this week in literature

HILARIOUS HAIKU FOR BROOKLYN / SPIRITED AWAY

All sorts of folk will be heading into Brooklyn for humorous haiku and the Miyazaki classic SPIRITED AWAY

SPIRITED AWAY (SEN TO CHIHIRO NO KAMIKAKUSHI) (Hayao Miyazaki, 2001)
Leon S. Kaiser Park
2401 Neptune Ave. at West 27th St.
Friday, August 12, free, 7:00
718-907-0709
www.nausicaa.net
www.nycgovparks.org

Prepare to have your spirits lifted up and away in this sensational animated feature from Japanese master Hayao Miyazaki, who made one of our all-time faves, 1992’s Porco Rosso (Kurenai No Buta). Ten-year-old Chihiro is unhappy about moving to a new home despite her parents’ best efforts to convince her otherwise. When her father takes a wrong turn on the road, the family ends up in an oddly deserted village that Chihiro soon finds out is a lot more than it seems. Chihiro’s adventures through this dreamlike, surreal, magical place filled with bizarre characters and evil beings are unforgettable, with nuances and references from such diverse works as The Wizard Of Oz and The Seventh Seal. The sheer visual beauty of the animation is staggering; many of the backgrounds are reminiscent of Impressionism. The film includes the voice talents of Daveigh Chase (Chihiro), Jason Marsden (Haku), Susan Egan (Lin), Michael Chiklis (Chihiro’s father), Lauren Holly (Chihiro’s mother), Suzanne Pleshette (Yubaba and Zeniba), John Ratzenberger (assistant manager), David Ogden Stiers (Kamaji), and Tara Strong (baby Boh). Joe Hisaishi’s maudlin music is way overpraised, as usual, but this Japanese box-office champ deservedly won the Golden Bear at the Berlin International Film Festival and was named Best Asian Film at the Hong Kong Film Awards. Spirited Away is screening August 12 at Mark Twain Circle in Leon S. Kaiser Park on Gravesend Bay, where it will be preceded by “Hilarious Haiku for Brooklyn,” spoken-word poetry presented by Staten Island OutLOUD.

TWI-NY TALK: MINGMEI YIP

Artist, musician, storyteller, teacher, calligrapher, and novelist Mingmei Yip will help MOCA celebrate Dragon Boat Festival Family Day on July 31

DRAGON BOAT FESTIVAL FAMILY DAY
Museum of Chinese in America
215 Centre St. between Howard & Grand Sts.
Sunday, July 31, $10, 10:00 am – 5:00 pm
212-619-4785
www.mocanyc.org
www.mingmeiyip.com

Mingmei Yip’s given name means “bright and beautiful,” and it couldn’t be more appropriate for the vivacious, extremely intelligent, utterly engaging Chinese-born multidisciplinary artist, who earned her PhD from the Sorbonne and has lived in New York City since 1992. Mingmei is a journalist, lecturer, tai chi teacher, illustrator, calligrapher, painter, children’s book author, and novelist, having published three well-received tales of historical fiction, Song of the Silk Road, Peach Blossom Pavilion, and Petals from the Sky.

On Sunday, July 31, at 12 noon she’ll be at the Museum of Chinese in America for the second annual Dragon Boat Festival Family Day, telling stories and playing the traditional qin. The celebration will also include a poetry workshop with author Janet Wong, gallery tours, arts & crafts, and much more. Hard at work on her next novel, Mingmei discussed her career and dragon boats with twi-ny.

twi-ny: You have been at the Museum of Chinese in Americas for many events, at both the old and the new venues. What are your impressions of the museum’s new space on Centre St.?

Mingmei Yip: I like the new place! It is very spacious for people to look around, especially the area where they display the books and the permanent exhibition. There are also large rooms for different kinds of events, such as the calligraphy workshop I did earlier this year.

twi-ny: You are a multidisciplinary artist with a wide range of talents. How did you develop such a diverse group of interests?

