this week in literature

WORLD NOMADS LEBANON

Bernard Khoury will give a free talk on Lebanese architecture and public space at FIAF on May 6

French Institute Alliance Française
Florence Gould Hall, 55 East 59th St.
Le Skyroom, 22 East 60th St.
Tinker Auditorium, 55 East 59th St.
May 1-29, free – $40
212-355-6100
www.fiaf.org

This year FIAF’s annual spring journey heads to Lebanon for a month of live performance, film screenings, art, talks, and more. The festival, which covered Africa in 2008 and Haiti in 2009, begins May 1 with the Bassam Saba Ensemble playing in Florence Gould Hall, followed on May 2 by three consecutive free talks at Le Skyroom, with writers Elias Khoury, Rawi Hage, and Alexander Najjar in conjunction with the PEN World Voices Festival of International Literature. On Tuesdays from May 4 through May 25, CinémaTuesdays will present such films as Maroun Bagdadi’s HORS LA VIE, Jocelyne Saab’s ONCE UPON A TIME: BEIRUT, and Simon El-Habre’s THE ONE MAN VILLAGE in Florence Gould Hall. Meanwhile, the Film Society of Lincoln center will be hosting “The Calm After the Storm: Making Sense of Lebanon’s Civil War,” more than thirty films that give a fascinating overview into the history of the embattled nation. On May 21, Wajdi Mouawad and Jane Birkin will team up for staged readings of his “Je t’embrasse pour finir” (in French) and “La sentinelle” (in English); admission is free but advance reservations are required; author, actor, and director Wajdi will also be giving a free talk May 19 in Le Skyroom. World Nomads will also feature a trio of architecture talks on successive Thursdays, with Bernard Khoury on May 6, “Public Space: Memory, Boundary, Catastrophe” on May 13, and “Modern Architecture in Beirut: Reconstruction & Cultural Identity” on May 20. During the festival, the FIAF Gallery will be displaying “Cedrus Libani: Roots & Memory,” an exhibition of new and old work by Lebanese-American artist Nabil Nahas, while “My Umi Said . . . New Work from Lebanon” features multimedia pieces by five progressive Lebanese artists, held off-site at Kleio Projects (May 7-28, 153½ Stanton St.).

TWI-NY TALK: LENORE SKENAZY

Writer and mom Lenore Skenazy has a novel idea for May 22

TAKE OUR CHILDREN TO THE PARK . . . AND LEAVE THEM THERE DAY
Saturday, May 22, free
www.freerangekids.com

On May 22, Lenore Skenazy wants you to take your kids to the park — and leave them there. Alternately referred to as America’s Worst Mom and a national hero, Skenazy, a longtime New York City-based newspaper columnist, is the creator of the website and growing movement Free-Range Kids, which she considers “a commonsense approach to parenting in these overprotective times.” The married mother of two boys launched the site, freerangekids.com, in April 2008 after getting attacked for her New York Sun column “Why I Let My Nine-Year-Old Take the Subway Alone.” A year later, her book FREE-RANGE KIDS: HOW TO RAISE SAFE, SELF-RELIANT CHILDREN (WITHOUT GOING NUTS WITH WORRY) was published in hardcover; it has just been released in paperback as well.

Within moments of each new post on the site, which examines child-related news stories, court cases, school dilemmas, and other parental topics, dozens and dozens either cheer her on or lambast this decidedly non-helicopter mom. As one would expect, her latest venture, Take Our Children to the Park . . . and Leave Them There Day, is stirring up its fair share of controversy, which promises to only get more heated as May 22 approaches.

twi-ny: Again and again on your website, you cite statistics that are either misinterpreted or ignored by the media and government bodies about children’s safety. Why is it so hard for news and community organizations to get their facts straight?

Lenore Skenazy: Here’s the amazing news: We are currently enjoying a historic thirty-seven-year drop in crime, nationwide. In New York, the 2009 murder rate was the lowest in nearly fifty years! We are on par with the early ’60s, crime-wise. That was still the sweater set and college-boys-with-pipes era!

