Goofy chemist Sid Stratton (Alec Guinness) is looking to revolutionize the textile industry in the Ealing classic THE MAN IN THE WHITE SUIT
THE MAN IN THE WHITE SUIT (Alexander Mackendrick, 1951)
Film Forum
209 West Houston St.
Friday, June 20, and Saturday, June 21, 2:20, 6:00, 9:45
Series continues through July 3
212-727-8110
www.filmforum.org
Alexander Mackendrick’s splendid 1951 Ealing comedy The Man in the White Suit is a hysterical Marxist fantasy about corporations, unions, and the working man that doesn’t feel dated in the least. Alec Guinness stars as Sidney Stratton, a brilliant scientist relegated to lower-class jobs at textile mills while he works feverishly on a secret product that he believes will revolutionize the industry — and the world. After being fired by Michael Corland (Michael Gough) at one factory, Sid goes over to Birnley’s, run by Alan Birnley (Cecil Parker, whose voiceover narration begins and ends the film). As Sid develops his groundbreaking product, he also develops a liking for Birnley’s daughter, Daphne (Joan Greenwood), who is preparing to marry Corland. Meanwhile, tough-talking union leader Bertha (Vida Hope) also takes a shine to the absentminded chemist, who soon finds himself on the run, chased by just about everyone he’s ever met, not understanding why they all are so against him. Guinness is at his goofy best as Sid, a loner obsessed with the challenge he has set for himself; his makeshift, Rube Goldberg-like chemistry sets are a riot, bubbling over with silly noises like they’re in a cartoon. But at the heart of the film lies some fascinating insight on the nature of big business that is still relevant today. Nominated for an Oscar for Best Screenplay, The Man in the White Suit is an extremely witty film, expertly directed (and cowritten) by Mackendrick, who would go on to make such other great pictures as The Ladykillers and Sweet Smell of Success. It’s easy to imagine that if someone in a textile mill today came up with a similar invention as Stratton’s, the same arguments against it would arise, suppressing progress in favor of personal interest and preservation. The Man in the White Suit is being shown June 20-21 at Film Forum in a double feature with Charles Crichton’s delightful heist comedy The Lavender Hill Mob — both in 35mm restorations — as part of “Alec Guinness 100,” celebrating Sir Alec’s centennial with screenings of more than two dozen of his films, including The Bridge on the River Kwai, The Ladykillers, Our Man in Havana, Lawrence of Arabia, The Scapegoat, The Prisoner, and the 1997 Special Edition of Star Wars Episode IV: A New Hope.