MY: I am very grateful to my parents — who are unfortunately no longer in this life — who sent me to take painting and music lessons at a very young age. Unlike some children who hate to practice the piano, I loved it! Later, my love of music led me to take up an ancient Chinese stringed instrument called the qin, on which I now perform professionally. I was recently invited by Carnegie Hall to play at its Ancient Paths, Modern Voices Festival Celebrating Chinese Culture. My next concert will be at Smith College on August 8. I am also doing a few storytelling events and calligraphy workshops for children.

twi-ny: Do you get different kinds of satisfactions from each artistic discipline?

MY: I do get different kinds of satisfaction from each of my artistic activities. Now my focus is on writing my novels. My third, Song of the Silk Road, just came out. It is an adventure and love story set along China’s most fabled route with the lure of a three million dollar reward.

The bright and beautiful Mingmei Yip lives up to her name in many ways

twi-ny: Might you be able to share any details with us about your next book?

MY: My next novel is The Skeleton Women, set in the thirties in Shanghai — the same era as my first novel, Peach Blossom Pavilion — to be published by Kensington Books in 2012. In China, femme fatales were known as skeleton women because their charm and scheme could reduce a man to a skeleton. For a susceptible man, the change from mansion to homelessness could happen in the blink of a mascaraed eye. In The Skeleton Women, the protagonist is known as a nightclub singer but is actually a spy for a powerful gangster organization trying to topple a rival gang!

twi-ny: Your novels touch on the changing sociocultural landscape of China on a very personal level. You were born in China; do you ever go back? What do you see as some of the positive changes occurring in China today, and what are some of the negatives?

MY: I go back to China very often, mainly to do research for my future novels or to play at qin events. I’m very glad to see that as China modernizes, things are clean and convenient. However, I am less happy to see the big cities occupied by foreign chains like McDonald’s, Kentucky Fried Chicken, and expensive designer boutiques.

twi-ny: You will be performing as part of MOCA’s Dragon Boat Festival Family Day. Does the Dragon Boat Festival hold any personal memories for you?

MY: The Dragon Boat Festival is to honor Qu Yuan, the patriotic poet. But what I remember from childhood is the tasty dumplings and exciting Dragon Boat races!

CHELSEA ART WALK 2011

Bernardi Roig will help light up the night at Claire Olive as Chelsea opens its galleries late on Thursday, with many special events (photo by twi-ny/mdr)

Multiple locations in Chelsea
Thursday, July 28, free, 5:00 – 8:00
www.artwalkchelsea.com

Tonight dozens of Chelsea galleries will stay open late, with many featuring artist and curator talks, exhibition walk-throughs, film screenings, live performances, and other special events. Scott Ogden will guide visitors through his “Twisted” show at Ricco Maresca, Faith Ringgold will be signing books at ACA Galleries, Claire Oliver will host an opening reception for “The Devil Can Cite Scripture” (with works by Judith Schaechter and Bernardi Roig), Porter/Contemporary lets visitors get in the picture for “A Polaroid Moment Within a Portrait Apart” with Jeff Ballinger, Horton Gallery will screen Miroslav Tichý: Tarzan Retired, and Mark Wagner will cut up dollar bills and give the pieces away at Pavel Zoubok. You can also play Ping-Pong at Nicholas Robinson, get shaved ice at Jenkins Johnson, and check out concerts by Autodrone at Monya Rowe, Genevieve White at Freight + Volume, and an acoustic show at RARE from a mystery group, among myriad other activities. A two-sided guide to the second annual Chelsea Art Walk can be found here.

SEX AND TRAVEL NIGHT

A scale-model replica of King Edward VII’s sex chair will be on view during special free event at Museum of Sex

Museum of Sex
233 Fifth Ave. at 27th St.
Tuesday, July 26, free, 7:00
212-689-6337
www.museumofsex.com