These statistics are hard to believe because on TV, it’s all crime all the time — from CNN to CSI. One woman once said, “How dare you say children are as safe as we were when we see abductions on TV every day!” The thing is: We see the same abductions on TV every day. We’ve been seeing the sad story of Etan Patz for thirty years, for example, and people still cite it as a reason they won’t let their kids walk to school. This, despite the tens of millions of children who have been born, gone to school, graduated and had their own kids since then — who were not abducted at the bus stop. And whose stories we don’t see on TV.

Tragic stories sear themselves on our brains. Then, when we ask ourselves a question like, “Is it safe for my kid to wait at the bus stop?” up pops the most graphic image: Etan. Then our brains act like Google: We assume the first thing that pops up is the most common. “Abductions are happening all the time!” Long story short: That is why it is so hard for us to keep the good news in perspective.

twi-ny: Your book FREE-RANGE KIDS is now out in paperback; what kind of effect do you think it and the website have had? What kind of response do you expect to get from your creation of Take Our Children to the Park . . . and Leave Them There Day?

LS: What’s great is that helicopter parents have existed for a while. So have Free-Range parents — folks who suspect we don’t have to be quite so worried about quite so much — but we didn’t have a name. Now we do, and a place to gather for moral support, and a book with tips, hard facts, and jokes!

Sometimes it’s hard to let your third grader stay at home while you go pick up some groceries or have your fifth grader walk home after school. The blog is a place to open up about these newly “radical” acts, and the book is a way to gain perspective: In my chapter “Why Other Countries Are Laughing at Zee Scaredy-Cat Americans,” I point out children walk to school starting in kindergarten or first grade everywhere else in the world. In my chapter “Relax! Not Every Little Thing You Do Has THAT Much Impact on Your Child’s Development,” I remind parents that we are not the only influence on our children’s lives. And, ultimately, we cannot control them or the world. (Darn!)

The response to Take Our Children to the Park . . . and Leave Them There Day has been wild. Other sites blogging about it have gotten big-time blowback: “The predators will have a field day!” “What happens if someone gets hurt?” On freerangekids.com, meanwhile, folks are psyched to have a day to start giving our kids the freedom and fun that helps them grow up happy, healthy, and maybe even a little sunburnt.

And remember: This is for kids starting at about age seven or eight. I’m not saying we should abandon our toddlers.

twi-ny: If the trend of the widespread overprotection of kids continues, including their spending less and less time outdoors and more and more time in front of their computers as well as the limiting of what they are allowed to bring to school and eat there, what do you foresee for future generations?

LS: Well, I never like to imagine the very worst — that’s too easy. “Oh, they’ll all be fat and diabetic and slurping their meals like the people in WALL-E!” I just assume that the kids who do some of what we did as kids — hang out in nature, make up games, learn to settle their own disputes, and entertain themselves — will rule.

What’s kind of funny is that all the new studies about child development point to the importance of play. That’s why every human generation — until this one — just did it automatically. It’s the preprogrammed way kids learn to create, communicate, compromise. The way they learn to grow up. We can’t do it for them, even though lately that’s what it seems like we’re trying to do. We take them to play classes and enroll them in programs, or sit them in front of a screen that plays with them.

I’m all for enrichment. My kids have done a number of extracurriculars, from piano to football. But children need some down time, too. Say, a day at the playground — without us.

FREE COMIC BOOK DAY

Multiple locations — comic book stores only
Saturday, May 1
www.freecomicbookday.com

The annual Free Comic Book Day, held the first Saturday in May, will be offering special deals and, yes, free comics at such city locations as Cosmic Comics, Rocketship, Midtown Comics, Jim Hanley’s Universe, Forbidden Planet, Bergen Street Comics, Roger’s Comics, and St. Mark’s Comics. Among the twenty-five free comic books printed just for FCBD are Archie’s Summer Splash #1, Matt Fraction and John Romita Jr.’s Iron Man/Thor, YOW! The John Stanley Library, Atomic Robo and Friends, Toy Story, Shrek, James Robinson and Eddy Barrows’s War of the Supermen, S. E. Hinton’s Fame: Lady Gaga, Mark Waid’s Irredeemable #1, Kevin Smith’s Green Hornet #1, Ben Edlund’s The Tic #1, Owly and Friends, and other previews, samplers, and special editions. We’re after Bird Hurdler ourselves, so stay at of our way. At Cosmic Comics, everything is 30% off, and the first fifty customers receive a free copy of Uncanny X-men #154 (1981). At Forbidden Planet, Steve Mannion will be signing his free comic book, Fearless Dawn #1, and the shop will be giving out bags with all of the free comics they have on a first come, first served basis. (Not all stores get copies of every free comic book.) At Jim Hanley’s Universe, there will be giveaways all day long, comedy at night, and signings by E. Max Frye (The Rising) and Dennis Calero and Jim Shooter (Doctor Solar and Magnus: Robot Fighter! ). Good luck!

