Yearly Archives: 2012

CREST FEST

Crest Hardware
558 Metropolitan Ave. between Lorimer & Union
Saturday, June 30, free, 1:00 – 7:00
www.cresthardwareartshow.com

One of the grooviest events of the summer, Crest Fest is a celebration of art, music, food, crafts, and hardware. More than a hundred artists fill the Crest Hardware Store on Metropolitan Ave. with works of art that incorporate items readily available in the store and place them on the walls, racks, floor, and ceiling as if they are part of the regular merchandise — although they will cost you a little more than standard tools. Make your way through aisles and aisles of fun stuff before heading out the back to walk through the garden, grab a bite to eat, and check out some live bands. This year’s musical lineup includes PitchBlak Brass Band, Aabaraki, Workout, Hard Nips, and Grey Sky Appeal, along with DJ sets by Petey Complex, King Cut, Lucas Walters, Peter Hale, Dom Leon, and Krunk Pony. Among the vendors are Mighty Balls, Jessy’s Pastries, Tirana Jewelry, Grand Wazoo Clothing and Other Wondrous Things, Vicolo Mio, Seam, WRKN Class, Daly Pie, North Brooklyn Vineyard, Erika Day Designs, Old Hollywood, and Fantasy Clocks. The opening party and exhibit is a fundraiser for the City Reliquary, the museum and civic organization down the street on Metropolitan.

SUNSHINE AT MIDNIGHT: DUCK SOUP

The Marx Brothers classic DUCK SOUP holds a mirror to love and war in hysterical ways

DUCK SOUP (Leo McCarey, 1933)
Landmark Sunshine Cinema
143 East Houston St. between First & Second Aves.
Friday, June 29, and Saturday, June 30, 12 midnight
212-330-8182
www.landmarktheatres.com
www.marx-brothers.org

One of the wackiest films ever made, Duck Soup stars the Marx Brothers at their absolute best. Groucho is a riot as Rufus T. Firefly, the leader of the strange little country of Freedonia, which is prepared to go to war if necessary with its neighbor Sylvania, represented by blowhard ambassador Trentino (Louis Calhern), who has designs on wealthy Freedonian philanthropist Gloria Teasdale (Margaret Dumont). Meanwhile, spies Chicolini (Chico) and Pinky (Harpo) harass a street vendor (poor Edgar Kennedy), mock Firefly in front of a pseudo-mirror, and just have a jolly old time everywhere they go. But there’s more to the film than outrageous slapstick and wild and woolly quotes; there’s some very deft criticism of politics, government, and, most of all, war. Hail, hail, Freedonia!

COOKING CHANNEL SUMMER EATS POP-UP TOUR: SMORGASBURG

EDEN EATS host Eden Grinshpan pulls into Williamsburg to help celebrate Cooking Channel’s second birthday

Williamsburg waterfront between North Sixth & North Seventh Sts.
Saturday, June 30, free, 1:00 – 5:00 pm
www.brooklynflea.com/smorgasburg
cookingchanneltv.com

The Cooking Channel is celebrating its second anniversary with a summer food tour that pulls into Smorgasburg on Saturday afternoon. The party will feature Le Cordon Bleu graduate Eden Grinshpan, host of Eden Eats, and Bronx-based Baron Ambrosia, host of The Culinary Adventures of Baron Ambrosia. There will be special treats to sample (including grilled squash quesadillas, pulled pork sandwiches, fried catfish, five-spice lamb burgers, Georgia lattice-topped peach pie, and red velvet cupcakes), meet and greets with the stars, and live music. If you’ve never been to Smorgasburg, you’ve been missing out on one of New York’s best culinary experiences. Every Saturday, more than one hundred vendors fill a vacant space on the Williamsburg waterfront, directly accessible by a quick ride on the East River Ferry. You can find just about anything you want there, from Mile End, McLure’s Pickles, and Baby Got Back Ribs to Taste of Ethiopia, Sunday Gravy, and Sun Noodle Ramen, from Saucy by Nature, DuMont Burger, and Blue Bottle Coffee to Handsome Hank’s Fish Hut, Rachel’s Pies, and Kings County Jerky. We like starting with the breakfast taco from Cemita’s, followed by maple bacon on a stick from Landhaus, the bulgogi burger from Asiadog, and a Salvadoran specialty from Solber Pupusas. Dessert’s a tough decision, with fine fare from Lush Candy, Danny’s Macaroons, Cutie Pies, Fine & Raw Chocolate, Kumquat Cupcakery, and our fave, the giant s’more from S’more Bakery. Other choices include slow smoked St. Louis spare ribs from Mighty Quinn’s, caramel chorizo lollipops from Bocata, fried anchovies from Bon Chovie, Nordic sushi from Noshi, and the fried Brussels sprouts sandwich with apple and whiskey from I8NY. Some of the vendors come back on Sunday, when Smorgasburg morphs into the Brooklyn Flea, a market that sells handcrafted items, antiques, collectibles, clothing, and plenty of oddities.

