Alfred Chamberlain (Elliott Gould) takes a break in Alan Arkin’s LITTLE MURDERS
LITTLE MURDERS (Alan Arkin, 1971)
Museum of the Moving Image
35th Ave. at 36th St., Astoria
Saturday, August 17, free with museum admission, 5:30
Series runs August 10 – September 1
718-777-6800
www.movingimage.us
Alan Arkin’s directorial debut is a hysterically absurdist foray into the urban paranoia that haunted a lawless New York City in the late 1960s and 1970s. Based on Jules Feiffer’s first play, which was a Broadway flop in 1969 but became a hit in London and off Broadway, Little Murders centers on the offbeat relationship between the determined and domineering Patsy Newquist (Marcia Rodd) and the calm, easygoing Alfred Chamberlain (Elliott Gould). They first meet when Patsy tries to save him from getting beaten up yet again by a group of thugs, but he doesn’t want any help; he never fights back, instead letting them tire themselves out. A former successful commercial photographer, Alfred now spends his time taking artistic pictures of feces he finds on the filthy streets. He and Patsy sort of start dating, but Alfred, who regularly says, “I don’t know what love is,” is too passive for Patsy, who makes it her project to mold him into a stronger man, as if he were one of her interior design projects. The black comedy reaches new heights when Alfred meets Patsy’s rather eccentric family, played by the three actors who originated the roles on the stage. Vincent Gardenia is her high-strung father who laments what has become of the city, Elizabeth Wilson is her prim and proper mother who only sees what she wants to see, and Jon Korkes is deliciously funny as her crazy brother, who finds humor in just about everything. Meanwhile, wherever Patsy goes, a heavy-breathing phone caller follows.
Donald Sutherland, Elliott Gould, and Alan Arkin discuss the wacky wedding scene in LITTLE MURDERS
Little Murders is one of the great unsung films of the 1970s, a wickedly funny, at times manic examination of love, fear, family, faith, and violence. The story is highlighted by several riotous monologues about the state of the world, including an epic rant delivered by Lou Jacobi as an angry judge and an oddball hippie speech by Donald Sutherland (Gould’s M*A*S*H costar) as an alternative minister. Arkin also appears as Lt. Practice, a cop stuttering about how many unsolved murders there have been in the past six months. The film is shot in a beautifully subdued, lurid palette by Gordon Willis, who photographed such other seminal New York-set ’70s pics as The Landlord, Klute, The Godfather I and II, Annie Hall, and Manhattan. A genuine underground cult classic, Little Murders is screening August 17 at 5:30 as part of the Museum of the Moving Image series “Fun City: New York in the Movies 1967-75,” guest curated by J. Hoberman and continuing through September 1 with such other Big Apple films as the French Connection, Across 110th Street, Born to Win, and The Landlord.