Isabelle Huppert is determined to see her coffee crop through to fruition despite the growing dangers in Claire Denis’s WHITE MATERIAL
WHITE MATERIAL (Claire Denis, 2009)
IFC Center, 323 Sixth Ave. at Third St., 212-924-7771
Lincoln Plaza Cinema, 1886 Broadway at 63rd St., 212-757-2280
Opens Friday, November 19
www.ifcfilms.com
In an unnamed West African nation besieged by a bloody civll war between rebels and the military government, Maria Vial (Isabelle Huppert) steadfastly refuses to leave her coffee plantation, determined to see the last crop through to fruition. Despite pleas from the French army, which is vacating the country; her ex-husband, André (Christophe Lambert), who is attempting to sell the plantation out from under her; and her workers, whose lives are in danger, Maria is unwilling to give up her home and way of life, apparently blind to what is going on all around her. She seems to be living in her own world, as if all the outside forces exploding around her do not affect her and her family. Without thinking twice, she even allows the Boxer (Isaach De Bankolé) to stay there, the seriously wounded leader of the rebel militia, not considering what kind of dire jeopardy that could result in. But when her slacker son, Manuel (Nicolas Duvauchelle), freaks out, she is forced to take a harder look at reality, but even then she continues to see only what she wants to see. A selection of both the New York and Venice Film Festivals, WHITE MATERIAL is an often obvious yet compelling look at the last remnants of postcolonial European domination as a new Africa is being born in disorder and violence. Directed and cowritten (with French playwright Marie Ndiaye) by Claire Denis (CHOCOLAT, BEAU TRAVAIL), who was born in Paris and raised in Africa, the film has a central flaw in its premise that viewers will either buy or reject: whether they accept Maria’s blindness to the evolving situation that has everyone else on the run. Watching Maria’s actions can be infuriating, and in the hands of another actress they might not have worked, but Huppert is mesmerizing in the decidedly unglamorous role.