28
Nov/11

AN AUTEURIST HISTORY OF FILM: WHITE HEAT

28
Nov/11

James Cagney isn’t about to let anything stop him from reaching the top of the world in film noir classic

WHITE HEAT (Raoul Walsh, 1949)
MoMA Film
Museum of Modern Art
11 West 53rd St. between Fifth & Sixth Aves.
Wednesday, November 30, 1:30; Thursday, December 1, 1:30; Friday, December 2, 2011, 1:30
Tickets: $10, in person only, may be applied to museum admission within thirty days, same-day screenings free with museum admission, available at Film and Media Desk beginning at 9:30 am
212-708-9400
www.moma.org

Raoul Walsh’s film noir classic White Heat might have been nominated for a mere single Oscar, losing for Best Motion Picture Story (losing to The Stratton Story), but it quickly came to be considered one of the greatest gangster pictures ever made. The 1949 film stars James Cagney as Cody Jarrett, a devout criminal married to the beautiful moll Verna (Viriginia Mayo) but still deeply (and unhealthily) attached to his mother (Margaret Wycherly). While doing time for a train robbery gone wrong, Jarrett finds out that his gang has been taken over by his former flunkie Big Ed Somers (Steve Cochran), who also seems to have taken over Verna as well. Jarrett decides he must break out of jail, setting the stage for an unforgettable climax. Walsh (High Sierra, They Died with Their Boots On) doesn’t concentrate just on the action, of which there is plenty, instead focusing on Jarrett’s troubled psyche as he blindly seeks revenge. White Heat will be screening November 30 – December 2 at 1:30 as part of MoMA’s continuing “An Auteurist History of Film” series, which also features such upcoming gems as Yasujiro Ozu’s Banshun (Late Spring), Carol Reed’s The Third Man, Akira Kurosawa’s Rashomon, and John Ford’s Wagon Master.