this week in literature

KingCon II

Dean Haspiel and Neil Swaab will both be part of KingCon II in Brookly this weekend (photo by twi-ny/mdr)

Brooklyn Lyceum
227 Fourth Ave. between President & Union Sts.
Friday, November 5, $3, 8:00
November 6-7, $3-$10, 11:00 am – 7:00 pm
718-857-4816
www.kingconbrooklyn.com

The second annual KingCon independent comics and animation convention got under way with two panel discussions on Thursday night at the Brooklyn Lyceum and has a hoppin’ party scheduled for tonight, with readings and live music by such guests as Jeff Newelt, Jen Ferguson, Paul Pope, Dean Haspiel, Joan Hilty, Joe Infurnari, Americans UK, and the Charles Soule Band. The convention kicks into high gear Saturday and Sunday, featuring appearances by such writers and illustrators as Kyle Baker, Simon Fraser, Michael Kuperman, Neil Swaab, Mike Cavallaro, and Becky Cloonan, with such panels as “Collaboration Counseling,” “The Funny Pages: Comedy in Comics,” “How to Draw Comic Characters for Kids of All Ages,” and “Hips, Lips & Pencil Tips: The Sexual Female as Feminist Focal Point.” We can’t wait for Saturday afternoon’s look at the Brooklyn-set HBO series BORED TO DEATH, a discussion with creator Jonathan Ames and graphic artist Haspiel, moderated by Newelt.

TWI-NY TALK: MARLO THOMAS

Marlo Thomas will be at the Lincoln Triangle B&N on November 4 to sign copies of her latest book

Barnes & Noble Lincoln Triangle
1972 Broadway at 66th St.
Thursday, November 4, free, 7:30
212-595-6859
www.marlothomas.aol.com
www.hyperioncatalogs.com

In the first chapter of her entertaining memoir, GROWING UP LAUGHING: MY STORY AND THE STORY OF FUNNY (Hyperion, September 2010, $26.99), Marlo Thomas writes about how her family “celebrated everything.” The book itself is a celebration as well: of her life and career; of her father, famous actor and comedian Danny Thomas; and of comedy in general. The star of the early feminist television series THAT GIRL and the creator of FREE TO BE . . . YOU AND ME, which has helped raise several generations of children by teaching kids and parents about compassion, individuality, tolerance, friendship, and the value of family, Thomas has been one of America’s genuine sweethearts for some fifty years. In the book, Thomas, who has been married to talk-show legend Phil Donahue for thirty years, alternates between personal chapters and interviews about comedy with some of her famous friends, including Don Rickles, Tina Fey, Conan O’Brien, Kathy Griffin, Stephen Colbert, Elaine May, Alan Alda, Whoopi Goldberg, and Chris Rock, who all help tell the “story of funny.” Thomas recently talked with twi-ny about the book and her career as she continued her whirlwind promotional tour, which brings her to the B&N at Lincoln Triangle on November 4 at 7:30 for a reading, discussion, and signing.

twi-ny: You’re used to being the one interviewed, but in your new book, you interview some of your favorite comics, including Jerry Seinfeld, Billy Crystal, Robin Williams, Joan Rivers, and Lily Tomlin. How does it feel to be on the other side of the table, asking the questions?

Marlo Thomas: It was a lot harder and actually more interesting than I expected. I’m certainly familiar with the interview dynamic, having sat for so many of them throughout the years; and because many of my interview subjects in the book were already friends of mine, I instantly felt comfortable with them. But what I learned quickly was how important it is to thoroughly prepare going into an interview — even with someone you think you know. I read their books, watched their specials, even though I’d seen many of them before, so that when we sat down to talk I had a lot of background in my head, not just a lot of questions — which I think makes for a better conversation and leads to a better interview. It was also challenging for me to keep guiding the conversation to where the funny was.

These are interesting people that are great to talk with on a variety of subjects, but since the book is about laughter I had to stay on topic. Luckily, all of my subjects are famously funny people, so they enjoyed exploring the area. But I know I’ll never again sit for an interview without being acutely aware of the hard work that’s going on on the other side of the table.

twi-ny: You write that GROWING UP LAUGHING is your “first and only memoir,” implying that this public examination of your life is not something you’ll be doing again. Was it difficult to open up about your life and share so much of yourself?

MT: I’ve always believed that unless you’re one of those people who have lived more than one kind of life — like Ted Turner or Grace Kelly — or unless you live to an unusually old age — like George Burns — one memoir is pretty much all you need to tell a life story. And as I say in my prologue to GROWING UP LAUGHING, the stories I tell in the book have been humming in my head all my life, so I feel wonderfully satisfied at having written them down at last.

