Photojournalist James Hamilton is the subject of fascinating documentary (photo by Jody Caravaglia)
UNCROPPED (D. W. Young, 2023)
IFC Center
323 Sixth Ave. at West Third St.
Opens Thursday, April 25
212-924-7771
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www.uncroppedfilm.com
The centerpiece of this year’s fourteenth annual DOC NYC festival was the world premiere of D. W. Young’s warm and lovely Uncropped, now opening theatrically April 25 at IFC Center. The film is as gentle and unassuming as its subject, photographer James Hamilton, who should be a household name. But fame and fortune are clearly not the point for Hamilton, who grew up in Westport, Connecticut, and didn’t own his own camera until he was twenty. He’s lived in the same cramped Greenwich Village apartment since 1966 and has little online presence, especially when compared to several other photographers named James Hamilton.
However, he will take part in several IFC Q&As this week, with Young, journalist Kathy Dobie, and moderator Joe Conason on Thursday at 6:45, with Young and moderator Amy Taubin on April 26 at 6:50, and with Young, Sylvia Plachy, and moderator Jeffrey Henson-Scales at the 6:50 screening on April 27.
“James’s work is refreshingly devoid of ego,” Sonic Youth cofounder Thurston Moore says in the film, letting out a laugh. “Let’s put it that way.”
The soft-spoken, easygoing Hamilton notes, “My whole career was all about having fun.”
And what fun it’s been.
Patti Smith and Tom Verlaine are among the many famous and not-so-famous people photographed by James Hamilton (photo by James Hamilton)
Hamilton got his start by forging a press pass to gain entry to the Texas International Pop Festival in 1969 and used the shots to get a staff job at Crawdaddy magazine. He later took pictures for the Herald, Harper’s Bazaar, the Village Voice, New York magazine, the London Times, and the New York Observer. He photographed rock stars and fashion icons; joined with print journalists to cover local, national, and international news events, including wars; shot unique behind-the-scene footage on such film sets as Wes Anderson’s The Royal Tenenbaums, Bill Paxton’s Frailty, and George A. Romero’s Knightriders; and captured life on the streets of New York City and elsewhere.
Among the people Young talks to are journalists Conason, Dobie, Alexandra Jacobs, Michael Daly, Thulani Davis, Richard Goldstein, and Mark Jacobson, editors Eva Prinz and Susan Vermazen, and photographers Plachy and David Lee. Young, who also edited the film and produced it with Judith Mizrachy, cuts in hundreds of Hamilton’s photos, which run the gamut from celebrities, politicians, and musicians to business leaders, kids playing, and brutal war scenes, accompanied by a jazzy score by David Ullmann, performed by Ullmann, Vincent Sperrazza, and others.
Hamilton, who has never been a fan of being interviewed, sits down and chats with Plachy, who shares fabulous stories of their time at the Voice; journalist and close friend Jacobson, who Hamilton took pictures for on numerous adventures; Conason, who discusses their transition from the Voice to the Observer; Dobie, who gets personal; and Prinz and Moore together. “We never crop James Hamilton’s photographs,” Prinz points out, raving about his remarkable eye for composition.
Uncropped also serves as an insightful document of more than fifty years of New York City journalism, tracing the beginnings of underground coverage to today’s online culture where professional, highly qualified, experienced writers and photographers are having trouble getting published and paid. But through it all, Hamilton has persevered.
in his previous film, The Booksellers, Young focused on bibliophiles who treasure physical books as works of art even as the internet changes people’s relationships with books and how they read and purchase them. One of the experts Young meets with is Nancy Bass Wyden, owner of the Strand, an independent bookstore founded in 1927 and still hanging on against Amazon, B&N, and other chains and conglomerates.
Near the end of Uncropped, Young shows Hamilton and Dobie perusing the outdoor stacks of cheap books at the Strand, dinosaurs still relishing the perhaps-soon-to-be-gone days of print but always in search of more fun.
[Mark Rifkin is a Brooklyn-born, Manhattan-based writer and editor; you can follow him on Substack here.]