“Love was immediately associated with travel,” Elisabeth Eaves writes in Wanderlust: A Love Affair with Five Continents (Seal, May 2011, $16.95), remembering a long-distance college romance. Her memoir follows her from New Guinea to Cairo and beyond. In The Sinner’s Grand Tour: A Journey Through the Historical Underbelly of Europe (Broadway, May 2011, $15), Tony Perrottet limits his sexually inspired travels to a single continent: “The British Museum was only the first stop in a personal Grand Tour I’d planned across Europe, in search of forbidden historical fruit,” he explains. “Today, the entire continent is still littered with secret boudoirs, perverse relics, and ancient dungeons, many of which, I was convinced, could be found.” Eaves’s and Perrottet’s dual journeys will bring them together July 26 for “Sex and Travel Night” at the Museum of Sex, where they will read from their books and discuss the intersection between lust and travel in the institution’s OralFix bar, where the audience can partake in such aphrodisiac cocktails as the Aphrodite (good for potency and lust), the Golden Blossom (endurance and longevity), and the Lucky Devil (excitement and joy), as well as a specially devised elixir created for the event. Among the items on view will be a playful scale-model replica of King Edward VII’s sex chair.

ART OF ENCOUNTER: GALLERY READINGS

Lee Ufan, “Relatum (formerly Language),” cushions, stones, and light, 1971 (photo by twi-ny/mdr)

Solomon R. Guggenheim Museum
1071 Fifth Ave. at 89th St.
Tuesday, July 26, $10, 6:30
212-423-3587
www.guggenheim.org

“Infinity begins with the self but is only manifested fully when connected with something beyond the self,” Lee Ufan wrote in 1993. “I do not want to fix or represent the self as self, but to recognize the existence of the self in relationship with otherness and perceive the world in a place where such a relationship exists.” One of the many pleasures of the Guggenheim’s current dazzling retrospective, “Lee Ufan: Marking Infinity,” is the inclusion of many quotes from the Korean visual artist and theoretician, who has written extensively about his work specifically as well as the making, or “not-making,” of art in general. Scattered throughout the exhibit and translated on the audioguide, the quotes lend thought-provoking, illuminating insight into Lee’s creative process. On Tuesday, July 26, a group of artists and thinkers will gather among Lee’s Mono-ha (“School of Things”) “living structures” and paintings and read selections from his writings, including Laurie Anderson, Jonah Bokaer, Young-ha Kim, Larissa MacFarquhar, Andrew Solomon, and John Yau, followed by a reception. “Expression achieves externality that is simultaneously passive and active. I hope to cut into the controlled everyday reality of industrial society, breathing fresh air into it and stimulating an awareness of infinity that transcends the human, to awaken a world that is always open,” Lee wrote in 1970. This special program is being held in conjunction with the Korea Society exhibition “The Writings of Lee Ufan,” which continues through August 15; the Guggenheim show runs through September 28.

TWI-NY TALK: JOE SIMON

Joe Simon shows off his colorful autobiography in his New York City apartment (photo by twi-ny/mdr)

JOE SIMON: MY LIFE IN COMICS (Titan, June 2011, $24.95)
www.titanbooks.com

The potential summer blockbuster Captain America opens in theaters today, but that would not have been possible without Joe Simon. Back in 1941, Simon, a native New Yorker born and raised in Rochester, teamed up with Jacob Kurtzberg, better known as Jack Kirby, and created the red, white, and blue superhero. The villain for the cover of the first issue? They came up with just the right one. “Adolf Hitler would be the perfect foil for our next new character, what with his hair and that stupid-looking moustache and his goose-stepping. He was like a cartoon anyway,” Simon writes in his entertaining, intimate, and refreshingly honest memoir, My Life in Comics (Titan, June 2011, $24.95). “We knew what was happening in Europe, and we were outraged by the Nazis — totally outraged. We thought it was a good time for a patriotic hero. . . . And that’s how Captain America was created.”

Today the ninety-seven-year-old Simon spends most of his time in his cluttered apartment just west of the Theater District, surrounded by classic drawings, sketches, and comic book covers. His works line the walls, a veritable history of the industry in black and white and color. One of the many highlights is a grand depiction of the Last Supper populated with his characters, a painting he completed with his daughter Gail. Sitting in his large, comfortable recliner in the middle of the living room, Simon is thrilled to tell tales of his days serving in the Coast Guard with Jack Dempsey, meeting Damon Runyon and Max Baer while a journalist, riding horses in Forest Park, and mentoring such comic book legends as Stan Lee. As we talk, he pulls out stunning works accumulated from throughout his fascinating career. He pauses to congratulate one of his granddaughters for passing an important college test; seven of his eight grandkids were scheduled to fly to Hollywood to walk the red carpet at the star-studded Captain America premiere. Among the other characters Simon had a hand in either creating or developing were the Fiery Mask, the Fly, the Blue Bolt, Sandman, the Newsboy Legion, Manhunter, and the Boy Commandos. An engaging character himself with a sharp memory and a wicked sense of humor, Simon discussed his book and life with twi-ny shortly before the release of the Captain America movie.