But the life of an entertainer or any public person is no different from anyone else’s in that we’ve all lived through experiences that are painful or difficult or simply sad to recall, and so it was occasionally challenging for me to relive some of those moments in my book — particularly the death of my father. But as in acting, I wanted to create as complete and honest a picture as I could of my “character” — which in this case happened to be the real me. Fortunately, the concept for the book permitted me to take a break from my own story from time to time and explore the lives of these wonderful comedians and get some great laughs along the way.

twi-ny: In addition to being about your life and your family, your book is about comedy in general. How do you think the state of comedy has changed, if at all, since your father’s heyday? And if it has changed, is it for the better?

MT: Comedy is always changing as times and taboos change but what doesn’t change is how important laughter is to our lives. It can be a release of tensions. It can be a healing from pain. And nothing brings people together better than laughter. It is deliciously contagious. When I asked Jerry Seinfeld about all the different styles of comedy and how it changes from generation to generation, he likened it to a perfume counter at a department store — different people like different smells, and that’s what makes comedy so personal. Chris Rock told me that he can sit at the computer for hours on end watching clips on YouTube of legendary comics from all eras — from Lenny Bruce to Richard Pryor. To me, that says it all about the timelessness — and durability — of laughter.

DAY OF THE DEAD

Attendees can learn to make sugar skulls and more at Mexican Day of the Dead celebration at St. Mark’s Church in the Bowery

St. Mark’s Church in the Bowery
131 East Tenth St. at Second Ave.
October 30-31, free, 12 noon – 8:00
212-587-3070
www.manoamano.us

Mano a Mano: Mexican Cultures Without Borders will be celebrating the Day of the Dead with a weekend of free activities at St. Mark’s Church in the Bowery, with Saturday’s events kicking off at 12 noon with a traditional dance procession beginning in Union Square, making its way to the church for the Ceremony at the Altar. Each day will feature a Mexican marketplace. Saturday’s workshops are “Building Individual Altars / Making Paper Flowers” and “Making Pan de Muerto Bread,” with “Calaveras de Azúcar/Sugar Skulls” and “Calaveras: Day of the Dead Poetry” scheduled for Sunday. Saturday will also include a musical performance by Radio Jarocho, with Mariachi Tapatío de Álvaro Paulino playing on Sunday.

McKIM BUILDING RESTORATION

New-Trad Octet will help welcome in restored McKim Building at the Morgan (photo by Schector Lee)

Morgan Library
225 Madison Ave. at 36th St.
Saturday, October 30, free with museum admission of $8-$12, 4:00
212-685-0008
www.themorgan.org
www.new-trad.com

After a nearly five-month restoration, the Morgan Library’s 1906 McKim Building will reopen to the public on Saturday with a full day of celebratory activities. From 12 noon to 3:00, musicians from Mannes College will perform. At 1:00, Morgan director William M. Griswold will give a lecture about the restoration of the landmark structure and the museum’s collections. And at 4:00, Jeff Newell’s New-Trad Octet will give a concert featuring their unique brand of early American music, with a focus on the splendid exhibit “Mark Twain: A Skeptic’s Progress.” Newell notes on the band’s website, “We’ll be playing our ‘restored’ arrangements of historic music from the Gilded Age, including some of Twain’s favorites.” Tickets for the events are free with museum admission on Saturday. Also on view at the Morgan are “Roy Lichtenstein: The Black-and-White Drawings, 1961-1968,” “Degas: Drawings and Sketchbooks,” and “Anne Morgan’s War: Rebuilding Devastated France, 1917-1924.”

WHITE LIGHT FESTIVAL

Sidi Larbi Cherkaoui’s SUTRA will make its U.S. premiere at Lincoln Center’s music-centric White Light Festival

Lincoln Center
Alice Tully Hall, Stanley H. Kaplan Penthouse, Church of St. Paul the Apostle, Church of St. Ignatius Loyola, Rose Theater, Avery Fisher Hall, David Rubenstein Atrium
October 28 – November 18, free – $90
www.lincolncenter.org

A sort of extension of July’s annual Lincoln Center Festival, in which the vaunted institution stages more experimental works from around the world, the inaugural White Light Festival consists of three weeks of dance, theater, and concerts “focused on music’s transcendent capacity to illuminate our larger interior universe,” as explained by vice president for programming Jane Moss in the festival’s chic booklet. The series begins October 28 with Meredith Monk and Vocal Ensemble’s free performance of THE SOUL’S MESSENGER in the David Rubenstein Atrium at Broadway and 63rd St. at 8:30 and continues with such eagerly anticipated programs as the U.S. premiere of Belgian-Moroccan choreographer Sidi Larbi Cherkaoui’s SUTRA, Katarina Livljanić’s JUDITH (A Biblical Story from Renaissance Croatia), Tallis Scholars’ unique take on Arvo Pärt’s MAGNIFICAT, and Roysten Abel’s inventively executed THE MANGANIYAR SEDUCTION. Other highlights include Antony and the Johnsons teaming up with the Orchestra of St. Luke’s, the Hilliard Ensemble and saxophonist Jan Garbarek playing OFFICIUM NOVUM at the Church of St. Ignatius Loyola, and the Hilliard Ensemble, the Latvian National Choir, the Wordless Music Orchestra, and Alex Somers and Jonsi from Sigur Rós performing CREDO at the Church of St. Paul the Apostle. There will also be free panel discussions on “The Sound of Silence” with Karen Armstrong and John Luther Adams, Janet Cardiff’s free sound installation “The Forty-Part Motet” at the Agnes Varis and Karl Leichtman Rehearsal and Recording Studio at Broadway and 60th St., and several postshow White Light Lounges in which ticket holders can mingle with the artists.

