6
Feb/14

T. J. WILCOX: IN THE AIR

6
Feb/14
(photo by twi-ny/mdr)

T. J. Wilcox’s “In the Air” gives visitors a panoramic view of New York City both past and present (photo by twi-ny/mdr)

Whitney Museum of American Art
Mildred and Herbert Lee Galleries, second floor
945 Madison Ave. at 75th St.
Through Sunday, February 9, $16-$20 (pay-what-you-wish Fridays, 6:00 – 9:00)
212-570-3600
www.whitney.org

In his Whitney installation “In the Air,” Seattle-born, New York-based artist T. J. Wilcox invites visitors into his Union Square rooftop studio for a swirling look at his view of the city, past and present. Upon entering the second floor galleries, people can duck into a 360-degree panorama of the city composed of shots from six projectors. Over the course of one day compressed into thirty-five minutes, the film breaks into half a dozen short narratives on individual panels, each of which explores a part of New York history associated with that area. The short documentaries look at heiress and jeans designer Gloria Vanderbilt, the plan to have zeppelins dock on top of the Empire State Building, Andy Warhol preparing silver Mylar balloons to greet Pope Paul VI’s motorcade passing by the Factory, Manhattanhenge glowing in the distance, fashion illustrator Antonio Lopez, and Wilcox’s building super describing in detail how he watched 9/11 unfold from the roof. In the short pieces, Wilcox, a pop-culture junkie who has previously made short films about Marie Antoinette, Jerry Hall, and Marlene Dietrich, relates how the subject influenced him as an artist and a human being. “I became really interested in this idea that I was seeing the view in the present tense as I was looking at the New York City scape but that I was also looking across time,” Wilcox says in a video about the piece on the Whitney website. Part of the fun of “In the Air” is spinning around, wondering where the next of the six documentaries is going to appear; it also makes viewers create their own narratives, peering out at a section of the city and being hit with a personal memory. Wilcox supplements the installation with fifteen works selected from the Whitney’s permanent collection that all involve ways of looking (in general and at New York specifically), including videos, assemblages, photographs, and paintings by Charles Atlas, Hiroshi Sugimoto, Helen Levitt, Joseph Cornell, Felix Gonzalez-Torres, Joan Jonas, Claes Oldenburg, Yoko Ono, and Gordon Matta-Clark.