this week in literature

PAUL AUSTER: SUNSET PARK

Wednesday, November 17, Barnes & Noble Union Square, 33 East 17th St., free, 212-253-0810, 7:00
Thursday, November 18, Book Court, 163 Court St., free, 718-875-3677, 7:00
www.macmillan.com/sunsetpark

Ho hum; another year, another Paul Auster novel that deals with books, baseball, and Brooklyn. But before you dismiss the Newark-born author’s latest, SUNSET PARK (Henry Holt, November 2010, $25), you should also know that it is one of the best works of fiction of this young century. For more than twenty-five years, Auster has been one of America’s most distinguished novelists, having written such superb books as THE NEW YORK TRILOGY (1985-87), THE MUSIC OF CHANCE (1990), LEVIATHAN (1992), and THE BROOKLYN FOLLIES (2005), all of which feature unusual characters caught up in unusual situations often propelled by coincidence. But as good as Auster has been over the course of his career, he has taken a giant leap forward with SUNSET PARK, a marvelously crafted tale that is about a lot more than just books, baseball, and Brooklyn.

Miles Heller is an Ivy League dropout who is still trying to deal with the tragic death of his teenage brother and has fallen in love with a high school student, Pilar Sanchez, who is wise beyond her years but under the thumb of one of her older sisters. Heller hasn’t seen or talked to his long-divorced parents since he suddenly left Brown seven years earlier; his father, Morris, is an independent publisher of highly regarded literary fiction, while his mother, Mary-Lee Swann, is a world-famous Hollywood actress about to take on the challenging lead role in Samuel Beckett’s HAPPY DAYS on Broadway. With nowhere to turn after his personal safety is threatened by Pilar’s sister, Miles, who had been working in South Florida for a realty company, rummaging through houses for valuable items after the bank had evicted the owners, heads back to Brooklyn, where he moves into a squatter’s house across the street from Green-Wood Cemetery, joining his college friend Bing Nathan, who runs the Hospital for Broken Things; Ellen Brice, a lonely painter damaged by a complicated affair; and Alice Bergstrom, a Scandinavian woman with a brutish boyfriend and self-esteem problems who is toiling away on her dissertation, which focuses on William Wyler’s classic 1946 film, THE BEST YEARS OF OUR LIVES, while also working at the PEN American Center, which is trying to gain the release of imprisoned Chinese writer Liu Xiaobo (who actually was just honored with the Nobel Peace Prize in real life). Each of these characters could be the subject of their own book, as Auster fleshes them out wonderfully, getting into their psyche, not unlike how Wyler does in his award-winning movie about the effects WWII had on the American family.

Auster’s writing has always been cinematic — he has written several screenplays and directed films as well — but it’s particularly so in SUNSET PARK, as the longtime Brooklyn resident delves deep into each person’s past, bringing their fears and desires, their successes and failures, to life in long, brilliant passages that don’t want to end; the run-on sentences of the beginning soon flow into breathless narratives, one of which goes on for two and a half pages and some seven hundred words before a disappointing period finally appears. SUNSET PARK is a supremely beautiful book by one of Brooklyn’s best. Auster will be reading from and signing copies of SUNSET PARK on November 17 at the Union Square Barnes & Noble and November 18 at Book Court in Park Slope.

TWI-NY TALK AND SIGNED BOOK GIVEAWAY: PAT COOPER

Pat Cooper signs copies of his memoir at book warming party at Friars Club earlier this month (photo by twi-ny/mdr)

Monday, November 15, TGI Friday’s, Penn Station, 2 Penn Plaza, Amtrak level, 5:00
Tuesday, November 16, Borders, 10 Columbus Circle, 7:00
Wednesday, November 17, TGI Friday’s, 34 Union Sq. East, 5:00
Friday, November 19, TGI Friday’s, Penn Station, 1 Penn Plaza, LIRR level, 5:00
Saturday, November 20, Uncle Vinnie’s Comedy Club, 168 New Dorp Ln., Staten Island, $35-$75, 8:00
www.patcooper.com
www.squareonepublishers.com