PEN WORLD VOICES FESTIVAL OF INTERNATIONAL LITERATURE

Multiple venues
Through May 2
Most events free – $30
www.pen.org

The sixth annual PEN World Voices Festival of International Literature got under way April 26-27, with a panel discussion on diversity on Monday night and the $1,000 gala on Tuesday night, but things really kick into gear for the rest of the week, featuring more than 50 events with 150 writers from 40 countries. The Opening Night Extravaganza at the 92nd St. Y on Wednesday night, “Readings from Around the Globe,” includes the eclectic lineup of Mohsin Hamid, László Krasznahorkai, Yiyun Li, Daniele Mastrogiacomo, Sofi Oksanen, Atiq Rahimi, Salman Rushdie, Alberto Ruy-Sánchez, Patti Smith, Andrzej Stasiuk, and Miguel Syjuco. On Thursday, Barry Gifford, Richard Price, Philippe Djian, and Jean-Philippe Toussaint will discuss “Adaptation: From Page to Screen” at the Skirball Center, directed by Francine Prose. Meanwhile, Quim Monzó, Darryl Pinckney, Roxanna Robinson, and Colm Tóibín will be sharing “New York Stories” at the Morgan Library with moderator Edwin Frank. On April 30, free events include “David Almond and Sofi Oksanen in Conversation with Rakesh Satyal” and “Utopia and Dystopia: Geographies of the Possible” with Inga Kuznetsova, Jonathan Lethem, Eshkol Nevo, and Andrzej Stasiuk, moderated by Albert Mobilio, at the CUNY Graduate Center and “Quim Monzó in Conversation with Robert Coover” at NYU’s Deutsches Haus, while it’ll cost twenty bucks to see “The Great Fire—Shirley Hazzard in Conversation with Richard Ford” at the 92nd St. Y.

Patti Smith will be participating in several events at the sixth annual PEN World Voices Festival (photo by twi-ny/mdr)

Saturday’s most exciting event might be “Patti Smith and Jonathan Lethem in Conversation” in the historic Great Hall at the Cooper Union, although the talk that follows it, “Toni Morrison and Marlene van Niekerk in Conversation with Anthony Appiah,” should be pretty fine as well. Le Poisson Rouge will be hosting the fourth annual PEN Cabaret, this year starring Irakli Kakabadze, Natalie Merchant, Ben Okri, Ariel Dorfman, and other special guests, emceed by Rakesh Satyal. And on Sunday, the festival concludes in style with such gatherings as “Roddy Doyle in Conversation with Colum McCann” at FIAF, “A Life in Film” with Melvin Van Peebles and Greg Tate at the Brooklyn Library, “Ariel Dorfman in Conversation with Gabriel Sanders” at the Museum of Jewish Heritage, and Sherman Alexie delivering the fifth annual Arthur Miller Freedom to Write Lecture at the Cooper Union. There are many more events, with nearly everything $20 and under, or free, except for the cabaret, which is $30.

SAKURA MATSURI

The weeping spring cherry tree is among first to bloom for the Sakura Matsuri at the Brooklyn Botanic Garden (photo by twi-ny/mdr)

Brooklyn Botanic Garden
900 Washington Ave. at Eastern Parkway
Saturday, May 1, and Sunday, May 2, $10-$15
718-623-7200
www.bbg.org/sakura2010