twi-ny: What was the experience like going through your past to put together My Life in Comics? Were there any particular parts of your life that were more difficult to talk about than others?

Joe Simon: This was the first time I revealed some of the more intimate details of my life, talking about my wife Harriet and my family, and some of the challenges we’ve faced. It wasn’t really difficult, but it was something I’d never really talked about before.

I feel very lucky because I have my memory. There are things that happened to me ninety years ago — such as the time I met a Civil War veteran — which I remember clearly. I’ve had a lot of exciting things happen to me over the course of ninety-seven years, and it was wonderful to be able to get them down on paper, for everyone to experience.

twi-ny: In the book, you note that you and many of your earliest colleagues come from immigrant Jewish families working in the clothing business in New York City. Do you think that might have had some impact on your eventual career path, creating superheroes and villains dressed in fairy-tale costumes?

JS: That’s a good question. Since tailoring involves creativity, I suppose my parents influenced me in that way, and I’d never really realized it. They also influenced me with their attempts at true romance writing, as badly as they turned out, and with the sense that you stick to it, no matter what you’re trying to accomplish. So in both of those ways they helped me throughout my career. (And of course, thanks to my father, when I came to New York City, I was the best-dressed guy in the comic book business.)

twi-ny: The Captain America movie comes out on July 22. What was your involvement with the picture? What are your thoughts about the film, and about superhero movies in general as they continually get transferred from comic books to the big screen?

JS: Stephen Broussard at Marvel Studios has been keeping me up-to-date, and he arranged for them to film an interview with me. I’ve been liking everything I’ve seen, and am very excited to see how it turns out.

I haven’t seen all of the superhero movies, especially in recent years, but I understand that the Marvel films have been very good. I’ve always thought that Captain America would make a terrific movie and could never understand why all of the earlier attempts sucked so badly. This time, though, they’re sticking to the story that Jack Kirby and I created, so I think they’ll get it right. That’s always the best way to do it — stick with what works.

[Joe Simon: My Life in Comics is available through Amazon and in bookstores everywhere.]

THE FINE ART OF COMICS, WITH GARY PANTER, ART SPIEGELMAN, AND CHRIS WARE

Lyonel Feininger, “Wee Willie Winkie’s World,” from the Chicago Sunday Tribune, November 25, 1906, commercial lithograph, © 2011 Lyonel Feininger Family, LLC/Artists Rights Society (ARS), New York (photograph © the Museum of Modern Art/Licensed by SCALA/Art Resource, NY)

Whitney Museum of American Art
945 Madison Ave. at 75th St.
Wednesday, July 20, $8, 7:00
212-570-3600
www.whitney.org

In conjunction with the splendid exhibit “Lyonel Feininger: At the Edge of the World,” the Whitney is presenting the special program “The Fine Art of Comics” on July 20. The wide-ranging retrospective traces New York native Feininger’s career path, which began with such comic strips as “The Kin-der-Kids” and “Wee Willie Winkie’s World” for the Chicago Tribune. Discussing the work of Feininger and the state of the comics industry will be three living legends: Art Spiegelman, who started the highly influential RAW with his wife, Françoise Mouly, back in 1980 and won the Pulitzer Prize for his two-part graphic novel Maus; painter, designer, and commercial artist Gary Panter, creator of the Jimbo books and a two-time Emmy winner for his set designs for Pee-Wee’s Playhouse; and Chris Ware, who has released such complex comics as Acme Novelty Library and Jimmy Corrigan, the Smartest Kid on Earth. The panel will be moderated by journalist John Carlin.