Born in Brooklyn to Italian immigrant parents, young Pasquale Caputo was expected to become a seventh-generation bricklayer. Instead, he took his chances onstage, where he tried not to lay bricks. Becoming a comic while still a kid, he eventually changed his name to Pat Cooper and ultimately turned into a comedian’s comedian who is not afraid to take on the system. “He has this fantastic capacity to challenge the art form, and has done so with an exquisite approach to the human condition,” Jerry Lewis writes in the foreword to Cooper’s intimate, revealing, and extremely funny memoir, HOW DARE YOU SAY HOW DARE ME! (Square One, November 15, $24.95). The book identifies Cooper’s roots in Red Hook, then traces his path from a rather brief flirtation with the military to his wild experiences in the Borscht Belt and Vegas, telling it like it is, four-letter words and all. The smooth, breezy narrative feels as if Cooper is in the room reading the book to you; in fact, he told the story to his friend and promoter, Steve Garrin, a recording engineer and producer who founded the VoiceWorks voiceover workshop. Writer Richard Herschlag then set it down on the printed page.

On November 3, Cooper launched the book with a boisterous party at the Friars Club that spilled out of the Milton Berle Room and into the Lucille Ball Room. Cooper received tributes from dean Freddie Roman, radio host Lionel, and fellow comedian Jackie “the Joke Man” Martling. Others in attendance included Marilyn Michaels, Joe Franklin, and ninety-six-year-old Professor Irwin Corey, who makes the spry eighty-one-year-old Cooper look like a spring chicken. When Cooper took the podium, he opened with schtick befitting the man whose latest DVD is entitled YOU’RE ALWAYS YELLING!, but he soon revealed his kinder, gentler side, which shows through in the book as well.

“To me, all the years that I’ve been in this business, and to get those kinds of accolades after writing a book, I was mostly in shock because I don’t expect it, I don’t look for it, and when it comes, it’s like a bonus that you never expected,” a humbled Cooper told twi-ny a few days later. “A lot of these people who were very kind to me I don’t know personally, and I was in shock again to think that’s what they thought about me, which is just an extra bonus. So, you know, you go down the road and you say you’re very fortunate, and I just hope this book says something, and I think the word is, and my friends who read the book said, it’s the word dignity, and I hope that’s what I put across. At least people will say, ‘Well, if I didn’t like the book, it had some dignity in it.’”

Cooper will be all over New York City next week, sitting in with Opie & Anthony, Alan Colmes, and Joy Behar and holding signings at several TGI Friday’s restaurants and the Borders in Columbus Circle; he will also be performing stand-up at Uncle Vinnie’s Comedy Club in Staten Island. He’ll be back on December 12 at Di Palo Selects in Little Italy, followed by the highly anticipated “An Evening with Pat Cooper” January 25 at the 92nd St. Y. His appearance at the Y should only lend more credence to those who are sure that Cooper is actually Jewish. “They believed that the skinny kid with the horn-rimmed glasses davened in the morning, did his routines on garlic and saints at night, and said the Shema before going to bed,” he writes in the book. “He was circumcised, not baptized. He was bar mitzvahed, not given Holy Communion. He dropped out of law school, not trade school.”

To enter to win a signed copy of HOW DARE YOU SAY HOW DARE ME!, send your name and daytime phone number to contest@twi-ny.com no later than Tuesday, November 16, at 12 noon. All entrants must be at least twenty-one years of age. One winner will be chosen at random. Good luck!

NOTES FROM UNDERGROUND

Bill Camp stars as the Underground Man in Dostoevsky adaptation at Baryshnikov Arts Center

Baryshnikov Arts Center
450 West 37th St.
November 7-28, $75
www.bacnyc.org

“I am a sick man. . . . I am a spiteful man. I am an unattractive man. I believe my liver is diseased.” So begins Russian novelist Fyodor Dostoevsky’s 1864 existentialist novella, NOTES FROM UNDERGROUND, which follows the rantings of a bitter, cynical civil servant who retreats from conventional society for myriad reasons. OBIE-winning actor Bill Camp and director Robert Woodruff have adapted Dostoevsky’s classic for the Yale Repertory Theatre, which will be presenting the New York premiere in conjunction with Theatre for a New Audience at the Baryshnikov Arts Center November 7-28. Camp will also star as the Underground Man in the ninety-minute production. The 2:00 performance on November 13 will be followed by a discussion with Wallace Shawn, and Emily Gould will participate in a discussion following the 2:00 performance on November 20.

