Emi (Katia Pascariu) goes on a strange journey in Rade Jude’s Bad Luck Banging or Loony Porn
BAD LUCK BANGING OR LOONY PORN: A SKETCH FOR A POSSIBLE FILM (BABARDEALA CU BUCLUC SAU PORNO BALAMUC) (Radu Jude, 2021)
Film at Lincoln Center, Walter Reade Theater, Francesca Beale Theater
144/165 West Sixty-Fifth St. at Amsterdam Ave.
Film Forum, 209 West Houston St.
Opens Friday, November 19
www.filmlinc.org
filmforum.org
Radu Jude’s brilliantly absurdist Bad Luck Banging or Loony Porn lives up to its title, a wildly satiric takedown of social mores that redefines what is obscene. Winner of the Golden Bear for Best Film at the 2021 Berlinale, the multipart tale begins with an extremely graphic prologue, a XXX-rated homemade porn video with a woman and an unseen man holding nothing back. In the first main section, the woman, a successful teacher named Emi (Katia Pascariu), is distressed to learn that the video is threatening to go viral. She determinedly walks through the streets of Bucharest, buying flowers (which she holds upside down), discussing her dilemma with her boss, the headmistress (Claudia Ieremia), and calling her husband, Eugen, trying to get the video deleted before her meeting with angry parents at the prestigious private school where she teaches young children.
Jude and cinematographer Marius Panduru follow the masked Emi — the film was shot during the pandemic, so masks are everywhere — on her journey, the camera often lingering on the scene well after Emi has left the frame, focusing on advertising billboards, couples in the middle of conversations, people waiting for a bus, and other random actions, before finding Emi again. She sometimes fades into the background, barely seen through the windows of a passing vehicle or amid a crowd crossing at a light. She gets into an argument with a man who has parked on the sidewalk, blocking her way; she insists that he move the car, but he unleashes a stream of misogynistic curses. Swear words are prevalent throughout the film, mostly adding poignant humor.
The second segment consists of a montage of archival and new footage that details some of Romania’s recent history, involving the military, the government, religion, fascism, Nazi collaboration, patriotism, the two world wars, the 1989 revolution, Nicolae Ceaușescu, domestic violence, jokes about blondes, and the value of cinema itself. The bevy of images also points out which NSFW word is most commonly looked up in the dictionary, as well as which is second. (The film is splendidly edited by Cătălin Cristuțiu, with a fab soundtrack by Jura Ferina and Pavao Miholjević.)
It all comes together in the third section, in the school garden, where Emi faces a few dozen masked, socially distanced, very angry parents and grandparents who want her fired immediately, while the headmistress demands a calm discussion. The masked Emi is a stand-in for all of us, facing the wrath of the unruly mob forcing its sanctimonious platitudes on others when it really needs to look at itself. It’s a riotously funny sitcomlike debate in which Jude roasts many common, hypocritical beliefs held by Romanians (and people all over the world) that have not necessarily changed much from the news clips shown in the previous part.
The cartoonish cast, which includes Olimpia Mălai as Mrs. Lucia, Nicodim Ungureanu as Lt. Gheorghescu, Alexandru Potocean as Marius Buzdrugovici, and Andi Vasluianu as Mr. Otopeanu, really gets to strut its stuff while making sure their masks are properly covering their mouths and noses. They argue about beloved national poet Mihai Eminescu and Russian writer Isaac Babel, delve into various sexual positions, repeat Woody the Woodpecker’s trademark call, and quote long, intellectual passages from the internet as Jude (I Do Not Care If We Go Down in History as Barbarians, Aferim!) reveals where society’s true obscenities lie. It’s an irreverent tour de force that offers three distinct endings to put a capper on the strangely alluring affair, turning a scary mirror on the sorry state of twenty-first-century existence.
Playfully subtitled A Sketch for a Possible Film in a reference to André Malraux’s description of Eugène Delacroix’s belief that his sketches could be of the same quality as his paintings, Bad Luck Banging or Loony Porn, Romania’s official Oscars submission, opens November 19 at Lincoln Center and Film Forum.