There is nothing quite like hanami in Brooklyn, the annual cherry blossom viewing at the botanic garden. More than two hundred flowering Japanese cherry trees are expected to be in bloom this weekend for the Sakura Matsuri, a two-day festival of dance, music, art, workshops, food, workshops, and nature that always attracts large crowds excited to experience the pure beauty of it all. Among this year’s participants are Soh Daiko, Nihon Buyo Classical & Ryukyu Buyo Okinawan Dance, the Spring Street Haiku Group, happyfunsmile, Samurai Sword Soul, poet Enta Kusakabe, Dean Street FOO Dance, Kagero Japanese Gypsy rock, Pokémon voice artist Veronica Taylor, DJ Saiko Mikan, stand-up comic Uncle Yo, woodblock artist April Vollmer, children’s Taiko drummers Genki Daiko Team, Masayo Ishigure and the Miyabi Koto Shamisen Ensemble, and the Japanese Folk Dance Institute of NY. Special events and activities include a Mataro Ningyo dollmaking demonstration, a Sohenry-style tea ceremony, the Manga & Anime Artist Alley, a cosplay fashion show, origami paper folding, ikebana flower arranging, a children’s tattoo parlor, a high tea with the Parasol Society, Japanese hot-pot cooking, bonsai advice for home gardeners, and so much more. It’s really one of the best weekends of the year, a must-see for every New Yorker that will become an annual ritual once you experience its charm.

HARPER LEE’S TO KILL A MOCKINGBIRD

Harper Lee’s classic courtroom novel turns fifty this year

50th ANNIVERSARY CELEBRATION
Symphony Space
2537 Broadway at 95th St.
Wednesday, April 28, $24, 8:00
212-864-5400
www.symphonyspace.org

One of the most important novels of the twentieth century, Harper Lee’s TO KILL A MOCKINGBIRD continues to have impact and remain relevant on succeeding generations for its insights into racism, responsibility, the legal system, childhood, and the human psyche. Lee, who received the Presidential Medal of Freedom in 2007, turns eighty-four on April 28, and Symphony Space will wish her a happy birthday by celebrating the fiftieth anniversary of the publication of her Pulitzer Prize-winning book with celebrity readings, a panel discussion, and a Q&A with Stephen Colbert, Libba Bray, Oskar Eustis, Kurt Andersen, Jayne Anne Phillips, and Mary McDonagh Murphy. Don’t expect Lee to be there; since the success of MOCKINGBIRD and her work with Truman Capote on IN COLD BLOOD, she has made few public appearances and published only three magazine essays, way back in the 1960s.

SARAH SILVERMAN

thebedwetter

THE BEDWETTER: STORIES OF COURAGE, REDEMPTION, AND PEE (HarperCollins, April 20, 2010, $19.99)
Tuesday, April 20, Union Square Barnes & Noble, 333 East 17th St., 7:00
Wednesday, April 21, Urban Outfitters SoHo, 628 Broadway, 7:00
Admission: free
www.harpercollins.com
www.sarahblog.comedycentral.com

“What you’re about to read will take the place of every religion’s bible in terms of awesomeness,” Sarah Silverman writes in the midword to her very personal tale, the relentlessly funny THE BEDWETTER: STORIES OF COURAGE, REDEMPTION, AND PEE. She not only revolutionizes the state of literature with the first-ever midword but also writes her own foreword and gets God himself to write the afterword. In the breezy, free-flowing style she has displayed appearing on talk shows, performing stand-up, hosting awards shows, and starring in films (JESUS IS MAGIC) and her own hysterical cable series (THE SARAH SILVERMAN PROGRAM), Silverman delves into her life, from growing up in New Hampshire with a father who encouraged her to curse to her early days in New York City when she discovered the thrills and chills of sex. But it is her serious problem with bedwetting that is at the heart of her story, and she holds nothing back in describing the pain and shame she experienced, even including pages from her diary in which she entered the word “wet” or “dry” depending on how the night went; “I figured keeping the log with my diary might reveal patterns that would help me get to the bottom of this thing,” she writes. “It didn’t.” Silverman shares intimate stories of her family, the tragic loss of a baby brother, the surrender of her virginity, and e-mails between her and her editor discussing the difference between “pee” and “pee-pee.” It’s a terrific read, fast and fresh, like the childlike Silverman herself, with just the right amount of self-deprecating humor, personal reflection, sordid details, and Jewy-ness. Silverman will be holding two New York City events, at the Union Square Barnes & Noble on April 20 and Urban Outfitters in SoHo on April 21. Get there early, as both signings should be mobbed.