night reception). The Maysles Institute will also host a short film showcase on March 22 featuring works by Tibetan filmmakers from around the world, with a number of the directors and actors present for a postscreening Q&A.

Evan Brenner will perform one-man show THE BUDDHA PLAY at Village Zendo on March 19

Evan Brenner will perform one-man show THE BUDDHA PLAY at Village Zendo on March 19

On March 19 at Village Zendo, you can catch a special one-night-only performance of Evan Brenner’s one-man show, THE BUDDHA PLAY—THE LIFE OF BUDDHA, which uses original texts to examine the “Triumph & Tragedy in the Life of the Great Sage.” At Tibet House, “Modern Buddhist Visions: Paintings by Pema Namdol Thaye” continues through April 16, comprising mandalas, tangkas, sculptures, and 3-D artworks. And at the Rubin Museum,“Bardo: The Tibetan Art of the Afterlife” runs through September 6, along with other exhibitions and special programs.

WILLIAM KENTRIDGE & THE NOSE

The Metropolitan Opera, Lincoln Center
Between West 62nd & 65th Sts. and Columbus & Amsterdam Aves.
March 5-25, $15 standing room – $375
212-362-6000
www.metoperafamily.org

In spring 2007, William Kentridge’s magical production of Mozart’s THE MAGIC FLUTE dazzled audiences at BAM. Now, as part of numerous events across the city celebrating the multifaceted career of the South African artist, his highly anticipated adaptation of Shostakovich’s version of Gogol’s 1836 short story THE NOSE will  have six performances at the Metropolitan Opera this month. The multimedia presentation, conducted by Valery Gergiev and featuring baritone Paulo Szot as Kovalyov and tenors Andrei Popov as the police inspector and Gordon Gietz as the Nose, was designed by Kentridge with Sabine Theunissen. Tickets are going fast in the lower-priced sections, so act quickly if you’d rather pay $150 or less rather than as much as $375. In addition, Kentridge’s NOSE-related drawings and collages are on view at the Gallery Met, his limited edition SHEETS OF EVIDENCE book is on display at Dieu Donné through April 24, he will be in conversation with Paul Goldberger discussing “Learning from the Absurd” at the New York Public Library on March 12, “Sounds from the Black Box: The Music of Philip Miller for the Films of William Kentridge” screens at the World Financial Center, with live music by Ensemble Pi, March 21-22, and the major retrospective “William Kentridge: Five Themes” runs at MoMA  through May 17.

NATIONAL BOOK CRITICS CIRCLE READING AND AWARDS CEREMONY

Edmund White is among the National Book Critics Circle nominees

Edmund White is among the National Book Critics Circle nominees

The New School, Tishman Auditorium
66 West Twelfth St. at Fifth Ave.
Wednesday, March 10, and Thursday, March 11, free, 6:00
212-229-5353
www.newschool.edu
www.bookcritics.org

On January 23, the National Book Critics Circle announced the finalists for its 2009 awards, in the categories of Fiction, Nonfiction, Autobiography, Biography, Criticism, and Poetry. Among the nominees are Bonnie Jo Campbell for AMERICAN SALVAGE, Tracy Kidder for STRENGTH IN WHAT REMAINS, William T. Vollmann for IMPERIAL, Edmund White for CITY BOY, Brad Gooch for FLANNERY: A LIFE, Stephen Burt for CLOSE CALLS WITH NONSENSE: READING NEW POETRY, and Rachel Zucker for MUSEUM OF ACCIDENTS. The New School celebrates the awards with its annual free two-day presentation, with many of the nominees reading from their works on March 10, followed the next night by the awards ceremony. In addition, JOyce Carol Oates will be receiving the Ivan Sandrof Lifetime Achievement Award. Both events are free and first come, first served.