FIRST SATURDAYS: TOMASELLI’S UNIVERSE

Fred Tomaselli, “Echo, Wow, and Flutter,” leaves, pills, photocollage, acrylic, and resin on wood panel, 2000 (Albright-Knox Art Gallery, Buffalo, New York. James G. Forsyth Fund)

Brooklyn Museum
200 Eastern Parkway
Saturday, November 6, free, 5:00 – 11:00 (some events require free tickets distributed at the Visitor Center)
212-864-5400
www.brooklynmuseum.org

The Brooklyn Museum’s free First Saturday program for November focuses on the institution’s current midcareer retrospective of hybrid collage artist Fred Tomaselli, and the Williamsburg-based Tomaselli will be on hand to give a talk at 8:00. The evening also includes a screening of ALICE IN WONDERLAND (Clyde Geronimi, Wilfred Jackson, and Hamilton Luske, 1951), live performances by the Wingdale Community Singers, Laura Cantrell, and the Isle of Klezbos, a book discussion with Rick Moody, a lecture on Tomaselli by psychiatrist Julie Holland, a curator talk by Catherine J. Morris on the exhibit “Seductive Subversion: Women Pop Artists, 1958–1968,” and an electronica dance party hosted by Wolf + Lamb.

KingCon II

Dean Haspiel and Neil Swaab will both be part of KingCon II in Brookly this weekend (photo by twi-ny/mdr)

Brooklyn Lyceum
227 Fourth Ave. between President & Union Sts.
Friday, November 5, $3, 8:00
November 6-7, $3-$10, 11:00 am – 7:00 pm
718-857-4816
www.kingconbrooklyn.com

The second annual KingCon independent comics and animation convention got under way with two panel discussions on Thursday night at the Brooklyn Lyceum and has a hoppin’ party scheduled for tonight, with readings and live music by such guests as Jeff Newelt, Jen Ferguson, Paul Pope, Dean Haspiel, Joan Hilty, Joe Infurnari, Americans UK, and the Charles Soule Band. The convention kicks into high gear Saturday and Sunday, featuring appearances by such writers and illustrators as Kyle Baker, Simon Fraser, Michael Kuperman, Neil Swaab, Mike Cavallaro, and Becky Cloonan, with such panels as “Collaboration Counseling,” “The Funny Pages: Comedy in Comics,” “How to Draw Comic Characters for Kids of All Ages,” and “Hips, Lips & Pencil Tips: The Sexual Female as Feminist Focal Point.” We can’t wait for Saturday afternoon’s look at the Brooklyn-set HBO series BORED TO DEATH, a discussion with creator Jonathan Ames and graphic artist Haspiel, moderated by Newelt.

TWI-NY TALK: MARLO THOMAS

Marlo Thomas will be at the Lincoln Triangle B&N on November 4 to sign copies of her latest book

Barnes & Noble Lincoln Triangle
1972 Broadway at 66th St.
Thursday, November 4, free, 7:30
212-595-6859
www.marlothomas.aol.com
www.hyperioncatalogs.com

In the first chapter of her entertaining memoir, GROWING UP LAUGHING: MY STORY AND THE STORY OF FUNNY (Hyperion, September 2010, $26.99), Marlo Thomas writes about how her family “celebrated everything.” The book itself is a celebration as well: of her life and career; of her father, famous actor and comedian Danny Thomas; and of comedy in general. The star of the early feminist television series THAT GIRL and the creator of FREE TO BE . . . YOU AND ME, which has helped raise several generations of children by teaching kids and parents about compassion, individuality, tolerance, friendship, and the value of family, Thomas has been one of America’s genuine sweethearts for some fifty years. In the book, Thomas, who has been married to talk-show legend Phil Donahue for thirty years, alternates between personal chapters and interviews about comedy with some of her famous friends, including Don Rickles, Tina Fey, Conan O’Brien, Kathy Griffin, Stephen Colbert, Elaine May, Alan Alda, Whoopi Goldberg, and Chris Rock, who all help tell the “story of funny.” Thomas recently talked with twi-ny about the book and her career as she continued her whirlwind promotional tour, which brings her to the B&N at Lincoln Triangle on November 4 at 7:30 for a reading, discussion, and signing.

twi-ny: You’re used to being the one interviewed, but in your new book, you interview some of your favorite comics, including Jerry Seinfeld, Billy Crystal, Robin Williams, Joan Rivers, and Lily Tomlin. How does it feel to be on the other side of the table, asking the questions?

