27
Mar/22

FOOD FOR THOUGHT: AN AFTERNOON OF COMEDIC DELIGHTS

27
Mar/22

Blythe Danner and Bob Dishy team up again in one-act plays for Food for Thought

Who: Food for Thought Productions
What: In-person and livestreamed performance of three one-act plays
Where: Theatre 80 St. Marks, 80 St. Marks Pl. at First Ave., and online
When: Monday, March 28, free with RSVP for in-person (646-366-9340, info@foodforthoughtproductions.com), 2:00; available online March 28 and April 3
Why: Food for Thought Productions has presented more than a thousand one-act plays since 2000, featuring all-star casts in lesser-known works by major playwrights. Its twenty-second season kicks off March 28 at 2:00 with “An Afternoon of Comedic Delights,” three short plays featuring the incomparable Tony and two-time Emmy winner Blythe Danner and the inestimable Bob Dishy, directed by Antony Marselli, live in person at Theatre 80 St. Marks and online; you can also catch the stream on April 3. The Brooklyn-born eighty-eight-year-old Dishy (Lovers and Other Strangers, Sly Fox, Damn Yankees) and the Philadelphia-born seventy-nine-year-old Danner (Butterflies Are Free, Betrayal, Huff) will first team up for George S. Kaufman and Leueen MacGrath’s Amicable Parting, about a young couple, Bill and Alicia Reynolds, going through their possessions as they plan to separate; in the foreword, the authors explain, “This is meant to be high comedy. It should be played lightly, gayly. Never heavily. Never emotionally. Thank you.”

Early on, Alicia points out a specific painting. “I would like to have this one, if you don’t mind, Bill,” she says. “Suits me,” he replies. “Now, Bill, you’re sure? — I mean, that you don’t want it? Of course, I love it, but then you love it too,” she explains. Bill: “No, Sweetie — you saw it first — I remember very clearly. Paris, ’53. What was the name of the restaurant? Chez Something.” Alicia: “Nico.” Bill: “Chez Nico. Too much to eat, too much to drink, too much for this painting.” Ah, memories.

Bob Dishy and Blythe Danner deal with family issues in Brighton Beach Memoirs

Next up is Peter Stone’s Commercial Break, which has been previously performed by Lauren Bacall and Robert Preston and was initially written for Audrey Hepburn in Charade, then revised for Cary Grant in Father Goose, ending up on the cutting-room floor both times. In the play, Tony, Oscar, Emmy, and Edgar winner Stone (Kean, 1776, Woman of the Year) introduces us to Catherine and Harry Crocker; the couple finds itself in quite a predicament when she accuses him of being unfaithful. Dishy presented Stone’s My Doctor the Box with Judy Graubart at a 2007 FFT tribute to Stone, who passed away in 2003 at the age of seventy-three. The third relationship play is Tallulah Finds Her Kitchen, which Neil Simon, Danny Simon, and Joseph Stein wrote for the one and only Tallulah Bankhead, a monologue that takes place, well, in her kitchen. The festivities conclude with a Q&A with Danner and Dishy, who appeared together in Brighton Beach Memoirs in 1986 and in FFT’s December 2021 production of Arthur Miller’s I Can’t Remember.