24
Oct/22

HOUND DOG

24
Oct/22

Anneh (Ellena Eshraghi) and Ayse (Olivia AbiAssi) share a rare calm moment in Hound Dog (photo by Ben Arons)

HOUND DOG
Ars Nova @ Greenwich House
27 Barrow St. at Seventh Ave.
Tuesday – Saturday through November 5, $5-$100
arsnovanyc.com
playco.org/events/hound-dog

A young woman reexamines critical decisions she made about her future and grief over her mother’s death in Melis Aker’s Hound Dog, an entertaining if scattershot mishmash that opened tonight at Ars Nova @ Greenwich House for a limited run through November 5.

Anneh, aka Hound Dog (Ellena Eshraghi), is a Harvard grad and guitarist-singer who returns to her home in Turkey while considering whether she should attend the Royal Academy, which has accepted her after her successful audition. Her father, the rock-and-roll-loving Baba (Laith Nakli), has been suffering since the loss of his wife, lost in a fog of alcohol and television as he dreams of going to Graceland.

Anneh’s best friend, Ayse (Olivia AbiAssi), is thrilled that she’s back, but Anneh seems distracted. She is more interested in talking with Yusuf (Jonathan Raviv), the neighborhood garbage man and flute player, than she is in creating music with Ayse. Anneh also is attracted to Charlie Callahan (Matt Magnusson), an American who was her former piano teacher.

Frank J. Oliva’s set offers a surreal fantasy in Ars Nova / PlayCo world premiere (photo by Ben Arons)

Anneh travels between reality and what appears to be some kind of fantasy world that exists inside her house, the interior of which turns into an aluminum-foil-covered concert and dance hall as music and life merge in a surreal way that seems normal to everyone but her. Amid the phantasmagorical scenes, her confusion mounts when Professor Feliz, her musicology professor at Harvard, tells her that Elvis Presley was “born in the majestically boring city of Ankara, Turkey, in the year 1961” and “was often seen strutting around Seymenler Park, accompanied by his friend, the local garbage collector and traditional Turkish instrument maestro, Yusuf.”

Through it all, a singer-songwriter and her band keep entering scenes, playing such songs as “There She Goes,” “Where It’s All Gone,” “The Groove Is on the Loose,” and “An Emptying Thing,” serving as outside observer and muse. (The songs were written by Aker and brothers Daniel and Patrick Lazour.) Channeling Joni Mitchell, Liz Phair, and others, the singer shares such thoughts as “Time is lost / In my room / While you break free / From the gloom / Waking hours / You stay up late / What is life / But the breaking of the days” and “So if we choose to let you go / How will you know / That I remember / How to feel alive / Only in time / Only in time.”

As decision time approaches, Anneh’s mind is flooded with confusion, trying to figure out what to do next and where she belongs in a world where she thinks she doesn’t fit.

Directed by Machel Ross, the ninety-five-minute Hound Dog, a coproduction of Ars Nova and PlayCo, wanders all over the place, the nonlinear narrative often hard to follow. It takes a while to warm up to the characters, although eventually they become familiar and their struggles legitimate. Frank J. Oliva’s set is the star, a facade of a home with three sets of double doors on the ground floor and three sets of windows above, lit in different colors by Tuçe Yasak. Sound designer Avi Amon also serves as music director, with costumes by Qween Jean.

The crack band features Maya Sharpe on guitar, Mel Hsu on bass, Ashley Baier on drums, and Sahar Milani on lead vocals. The cast, several of whom are making their off-Broadway debuts (Eshraghi and Magnusson) and another an Emmy winner (Raviv), is fresh and engaging as they navigate a few too many awkward plot devices.

The story is a deeply personal one to Aker; in the script, she refers to Hound Dog as “me,” the setting as “a version of my hometown . . . through time and space,” and several characters as “alternate versions” of her father, childhood best friend, and teachers. Aker might be a little too close to the material; although she tackles universal issues, they don’t always gel cohesively.

In celebration of its twentieth anniversary season, Ars Nova is introducing “What’s Ars Is Yours: Name Your Price,” with tickets for Hound Dog running $5 to $100, depending on what you can afford.