La MaMa is livestreaming it 2017 fiftieth anniversary celebration of Hair (photo courtesy La MaMa)
Who: Chris Kapp, Michal Gamily, James Rado, Galt MacDermot, Michael Butler, Annie Golden, Andre De Shields, Ellen Foley, Walter Michael Harris, Melba Moore, Natalie Mosco, Jill O’Hara, Peppy Castro, Dale Soules, Shaleah Adkisson, Lauren Elder, Shelley Ackerman, Debbie Andrews, Andy Berger, Richard Cohen, Dave D’Aranjo, Nina Machlin Dayton, Magie Dominic, Aaron Drescher, Merle Frimark, Ula Hedwig, Antwayn Hopper, Rev. Marjorie Lipari, Thayer Naples, Allan F. Nicholls, Robert I. Rubinsky, Charles Valentino, Balint Varga, Jared Weiss
What: Archival livestream of 2017 performance and live Q&A
Where: LaMaMa and Facebook Live
When: Saturday, August 15, free (donations accepted), 11:00 am
Why: On October 1, 1967, a little rock opera by James Rado, Gerome Ragni, and Galt MacDermot opened at New York City’s brand-new Public Theater, the first show by living artists that New York Shakespeare Festival founder Joe Papp produced. Known as the American Tribal Love-Rock Musical, Hair has propelled generations to stand together, challenge the status quo, celebrate multiculturalism, and work for peace. Fifty years after the Summer of Love, La MaMa, on January 21, 2017, gathered dozens of actors who had performed in the many iterations of the show, from the original off-Broadway version to productions around the world and the 1979 film, for a tribute concert as part of its Coffeehouse Chronicles series, which explores the history of off-off-Broadway.
The presentation featured such stars as Annie Golden, Andre De Shields, