A CLOCKWORK ORANGE (Stanley Kubrick, 1971)
Cabaret Cinema, Rubin Museum of Art
150 West 17th St. at Seventh Ave.
Friday, June 24, free with $7 bar minimum, 9:30
212-620-5000
www.rmanyc.org/cabaretcinema
One of the most controversial films ever made, Stanley Kubrick’s A Clockwork Orange is a sociopolitical masterpiece that skewers everything in its path through the lens of ultraviolence. Malcolm McDowell stars as Alex DeLarge, our humble narrator and leader of the Droogs, a small gang that includes Georgie (James Marcus), Pete (Michael Tarn), and Dim (Warren Clarke), an oddly dressed quartet that rambles about town beating up all in their way. Following a particularly brutal home invasion, Alex finds himself in jail, soon to be part of a medical experiment to instill a Pavlovian fear of violence in criminals. The film consists of a series of marvelous vignettes that explore nothing less than the very nature of humanity itself, with sensational production design by John Barry and art direction by Russell Hagg and Peter Sheilds, each scene featuring bold colors and memorable sets. The intoxicating score ranges from Wendy Carlos’s original, ornate electronic music to Rossini’s “Thieving Magpie” and “William Tell Overture,” from Elgar’s “Pomp and Circumstance” to Alex’s favorite, Ludwig van’s “Ninth.” And you’ll never think of “Singin’ in the Rain” the same way ever again. Kubrick based A Clockwork Orange, which was banned in England for nearly thirty years, on the first twenty chapters of Anthony Burgess’s 1962 novel; the American publisher refused to include the final chapter, about Alex’s ultimate redemption, in the book, and Kubrick left it out of the film as well. (The last chapter wasn’t published in the United States until 1986.) A Clockwork Orange is a truly grand cinematic experience, a treat for the senses; just as Alex’s eyes are pried open to watch scenes of terrible violence, you’ll be unable to take yours off the screen as he does his damage. A Clockwork Orange is screening tonight at the Rubin Museum, concluding the Proverbial Pictureshow series, being held in conjunction with the Tibet carpet exhibit “Patterns of Life,” and will be introduced by cultural critic Mark Dery. Admission to the museum is free on Friday nights, so be sure to check out the other current exhibits as well, which include “Masterworks: Jewels of the Collection,” “Body Language,” and “Quentin Roosevelt’s China.”
