Michael Ballou, “Go-Go,” acrylic board, monofilament, wire, plywood, plastic cups, rug, with soundtrackby Kurt Hoffman and David Scher, 2013 (photo by twi-ny/mdr)
Brooklyn Museum
200 Eastern Parkway at Washington St.
Saturday, June 1, free, 5:00 – 11:00 (some events require free tickets distributed in advance at the Visitor Center)
212-864-5400
www.brooklynmuseum.org
The Brooklyn Museum’s long-term installation “Life, Death, and Transformation in the Americas” is the centerpiece of the June edition of its popular First Saturday program, with a special focus on Peru. The free monthly program will include live performances by Claudia Acuña, Chicha Libre, Rebel Diaz, Marcos Napa, and Mariachi Flor de Toloache, pop-up gallery talks, storytelling presented by the Redhawk Native American Arts Council, a curator talk of the featured exhibit led by Nancy Rosoff and Susan Kennedy Zeller, a Hands-On Art workshop in which participants can make a clay figure, and a participatory despacho ceremony, in which Q’ero healers Don Francisco and Doña Juana invoke reciprocity and loving-kindness. The galleries will remain open late so visitors can also check out “John Singer Sargent Watercolors,” a lovely collection of nearly one hundred stunning works that are a celebration of light and color; “LaToya Ruby Frazier: A Haunted Capital,” moving black-and-white portraits of Frazier and her mother and grandmother; “Käthe Kollwitz: Prints from the ‘War’ and ‘Death’ Portfolios,” devastating woodcut prints by the German Expressionist artist that display the horrors of battle, influenced by the loss of her son in WWI; “Gravity and Grace: Monumental Works by El Anatsui,” a revelatory career retrospective of the fascinating oeuvre of the African artist who uses bottle caps and found metal and wood to create fascinating pieces; “‘Workt by Hand’: Hidden Labor and Historical Quilts,” comprising nearly three dozen American and European quilts; “Raw/Cooked: Michael Ballou” and “Dog Years” by the Williamsburg-based artist, who plays with light and shadow in the former, man’s best friend in the latter; and “Valerie Hegarty: Alternative Histories,” in which Hegarty wreaks havoc on two of the museum’s Period Rooms.