Yearly Archives: 2011

STEPHEN MALKMUS AND THE JICKS: FREE ACOUSTIC IN-STORE PERFORMANCES

Thursday, August 25
Academy Annex, 95 North Sixth St., 718-218-8200, 6:00
Other Music, 15 East Fourth St., 212-477-8150, 9:00
www.matadorrecords.com

On “Tigers,” the opening track on Mirror Traffic (Matador, August 23, 2011), the brand-new album from Stephen Malkmus & the Jicks, Malkmus sings, “Trust me because I’m worth hating.” We’ve been trusting the king of indie pop since the early 1990s, when he was blowing our minds with such records as Slanted & Enchanted and Crooked Rain, Crooked Rain as leader of the seminal band Pavement. We hated when that group broke up, but they recently got back together and are rereleasing expanded editions of their classic discs, so it’s all good again. It’s also good that Malkmus’s fifth album with the Jicks, which currently also includes guitarist Mike Clark, bassist Joanna Bolme, and drummer Jake Morris, is another terrific effort, filled with pop gem after pop gem. On “Senator,” Malkmus may claim, “My duty to the Republique / is to use double speak because the Halo’s off,” but there’s little double speak by the indie god on these fifteen songs, from “No One (Is As I Are Be)” and “Brain Gallop” to “Stick Figures in Love” and “Gorgeous Georgie.” The songs travel all over the indie spectrum, sometimes within a single song, courtesy of another indie god, Beck, who produced the record. Stephen Malkmus & the Jicks will be at Terminal 5 on September 26 with Holy Sons, but you don’t have to wait that long to see them, as they’ll be doing free in-store acoustic performances on August 25 at Academy Annex in Williamsburg at 6:00 and Other Music at 9:00, first come, first served. And as of this posting on August 24, you can stream the new album for free on NPR by clicking here.

FÜNF RÄUME

Esther Stocker’s black foam core interrupts a white space in unusual and unexpected ways(photo by twi-ny/mdr)

Austrian Cultural Forum
11 East 52nd St. between Madison & Fifth Aves.
Daily through September 5, 10:00 am – 6:00 pm
212-319-5300
www.acfny.org
fünf räume slideshow

For “Fünf Räume,” or “Five Rooms,” the Austrian Cultural Forum invited a group of emerging Austrian artists to create site-specific installations in five gallery spaces, transforming four floors of the unusual Midtown glass tower, which was designed by Raimund Abraham. Curated by David Harper and Andreas Stadler, the works evoke politics, spirituality, and everyday life while questioning the nature of space. On the first floor, Italian-born Esther Stocker has attached black masking tape and foam core to the ceiling, which will continue to droop through the duration of the exhibition, closing in on visitors. Clemens Hollerer has placed broken slats of wood, painted in red, white, and blue, along the stairway wall, an ineffective barrier that was unable to serve its purpose, the colors evoking America (and perhaps the freedom given the artists to create whatever they wanted for the exhibition). Zenita Komad and Michael Kienzler have collaborated on “The Empty Mirror,” a chess-inspired collection of sixteen mirrored chairs that bounce light, words, and numbers onto the walls in a dizzying display of self-reflection. Komad and Kienzler, along with Sabine Kienzler, also made the untitled video at the entrance, showing a typewriter tapping out the New Testament quotation “At the beginning was the word” in both English and German. For “Adaption,” in the lower level, Valentin Ruhry created nonworking replicas of electrical outlets, light switches, and a temperature gauge, finding art in the most mundane of places while also examining functionality. Across from that, Ruhry greets viewers with an MDF panel that announces, “Hello World.” In the back of that room, Vancouver-born Daniel Domig’s “The Eyes Are Not Here, There Are No Eyes Here” combines painting and sculpture in a wooden construction that challenges the way paintings are usually displayed, revealing both sides of them within an interlocking series of wooden beams that makes them less accessible. And on the top floor, Italian-born Stocker has redesigned an all-white space in three dimensions, filling it with geometric shapes, made of black foam core, hanging from the ceiling, sticking out of the walls, and rising from the floor. Visitors can walk through this disconcerting room, a sort of artistic maze that comments on the fragility of life and art. “Fünf Räume” is an engaging yet confrontational exhibit that needs to be traversed very carefully. There will be curator-led gallery talks of the exhibit, which ends September 5, on August 24, 26, and 31 at 5:00.

SOLAR-POWERED FILM SERIES: AN EVENING WITH MATTHEW MODINE

Matthew Modine will be at Solar One on August 25 to present several of his short films, including the trailer for JESUS WAS A COMMIE (photo by Harry Borden)

Solar One
East 23rd St. & the FDR Dr.
Thursday, August 25, free, 8:00
www.greenedgenyc.org
www.solar1.org

The Solar-Powered Film Series continues on August 25 with a special evening with actor, activist, filmmaker, photographer, Bicycle for a Day founder, writer, and New York Knicks fan Matthew Modine. The star of such films as Birdy, Full Metal Jacket, and Memphis Belle will be at Solar One on Thursday night, presenting several of his short works, which he served in various configurations as writer, editor, director, cinematographer, and/or producer. Among the selections are When I Was a Boy, made with Todd Field; Smoking, a collaboration with David Sedaris; Ecce Pirate, which stars Chris Masterson; as well as To Kill an American, I Think I Thought, and the trailer for his next short, Jesus Was a Commie. Modine will participate in an audience Q&A and signing afterward. The series, organized by Solar One with Green Edge NYC, continues August 26 with Peter Bull’s Dirty Business, which looks at clean coal, and August 27 with Yann Arthus-Bertrand’s Home, narrated by Glenn Close.