TED

TED tells the story of a different kind of threesome

TED (Seth MacFarlane, 2012)
Opens Friday, June 29
www.tedisreal.com

Family Guy creator Seth MacFarlane’s first feature film, Ted, is a cuddly, foul-mouthed, raunchy delight. Mark Wahlberg stars as John Bennett, a man-child whose best friend is his teddy bear, brought to life by a Christmas wish twenty-seven years ago when John was eight. But Ted (a motion-captured MacFarlane in Peter Griffin voice) is no sugar-sweet bear; instead, the rotoscoped stuffed pervert spends his days and nights doing bong hits, inviting hookers over, and convincing John to hang out rather than pursue any kind of real career. None of this sits well with John’s longtime girlfriend, Lori (a wonderful Mila Kunis, her large, emotional eyes dominating the screen), who is growing tired of being the third wheel and is seriously considering delivering an ultimatum to John to choose between her and Ted. Meanwhile, Ted is being stalked by a creepy guy named Donny (Giovanni Ribisi) whose creepy son (Aedin Mincks) wants Ted for himself. Ted has no right to be as good as it is, and don’t be fooled by trailers that make it look like a silly one-joke comedy sketch. It turns out to be a warm, endearing story filled with heart, centered around two strong relationships that are handled with grace and charm by MacFarlane, who cowrote the surprisingly strong script with Family Guy cohorts Alec Sulkin and Wellesely Wild. Even when the film goes awry — which it does several times, particularly in a throwaway scene with Norah Jones and a tired subplot involving Lori’s boss’s (Joel McHale) annoying pursuit of her — it always rights itself, balancing comedy, romance, and tragedy with laughs and tears. The film also features American Dad Patrick Warburton as John’s macho coworker, Jessica Barth as Ted’s sexy coworker, and Patrick Stewart as the humble narrator who bookends the heartwarming tale with yet more four-letter words. And there’s a special treat for fans of Sam Jones and the 1980 cult classic Flash Gordon.

NEW YORK ASIAN FILM FESTIVAL: NAMELESS GANGSTER

Choi Min-sik seems to always find a way to survive in NAMELESS GANGSTER

CHOI MIN-SIK: MR. VENGEANCE — NAMELESS GANGSTER: RULES OF THE TIME (BUMCHOIWAUI JUNJAENG) (Yun Jong-bin, 2012)
Film Society of Lincoln Center, Walter Reade Theater
165 West 65th St. at Amsterdam Ave.
Saturday, June 30, 9:00, and Tuesday, July 3, 1:00
Festival runs June 29 – July 12
212-875-5601
www.subwaycinema.com
www.filmlinc.com

In 1990, Roh Tae-woo, the thirteenth president of South Korea, officially declared war on organized crime. Writer-director Yun Jong-bin goes back to that dramatic period in the 2012 epic mob thriller Nameless Gangster: Rules of the Time. Korean star Choi Min-sik (Oldboy) put on a few pounds to play the roly-poly Choi Ik-hyun, a corrupt Customs inspector who soon immerses himself in Busan’s underworld culture. A goofy, pathetic figure who drinks too much and has no loyalty to anyone but himself, Choi seems to always find a way to survive despite his infuriatingly stupid decisions. He uses his family connections to team up with his godson, Choi Hyung-bae (Ha Jung-woo), a smooth, ultracool gangster who is continually suspicious of his godfather, and to convince determined prosecutor Choi Joo-dong (Kim Eung-soo) not to lock him up and throw away the key. Things come to a head when he gets involved with Kim Pan-ho (Jo Jin-woong) and a casino hotel, leading to violence, betrayal, and whimpering. Told primarily in flashback set in the 1980s, Nameless Gangster is a potent blend of mob drama and comedy, as Yun (The Moonlight of Seoul, The Unforgiven) mixes in elements of such genre classics as Goodfellas and The Godfather while also telling the story of a changing Korea. Choi Min-sik is a hoot as Choi Ik-hyun, a putz who just keeps on keepin’ on, his round face and puppy-dog eyes somehow helping to keep him alive even as he essentially demands to get whacked. Nameless Gangster is screening June 30 at 9:00 and July 3 at 1:00 at the New York Asian Film Festival at the Film Society of Lincoln Center, where it is part of the sidebar event “Choi Min-sik: Mr. Vengeance,” which also includes 2001’s Failan, 2003’s Oldboy, and 2005’s Crying Fist. Choi Min-sik will be on hand for the June 30 screening to talk about the film and his fascinating career.