WALES WEEK USA

Dylan Thomas celebration is at center of 2010 Wales Week in New York

Dylan Thomas celebration is at center of 2010 Wales Week in New York

EXPERIENCE DYLAN THOMAS IN NEW YORK
Multiple locations
March 2-7, free – $150
www.wales.com
www.dylanthomas.com

Wales Week USA celebrates Welsh culture and history with special presentations across the country March 2-7. Here in New York, Wales Week focuses on poet Dylan Thomas, who spent a lot of time in the city, including dying at St. Vincent’s in 1953 at the age of thirty-nine. The Morgan Library will be displaying rare manuscripts and other artifacts in addition to serving a special Welsh afternoon tea March 3-7.  On March 6, Dr. Rhian Davies and pianist Simon Crawford-Phillips honor composer Alec Templeton at the New York Library for the Performing Arts at 3:00, followed by the Music Masters of Wales concert at Carnegie Hall, guest-conducted by 2010 William R. Hopkins Bronze Medal recipient Dr. Karl Jenkins. On March 7 at 9:30 am, you can learn all about Thomas’s relationship with New York City on the Dylan Thomas Walking Tour of Greenwich Village, put together by scholar Peter Thabit Jones and Aeronwy Thomas, the poet’s daughter ($25, advance RSVP required at catrin.brace@wales-uk). Wales Week concludes that afternoon at 4:00 with David Enlow playing “The Organ Works of Cesar Franck”  at Rutgers Presbyterian Church on West 73rd St.

PURIM 2010

Masks and Mayhem is only one of many Purim parties taking place all over the city on February 27

Masks and Mayhem is only one of many Purim parties taking place all over the city on February 27

The Jewish holiday of Purim is a time of rejoicing, celebrating the defeat of the Persian leader Haman, who, serving under Persian king Ahasuerus in the fifth century BCE, sought to kill all the Jews. There will be Purim parties all over town on Saturday night, when people will gather with noisemakers and good grog, partaking in the triangular delicacy known as hamentashen, and reading from the Megillah. Chris Noth will host the Aish Center’s “Masks and Mayhem” in the Sony Atrium, with food from Eli Kirshstein, a free drink, music by DJ Roy Baron, and a costume contest that can earn you a pair of first-class tickets to Israel or a Private Chef’s Table for Ten at Solo. The Shushan Channel will be going crazy at 92yTribeca with their eighth annual Purim spiel, “Lady Graga,” led by Daily Show creator Lizz Winstead and taking on pop culture as only they can. JDub records will be getting down at the CSV Cultural Center with a Hamanbashin costume contest and party featuring live performances by the Shondes, Can!!Can, and Gangsta Rabbi, DJ sets by Ultragrrrl and Matt Elkin, and Patrick Aleph delivering the whole Megillah channeled through Sid Vicious. Israeli hip-hoppers Hadag Nahash will be partying late into the night at (le) poisson rouge. At City Winery, Storahtelling presents Bloody Esther, starring Rebbetzin Hadassah Gross, better known as the First Lady of Judeo Kitsch. And in Brooklyn, Heeb magazine has teamed up with 3rd Ward for the Pour ’em Party, featuring Team Facelift, the Shining Twins, Dirty Fences, and DJs Johnny Tropical, Drew Heffron, and Kool Jew, while the Sway Machinery will headline the third annual Purim Bash at Littlefield, along with Djarara.

QUARTET v4.0

WaxFactory revisits its history with QUARTETv4.0 at Abrons Arts Center

WaxFactory revisits its history and lays a course for its future with QUARTETv4.0 at Abrons Arts Center

WaxFactory YEAR 11 RETROSPECTIVE
Abrons Arts Center, Henry Street Settlement
466 Grand St. at Pitt St.
February 24-28, $15
212-352-3101
www.henrystreet.org
www.waxfactory.org
www.performingrevolution.org

The SoHo-based experimental theater company WaxFactory is celebrating the completion of  its eleventh year with a series of programs that look back at the company’s founding, in 1998, as well as ahead toward its future. The “Year 11 Retrospective” began in January with the presentation of BLIND.NESS (LOVE IS A FOUR-LETTER WORD) as part of P.S. 122’s COIL festival and continues this week with WaxFactory’s new version of QUARTET v4.0, based on Heiner Müller’s controversial adaptation of Pierre Choderlos de Laclos’s 1782 novel LES LIAISONS DANGEREUSES. Part of the New York Public Library’s Performing Revolution in Central and Eastern Europe, the multimedia production, which uses surveillance cameras, live video capture, and real-time editing and processing, was conceived and directed by Ivan Talijancic and stars Erika Latta and Todd Thomas Peters. The celebration concludes next month with the American premiere of the company’s DELIRIUM 27, directed by Latta and running March 24-28 at Abrons Arts Center.