CENTRAL PARK CONSERVANCY FILM FESTIVAL

Kris Kristofferson and Barbra Streisand will heat up Central Park on Saturday night in viewers choice winner A STAR IS BORN

Central Park
Landscape between Sheep Meadow and the 72nd Street Cross Dr.
August 23-27, free, 8:00 (gates at 6:30)
www.centralparknyc.org

The Central Park Conservancy Film Festival begins today, kicking off five nights of movies focusing on music. Taking place on the landscape between Sheep Meadow and the 72nd Street Cross Dr., each evening will begin at 6:30 with DJs, with the films beginning at 8:00. Although picnicking is encouraged, alcoholic beverages are not. First up is the Hector Lavoe biopic El Cantante (Leon Ichaso, 2006), followed by the Charlie Parker flick Bird (Clint Eastwood, 1988) on Wednesday. Thursday’s feature is the Broadway adaptation Dreamgirls (Bill Condon, 2006), with the Rolling Stones documentary Shine a Light (Martin Scorsese, 2008) helping fans to get their ya-ya’s out on Friday night. The series concludes on Saturday with the viewers choice, Kris Kristofferson and Barbra Streisand in the remake of A Star Is Born (Frank Pierson, 1976), which beat out Loretta Lynn and Coal Miner’s Daughter (Michael Apted, 1980).

U.S. OPEN QUALIFYING TOURNAMENT & MORE

The U.S. Open will turn on the lights for this year’s qualifying tournament August 23-27 — and admission is free (photo by twi-ny/mdr)

Billie Jean King National Tennis Center
Flushing Meadows Corona Park
Qualifying tournament: August 23-27, free
Arthur Ashe Kids’ Day: August 28, $10-$44
U.S. Open Championship: August 29 – September, $52 – $1,013
www.usopen.org
www.nywatertaxi.com/tennis-ferry

The draws are just about to be announced for the 2011 U.S. Open, which runs August 29 through September 11, but you don’t have to wait until then to see some fine tennis. The qualifying tournament gets under way today at 11:00 am and continues through Friday, with 128 men and 128 women from around the world trying to play their way into the annual championship, and admission is free, a far cry from the lofty prices for the real deal beginning next week. You can also get ready by attending Saturday’s sixteenth annual Arthur Ashe Kids’ Day, with special children’s activities, autograph sessions, tennis clinics, and appearances by tennis stars as well as actor Bradley Cooper and Knicks forward Carmelo Anthony and musical performances by Jason Derulo, Cody Simpson, Diggy Simmons, Jessica Jarrell, Mindless Behavior, Girls Nite Out, Action Item, Jacob Latimore, and others. And on Sunday, the Billie Jean King National Tennis Center will be open for free, allowing fans to walk the grounds and check out the players getting in their final practices before the tournament gets under way on Monday. To continue the less expensive side of the U.S. Open, Delta has teamed up with New York Water Taxi to offer free Tennis Taxi rides from the South Street Seaport and East 35th St. throughout the championship (August 29 – September 11), leaving twice a day, at 9:30/9:45 and 5:30/5:45, with large-screen TVs on board and special cocktails available. (If you want to guarantee a seat, you can reserve a ticket online for a $1 fee.)

CROOKED FINGERS: BREAKS IN THE ARMOR

Crooked Fingers’ Breaks in the Armor is due from Merge Records on October 11 and the band will be at Maxwell’s on November 3 and Mercury Lounge on November 4, but you can check out the album trailer above right now. For more on Crooked Fingers, click here.

RED HOOK SUMMER MOVIES: THE IRON GIANT

Hogarth Hughes makes a big new friend in 1950s Cold War throwback THE IRON GIANT

THE IRON GIANT (Brad Bird, 1999)
Valentino Pier, Red Hook
Van Dyke St. & the Brooklyn Waterfront
Tuesday, August 23, free, 8:30
www.redhookfilms.org

Writer-director Brad Bird won Oscars for his animated features The Incredibles (2004) and Ratatatouille (2007), but the Simpsons veteran first made his mark with the charming 1999 sci-fi cartoon The Iron Giant. Based on the 1968 book The Iron Man by Ted Hughes, the animated film is set during the Cold War, with the general populace and the military fearful of a nuclear attack by the Soviet Union. So when rumors that a fifty-foot-tall iron giant (voiced by Vin Diesel) has fallen from the sky, the government wants to destroy it, but it is being hidden by young Hogarth Hughes (Eli Marienthal), who has saved its life. Hogarth keeps his new best friend a secret from his mother (Jennifer Aniston) and federal agent Kent Mansley (Christopher McDonald) with the help of the town beatnik, Dean McCoppin (Harry Connick Jr.), who takes a liking to Hogarth’s mom. The screenplay, written by Tim McCanlies (Secondhand Lions), plays with various genre clichés just enough to avoid being clichéd itself, instead making The Iron Giant a delightful, nearly flawless twist on the E.T. mythos, mixed in with a little Androcles & the Lion, The Day the Earth Stood Still, and even Frankenstein and King Kong. The film, which also features the voices of Cloris Leachman (Mrs. Tensedge), John Mahoney (General Rogard), and M. Emmet Walsh (Earl Stutz), is a treat for children and adults. Bird, meanwhile, has graduated to live action; his next movie will be Mission: Impossible — Ghost Protocol, starring Tom Cruise, Jeremy Renner, and Simon Pegg. The Iron Giant is screening for free on August 23 at dusk as part of the Red Hook Summer Movies series in Valentino Pier, which continues August 30 with Pump Up the Volume (Allan Moyle, 1990), September 6 with Highlander (Russell Mulcahy, 1986), and September 13 with the viewers choice selection, Pee-Wee’s Big Adventure (Tim Burton, 1985).