8
Sep/21

THIRD RAIL PROJECTS: RETURN THE MOON

8
Sep/21

Screenshots from Zoom presentation Return the Moon by Third Rail Projects

RETURN THE MOON
Third Rail Projects
Select nights on Zoom through December 11, $15, $42, $67, 8:00
thirdrailprojects.com

Brooklyn-based Third Rail Projects specializes in site-specific immersive productions in unique locations, from a Bushwick warehouse to a former parochial school to backstage at Lincoln Center’s Claire Tow Theater. That’s not feasible during a pandemic lockdown, so the company has devised an interactive piece for Zoom, Return the Moon. Presentations over the platform have been slowing down dramatically now that theaters are opening and Zoom fatigue has more than set in, but Third Rail is forging ahead with the seventy-five-minute show, a melding of celebratory toast, ritual, and folktale made for a maximum of sixty audience members at a time.

Conceived and directed by Zach Morris and created by Morris, Alberto Denis, Kristin Dwyer, Joshua Gonzales, Sean Hagerty, Justin Lynch, Marissa Nielsen-Pincus, Tara O’Con, and Edward Rice, the live, online gathering is guided by a set of prompts that include being sent to a breakout room and sharing personal thoughts and memories in the chat. (Everyone renames themselves identically, ensuring anonymity.) The centerpiece is a tale about the New Moon told using a small shadowbox constructed of white paper. “Once upon a time, you, me, all of us, we found ourselves in a village,” the story begins. “Now, this was a long time ago. So long ago, in fact, that the sun hadn’t been born yet. And all we knew was night. And the Moon. Who back then didn’t wax and wane but instead always moved through the sky full and luminous. And the Moon shone on our village.”

As opposed to such previous Third Rail shows as Then She Fell, Ghost Light, and The Grand Paradise, this one takes place mostly in your mind, using your imagination to generate the shared space. It can get a bit twee and treacly, lacking the exciting cutting-edge twists and turns so prominent in Third Rail’s in-person stagings, but as the narrator says in the story, “For some of us, the village felt like a homeplace. For others, it did not. For some of us, it felt good and safe, but others longed to be somewhere else. Nonetheless, this is where we all were.” As a bonus, participants get a little package in the mail a few days after the show that lets them relive the tale as well as make their own, which is a lovely touch.