HARVEY

Jim Parsons might just have you asking, “Jimmy who?” in Roundabout revival of HARVEY (photo by Joan Marcus)

Studio 54
254 West 54th St.
Through August 5, $47-$140
212-719-1300
www.roundabouttheatre.org

Although the role of Elwood P. Dowd, a rather eccentric, happy fellow whose best friend is a six-foot, three-and-a-half-inch-tall invisible pooka, is most closely associated with Jimmy Stewart, who was nominated for an Oscar for Henry Koster’s 1950 film adaptation and played the part in a 1970 Broadway revival with Helen Hayes, not many others have attempted to take on Dowd, the central figure in Mary Chase’s 1944 Pulitzer Prize-winning drama, Harvey. The role was created by vaudevillian Frank Fay, and it has been played on the small screen by Art Carney and Harry Anderson. Now comes Emmy-winning actor Jim Parsons, the thirty-nine-year-old star of television’s The Big Bang Theory. Well, it might sound like blasphemy, but Parsons pulls off Dowd in a very big way, bringing a charm and gallantry that outshines even that of Stewart. The play as a whole, which famously topped Tennessee Williams’s The Glass Menagerie for the Pulitzer, does not hold up particularly well in Scott Ellis’s current Roundabout revival at Studio 54; it’s an old-fashioned piece of Americana fluff, its WWII-era sensibilities seriously out-of-date with the times (as opposed to Mike Nichols’s recent restaging of Arthur Miller’s Death of a Salesman, which was powerfully relevant). But Parsons is absolutely mesmerizing as Dowd, a well-mannered gentleman who is always accompanied by a large white rabbit that only he sees — but by the end of the play, you might think you’ve seen Harvey as well.

Elwood P. Dowd (Jim Parsons) has a special message for Betty Chumley (Carol Kane) in HARVEY (photo by Joan Marcus)

Elwood is an embarrassment to his sister, the society-obsessed Veta (Jessica Hecht, displaying a fine comic physicality), and her daughter, the socialite-in-training Myrtle Mae (Tracee Chimo). The ditzy Veta conspires to lock her brother away in a sanitarium run by Dr. William R. Chumley (Charles Kimbrough), but a misunderstanding between Veta, Dr. Lyman Sanderson (Morgan Spector), and nurse Ruth Kelly (Holley Fain) leads to some major foul-ups, some funnier than others. The relationship between Sanderson and Kelly falls particularly flat, as does a passionless attraction between Myrtle Mae and sanitarium worker Duane Wilson (Rich Sommer). Kimbrough is appropriately blustery as the exasperated Chumley, Carol Kane delivers a scene-stealing turn as his wife, Betty, and Larry Bryggman is stalwart as Judge Omar Gaffney. But the play takes off whenever Parsons is onstage, as Elwood makes friends with everyone he meets, including telephone solicitors, hands out his card to strangers, and is always quick to at least try to introduce his best friend, which doesn’t always work out quite as he plans. He has a penchant for reaching out and touching people in an engaging way, both physically and verbally, a supremely gentle man who also likes his drink. But whereas Stewart played Elwood as a wide-eyed, melodramatic dreamer, Parson’s Elwood is a more down-to-earth character, although still lost in his own alternate reality. Yet it’s a welcoming alternate reality that is a pleasure to be a part of in these often maddening, fast-paced times.

RIVER TO RIVER FESTIVAL: ACT WITHOUT WORDS II

Dublin’s Company SJ is presenting free Beckett in a downtown alley as part of River to River Festival

Theatre Alley between Nassau and Centre Sts., enter at Ann St.
Nightly through June 29, free but advance reservations encouraged, 9:00
rivertorivernyc.com

Dublin-based theater troupe Company SJ, headed by artistic director Sarah Jane Scaife, specializes in presenting works by such Irish playwrights as J. M. Synge, Samuel Beckett, and contemporary writer Marina Carr. The company is in New York City this week at the River to River Festival, performing their unique thirty-minute version of Beckett’s Act Without Words II, a mime initially written in French in 1959 before Beckett translated it into English. A hit at the 2009 Dublin Fringe Festival and the 2012 Dublin Theatre Festival, the surreal, existential production features Raymond Keane and Bryan Burroughs as a pair of chaps who crawl out of sacks to face a mysterious world beset by drugs, homelessness, and other dramatic problems. Taking place in an outdoor alley between Nassau and Centre Sts. on a set designed by Aedín Cosgrove, Act Without Words II is being presented nightly through June 29 at 9:00. Admission is free, but advance reservations are strongly recommended.