Japanese cult classic is back for a pair of late-night screenings in Brooklyn
HOUSE (HAUSU) (Nobuhiko Obayashi, 1977)
Nitehawk Cinema
136 Metropolitan Ave.
Friday, October 12, and Saturday, October 13, 12:20 am
718-384-3980
www.nitehawkcinema.com
www.janusfilms.com/house
Just a few years ago, one of the craziest movies ever made, Nobuhiko Obayashi’s 1977 cult classic, House (Hausu), made its first-ever U.S. theatrical release, in a new 35mm print at the IFC Center. Ever since then, it’s been a mainstay at midnight screenings at numerous venues across the city, including this weekend at the Nitehawk Cinema in Williamsburg. Truly one of those things that has to be seen to be believed, House is a psychedelic black horror comedy musical about Gorgeous (Kimiko Ikegami) and six of her high school friends who choose to spend part of their summer vacation at Gorgeous’s aunt’s (Yoko Minamida) very strange house. Gorgeous, whose mother died when she was little and whose father (Saho Sasazawa) is about to get married to Ryoko (Haruko Wanibuchi), brings along her playful friends Melody (Eriko Ikegami), Fantasy (Kumiko Oba), Prof (Ai Matsubara), Sweet (Masayo Miyako), Kung Fu (Miki Jinbo), and Mac (Mieko Sato), who quickly start disappearing like ten little Indians. House is a ceaselessly entertaining head trip of a movie, a tongue-in-chic celebration of genre with spectacular set designs by Kazuo Satsuya, beautiful cinematography by Yoshitaka Sakamoto, and a fab score by Asei Kobayashi and Mickie Yoshino. The original story actually came from the mind of Obayashi’s eleven-year-old daughter, Chigumi, who clearly has one heck of an imagination. Oh, and we can’t forget about the evil cat, a demonic feline to end all demonic felines. The film has also been recently released on DVD from Janus, the same company that puts out such classic fare as Federico Fellini’s Amarcord, Akira Kurosawa’s Rashomon, Jacques Tati’s M. Hulot’s Holiday, François Truffaut’s Shoot the Piano Player, Jean Renoir’s The Rules of the Game, and Jean-Luc Godard’s Vivre sa Vie, so House has joined some very prestigious company. And who are we to say it doesn’t deserve it?