In iconic Western, Jeffrey Hunter and Ethan Edwards search for Natalie Wood, with very different motives
THE SEARCHERS (John Ford, 1956)
Rubin Museum of Art Cabaret Cinema
150 West 17th St. at Seventh Ave.
Friday, February 4, free with $7 bar minimum, 9:30
212-620-5000
www.rmanyc.org/cabaretcinema
That’ll be the day when someone tries to claim there’s a better Western than John Ford’s ethnocentric look at the dying of the Old West and the birth of the modern era. Essentially about a gunfighter’s attempt to find and kill his young niece, who has been kidnapped and, ostensibly, ruined by Indians, THE SEARCHERS is laden with iconic imagery, inside messages, and not-so-subtle metaphors. Hence, it is no accident that John Wayne’s son, Patrick, plays an ambitious yet inept officer named Greenhill. The elder Wayne stars as Ethan Edwards, a tough-as-nails Confederate veteran seeking revenge for the murder of his brother’s family; he’s also out to save Debbie from the Comanches, led by a chief known as Scar (Henry Brandon), by ending her life, because in his world view, it’s better to be dead than red. Joining him on his trek is Debbie’s adopted brother, Martin Pawley (Jeffrey Hunter), who wants to save her from Edwards. The magnificent film balances its serious center with a large dose of humor, particularly in the relationships between Ethan and Martin and Ethan with his Indian companion, Look (Beulah Archuletta). And keep your eye on that blanket in front of the house. THE SEARCHERS is screening on February 4 as part of the Rubin Museum’s Films About Nothing series, being held in conjunction with the exhibition “Grains of Emptiness: Buddhism-Inspired Contemporary Art,” and will be introduced by Italian writer, director, professor, and journalist Antonio Monda.