Marlo Thomas: It was a lot harder and actually more interesting than I expected. I’m certainly familiar with the interview dynamic, having sat for so many of them throughout the years; and because many of my interview subjects in the book were already friends of mine, I instantly felt comfortable with them. But what I learned quickly was how important it is to thoroughly prepare going into an interview — even with someone you think you know. I read their books, watched their specials, even though I’d seen many of them before, so that when we sat down to talk I had a lot of background in my head, not just a lot of questions — which I think makes for a better conversation and leads to a better interview. It was also challenging for me to keep guiding the conversation to where the funny was.

These are interesting people that are great to talk with on a variety of subjects, but since the book is about laughter I had to stay on topic. Luckily, all of my subjects are famously funny people, so they enjoyed exploring the area. But I know I’ll never again sit for an interview without being acutely aware of the hard work that’s going on on the other side of the table.

twi-ny: You write that GROWING UP LAUGHING is your “first and only memoir,” implying that this public examination of your life is not something you’ll be doing again. Was it difficult to open up about your life and share so much of yourself?

MT: I’ve always believed that unless you’re one of those people who have lived more than one kind of life — like Ted Turner or Grace Kelly — or unless you live to an unusually old age — like George Burns — one memoir is pretty much all you need to tell a life story. And as I say in my prologue to GROWING UP LAUGHING, the stories I tell in the book have been humming in my head all my life, so I feel wonderfully satisfied at having written them down at last.

But the life of an entertainer or any public person is no different from anyone else’s in that we’ve all lived through experiences that are painful or difficult or simply sad to recall, and so it was occasionally challenging for me to relive some of those moments in my book — particularly the death of my father. But as in acting, I wanted to create as complete and honest a picture as I could of my “character” — which in this case happened to be the real me. Fortunately, the concept for the book permitted me to take a break from my own story from time to time and explore the lives of these wonderful comedians and get some great laughs along the way.

twi-ny: In addition to being about your life and your family, your book is about comedy in general. How do you think the state of comedy has changed, if at all, since your father’s heyday? And if it has changed, is it for the better?

MT: Comedy is always changing as times and taboos change but what doesn’t change is how important laughter is to our lives. It can be a release of tensions. It can be a healing from pain. And nothing brings people together better than laughter. It is deliciously contagious. When I asked Jerry Seinfeld about all the different styles of comedy and how it changes from generation to generation, he likened it to a perfume counter at a department store — different people like different smells, and that’s what makes comedy so personal. Chris Rock told me that he can sit at the computer for hours on end watching clips on YouTube of legendary comics from all eras — from Lenny Bruce to Richard Pryor. To me, that says it all about the timelessness — and durability — of laughter.

DAY OF THE DEAD

Attendees can learn to make sugar skulls and more at Mexican Day of the Dead celebration at St. Mark’s Church in the Bowery

St. Mark’s Church in the Bowery
131 East Tenth St. at Second Ave.
October 30-31, free, 12 noon – 8:00
212-587-3070
www.manoamano.us

Mano a Mano: Mexican Cultures Without Borders will be celebrating the Day of the Dead with a weekend of free activities at St. Mark’s Church in the Bowery, with Saturday’s events kicking off at 12 noon with a traditional dance procession beginning in Union Square, making its way to the church for the Ceremony at the Altar. Each day will feature a Mexican marketplace. Saturday’s workshops are “Building Individual Altars / Making Paper Flowers” and “Making Pan de Muerto Bread,” with “Calaveras de Azúcar/Sugar Skulls” and “Calaveras: Day of the Dead Poetry” scheduled for Sunday. Saturday will also include a musical performance by Radio Jarocho, with Mariachi Tapatío de Álvaro Paulino playing on Sunday.