Catalpa Festival
Randall’s Island
Saturday, July 28, and Sunday, July 29
Weekend passes $179.99, day passes $99.99
www.catalpanyc.com
Dave Foran is hoping to achieve what no previous event promoter has done before in New York. Over the years, such outdoor music gatherings as the Fleadh, Lollapalooza, Across the Narrows, and All Points West have each failed to maintain a lasting presence, something the Dublin-born Foran is planning on doing with the Catalpa Festival. Taking place July 28-29 on Randall’s Island, the two-day inaugural festival boasts a diverse lineup of live acts, including the Black Keys, TV on the Radio, Umphrey’s McGee, Hercules and Love Affair, and Zola Jesus on Saturday and Snoop Dogg, Girl Talk, Matt and Kim, Cold War Kids, and Matisyahu on Sunday, among many other groups. In addition, Catalpa will host such special installations as Arcadia’s fire-shooting “Afterburner” and the Silent Disco Tent, where people can dance to wireless music beamed into their headphones. A former professional rugby player whose father was a promoter as well, the twentysomething Foran started his promotional company, Frisky, in 2010, with the goal of putting together “mind-blowing events.” The University of Sydney graduate recently discussed the genesis of Catalpa with us as the festival grew near.
twi-ny: What was the selection process like to come up with the roster of musical and visual artists participating in the festival?
Dave Foran: I didn’t want to pigeon-hole Catalpa in its first year and really wanted to create a diverse and slightly eclectic assortment of artists that I really feel had quite a bit of substance, their own style, and collectively a personality for the festival that I hope will be attractive. I did not set out to create a pop festival at all, but you do need some big names to get everyone interested. The Black Keys were my first-choice band for Catalpa. I really think they are amazing, and their recent explosion has been built on a solid foundation of developing a following year on year from creating incredible blues-rock; to me that is the epitome of what I would like Catalpa to represent.
twi-ny: How did the decision to hold it on Randall’s Island come about?
Dave Foran: There really are not that many large green-field sites in NYC that can hold a suitable capacity and which are tried and trusted. In my view it really is the best of the bunch. Governors Island is landlocked and a logistical nightmare. Liberty State Park is in Jersey and that has its own problems with getting people over there from Manhattan and Brooklyn; people don’t like going across that water too much!!! Liberty State Park is also an old landfill with terrible drainage, and I think that is where a lot of problems with All Points West came from, as they were very unlucky with the weather.
twi-ny: What is the most difficult part of putting together a festival like Catalpa in New York City?
Dave Foran: The hardest things I have found so far is trying to make noise about a new event like this in a place so busy and difficult to get heard like NYC. You either need to be very clever about it or be willing to shovel over huge amounts of cash to get your brand out there. Also, booking a first-year festival as a relatively minor event producer from Ireland is not easy at all. I am not Live Nation or AEG, and a lot of talking was necessary to get some of the big artists I wanted.
twi-ny: Over the years, New York City has seen a slew of outdoor festivals come and go. What do you think the key is to make Catalpa work where others have failed?
Dave Foran: I am aiming for Catalpa to have a much more eclectic, left-field, and experience-based slant to it than other regular bar and stage events. I really believe that what keeps people remembering a good festival is not just the live acts they saw but also the subsidiary experiences they had. I am trying to bring this heightened dimension to Catalpa through elements such as Frisky’s Church of Sham Marriages, where a pimp pastor will marry couples, groups, threesomes, whatever, in an outrageous ceremony. There are also things like the Silent Disco and the High Times Reggae Stage, surrounded by hammocks where famous HT writers will be giving speeches on related topics. There are a lot of art installations, various site artistry, the world’s smallest nightclub (you need to see this!) etc. In my view it is these elements which also give a festival a life of its own and ultimately lead to its longevity.