Gene Kelly dazzles during unforgettable solo scene in classic MGM musical SINGIN’ IN THE RAIN
SINGIN’ IN THE RAIN (Stanley Donen & Gene Kelly, 1952)
MoMA Film, Museum of Modern Art
11 West 53rd St. between Fifth & Sixth Aves.
Saturday, June 20, 5:00, and Thursday, June 25, 4:30
Series runs through August 5
Tickets: $12, in person only, may be applied to museum admission within thirty days, same-day screenings free with museum admission, available at Film and Media Desk beginning at 9:30 am
212-708-9400
212-875-5601
www.moma.org
The 1952 MGM musical Singin’ in the Rain is one of the all-time-great movies about movies, in this case focusing on the treacherous transition from silent films to talkies. It’s the mid-1920s, and the darlings of the silver screen are handsome Don Lockwood (Gene Kelly) and blonde bombshell Lina Lamont (Jean Hagen). They’re supposedly just as hot offscreen as on, as Don explains to radio gossip host Dora Bailey (Madge Blake, later best known as Aunt Harriet on the Batman TV series) at their latest Hollywood premiere, but in actuality the debonair Don can’t stand the none-too-bright yet still conniving Lina. After accidentally bumping into Kathy Selden (Debbie Reynolds), an independent-thinking young woman who claims to not even like the movies, Don is soon trying to chase her down, determined to get to know her better. Meanwhile, studio head R. F. Simpson (Millard Mitchell) decides he has to capitalize on the surprise success of the first talking picture, The Jazz Singer, by turning the latest Lockwood-Lamont movie, The Dueling Cavalier, into a talkie, with initially disastrous results, threatening to bring everything and everyone crashing down.
Cyd Charisse joins Gene Kelly for fantastical Broadway Melody ballet in SINGIN’ IN THE RAIN
Written by the legendary team of Betty Comden and Adolph Green and directed by Kelly and Stanley Donen (On the Town, Charade), Singin’ in the Rain is an endlessly thrilling and entertaining film, featuring gorgeous Technicolor set pieces photographed by Harold Rosson (the Broadway Melody ballet with Cyd Charisse is particularly spectacular), terrific tunes adapted from previous productions (“Fit as a Fiddle [And Ready for Love,]” “Moses Supposes,” “Good Morning”), and delightful performances by Kelly, whose solo foray through the title song is deservedly iconic; Donald O’Connor as Don’s longtime best friend, Cosmo Brown, who dazzles with a comic Fred Astaire-like turn in “Make ’em Laugh”; and Hagen channeling Judy Holliday from Born Yesterday. (Hagen served as Holliday’s understudy when Born Yesterday hit Broadway in 1947.) While all the elements come together beautifully (although things do get a little too mean-spirited in the end), this is Kelly’s film all the way, his smile and charm dominating the screen as only a genuine movie star can, so to see him playing a movie star merely doubles the fun. (It’s hard to imagine that Howard Keel was supposedly the first choice to play the role.) Curiously, Singin’ in the Rain was nominated for only two Oscars, with Hagen getting a nod for Best Supporting Actress and Lennie Hayton for Best Musical Score. Singin’ in the Rain’ is screening on June 20 & 25 as part of MoMA’s “Glorious Technicolor: From George Eastman House and Beyond” series, a celebration of the one hundredth anniversary of Technicolor, which continues through August 5 with such other delights as Douglas Sirk’s Magnificent Obsession, Vincente Minnelli’s An American in Paris, Michael Curtiz’s The Adventures of Robin Hood, and Victor Fleming’s Gone with the Wind.