SPINE TINGLING & TRUE: GHOST STORIES OF THE MERCHANT’S HOUSE MUSEUM

The elegant Merchant’s House Museum will be transformed for a ghost-story funeral on Halloween

Merchant’s House Museum
29 East Fourth St. between Lafayette St. and the Bowery
Sunday, October 31, $25 (VIP $100), 7:00 & 9:00
212-777-1089
www.merchantshouse.com

On Halloween night, the Merchant’s House Museum will hold its annual ghost-story reading, led by Anthony Bellov and Dayle Vander Sande, who will delve into scary nineteenth-century texts. Bellov has compiled the booklet “Some Say They Never Left: Tales of the Strange and Inexplicable at the Merchant’s House Museum,” so you never know who else will show up at the event, taking place in one of the parlor rooms, which will be rearranged for a funeral. (VIP tickets include a signed copy of the booklet.) The museum will also be holding Candlelight Ghost Tours October 28-30 ($13).

EAR TO THE EARTH 2010: WATER AND THE WORLD

Charles Lindsay and David Rothenberg’s “Western Water” features the Mermaid Bar as part of the Ear to the Earth Festival (photo by Charles Lindsay)

Greenwich House Music School, 46 Barrow St., $5-$15
White Box, 329 Broome St., free-$15
Frederick Loewe Theater, 35 West Fourth St., free
Kleio Projects, 153 1/2 Stanton St., free
October 27 – November 1, Festival Pass $30
www.emfproductions.org

The Electronic Music Foundation’s fifth annual Ear to the Earth Festival of Sound, Music, and Ecology will examine water and the environment in a series of special events taking place at the Greenwich House Music School, White Box, and the Frederick Loewe Theater, including discussions, concerts, poetry, and multimedia art installations. “We are heading towards a crisis in managing the waters of the world,” explains Joel Chadabe in his curator’s statement. “To address the crisis, we need to reach an understanding of the issues we face with water. And we need to become aware of the ways we use water in the context of the physical realities of our changing environment.” Ear to the Earth begins October 27 with “An Encounter with R. Murray Schafer,” in which the Canadian composer will delve into acoustic ecology and environmental sound art, and continues on October 28 with Bernie Krause’s “Fish Rap: The Life-Affirming Soundscapes of Water” and Yolande Harris’s “Fishing for Sound.” On Friday night, Kristin Norderval presents the world premiere of her interactive “Tattooed Ghosts,” inspired by Dina Von Zweck’s FLUDD — VIRTUAL POLAR ICECAP MELTDOWN; also on the bill is Matt Rogalsky’s sound installation “Memory Like Water.” On Saturday afternoon, Sheila Callaghan, Katie Down, Leah Gelpe, and Daniella Topol collaborate on “Water (or the Secret Life of Objects),” which was developed following the Katrina disaster. Saturday night features a trio of New York Soundscapes world premieres: Miguel Frasconi’s “Inside-Out,” Aleksei Stevens’s “Standing Water: Sound Map of the Gowanus Canal, 2010,” and Paula Matthuson’s “Navigable.” Sunday includes two shows at the Frederick Loewe Theater, beginning at 5:00 with David Monacchi’s “Stati d’Acqua / States of Water,” Maggi Payne’s “Liquid Amber,” and Matther Burtner and Scott Deal’s “Auksalaq,” followed at 8:00 by Phill Niblock and Katherine Liberovskaya’s “Sound Delta,” based on sounds from the Rhine and the Danube, and Michael Fahres’s “Cetacea,” which combines Senegalese Sabar drumming with dolphin sounds. The festival concludes on November 1 with Charles Lindsay and David Rothenberg’s live multimedia “Western Water” and Andrea Polli and TJ Martinez’s documentary “Dances with Waves.” In addition, Jennifer Stock’s “At Water’s Edge” and Liz Phillips’s “Here/Hear: Manhattan Is an Island” will be on display at White Box throughout the festival, while Andrea Lockwood’s “A Sound Map of the Housatonic River” will be up at Kleio Projects, with free admission to both venues. Ear to the Earth 2010 combines science and sound, ecology and music, the environment and film, and other media to offer a fresh and innovative perspective on the world’s water crisis.