Hilary Easton celebrates her twentieth anniversary this week with two new shows at BAC
Baryshnikov Arts Center, Howard Gilman Performance Space
450 West 37th St. between Ninth & Tenth Aves.
May 17-20, $20
212-868-4444
www.bacnyc.org
www.hilaryeaston.com
Native New Yorker Hilary Easton is celebrating her company’s twentieth anniversary in style this week at the Baryshnikov Arts Center. The Manhattan-based dancer and choreographer will be presenting the world premiere of the evening-length piece The Constructors, which will be performed by Alexandra Albrecht, Michael Ingle, Joshua Palmer, Emily Pope-Blackman, and Sarah Young, with music by Mike Rugnetta, lighting by Kathy Kaufmann, and costumes by Madeleine Walach. The Constructors delves into the nature of collaboration through a series of kinetic tasks that break down the barrier between audience and performer. In addition, as a special bonus, on Thursday and Friday Easton will be performing a new solo, The Heart Is Like a Toboggan, with a costume by fashion designer Cynthia Rowley. An artists’ dialogue will follow the Sunday matinee, with Easton and her company discussing the making of The Constructors; ticket holders from any of the performances can attend the presentation for free.
If you’ve never seen this remarkable cinematic achievement, prepare to be overwhelmed by Jean Renoir’s antiwar masterpiece, screening through May 24 at Film Forum in an all-new 35mm restored print in honor of the film’s seventy-fifth anniversary. The first foreign film to be nominated for a Best Picture Oscar, Grand Illusion is set in a POW camp during WWI, where everyman pilot Lieutenant Maréchal (Jean Gabin), by-the-book Captain de Boieldieu (Pierre Fresnay), lovable Rosenthal (Marcel Dalio), and others are being held by the aristocratic Captain von Rauffenstein (an unforgettable Erich von Stroheim). Proclaimed “cinematic public enemy no. 1” by Joseph Goebbels, Grand Illusion takes on anti-Semitism, class structure, and religion in addition to war, a humanist film that is as relevant as ever seventy-five years after its initial release. Illustrator Paul Davis will be at Film Forum on May 15 following the 7:45 show to sign copies of his specially created poster celebrating the anniversary.
Adapted from Kim Tae-woong’s award-winning play Yi (You) and inspired by the Royal Records of the Chosun Dynasty, Lee Jun-ik’s historical epic, King and the Clown, was a critical and popular smash in Korea despite its homosexual subtext. In the early sixteenth century, a troupe of traveling minstrels is making its way across the country when Jang-saeng (Kam Wu-seong) decides that he no longer wants Gong-gil (Lee Jun-ki), an androgynous member of the group who plays all the sexy female characters, to be pimped out to towns’ local leaders. After a deadly fight, the two clowns are on the run, soon taking up with another small troupe and getting arrested for mocking King Yeonsan (Jeong Jin-yeong) and his mistress, Jang Noksu (Kang Seong-yeon). Facing execution, they are saved when the king takes a liking to them, and especially to Gong-gil. But as they continue to stage routines criticizing important ministers and other VIPs, they make high-ranking enemies and once again find their lives in danger. While the first half of King and the Clown tends to be a bit goofy, it sets up the masterfully told second half, an intense, compelling combination of love, fear, politics, and power. Jeong is excellent as Yeonsan, capturing the yin-yang of a leader trying to break free of his late father’s far-reaching grasp, laughing at the clowns one moment, brutally killing someone the next. Lee is alluring as Gong-gil, a beautiful boy uncomfortable with his role but willing to do whatever is asked of him. But the film’s centerpiece is Kam as Jang-saeng, a confident, forward-thinking, risk-taking performer who believes in justice, honor, and creative and personal freedom. King and the Clown is screening for free May 15 at Tribeca Cinemas as part of the Korean Cultural Service film series “Epic Romance,” which continues June 5 with Kim Dae-woo’s Forbidden Quest and June 19 with Kim Yong-gyun’s The Sword with No Name.