Who: Vivian Caccuri, Miles Greenberg, Bernardo Mosqueira
What: Artist talk on “The Shadow of Spring”
Where: New Museum Theater, 235 Bowery at Prince
When: Thursday January 26, $10, 6:30
Why: You’d be doing yourself a disservice if you head to the New Museum to catch the subtle, intimate three-floor exhibition “Theaster Gates: Young Lords and Their Traces” before it closes on February 5 without also checking out multidisciplinary artists Vivian Caccuri and Miles Greenberg’s “The Shadow of Spring” in the lobby gallery.
Commissioned exclusively for the space, the show features two urethane fountains by Greenberg, each containing a kind of totem of broken human figures, in between two maplike embroidered wall hangings by Caccuri depicting faceless naked people engaged in various types of contact. The frames and base are speaker systems thumping out music that merges with the sounds of water dripping in the fountains, sending ritualistic vibrations throughout the room. Caccuri’s Vessel Flame and Vessel Body were inspired by Dante’s Inferno and raves held at her studio; the sounds were adapted from recordings of Greenberg’s body following workouts. Greenberg’s Mars and Janus statues were developed from one of his durational performances and used 3D scans to create the fragmented body parts. This is the first time Caccuri and Greenberg have collaborated together, presenting an encased environment that explores the relationship between sound and body, ritual and community, and nature and humanity.
On January 26 at 6:30, Caccuri, born and based in São Paulo, and Greenberg, who was born in Montreal and lives and works in New York and Reykjavik, Iceland, will be at the New Museum Theater for the artist talk “Body as Vessel,” in which they will discuss “The Shadow of Spring” in addition to their individual practices and processes; Brazilian exhibition curator Bernardo Mosqueira will moderate the conversation.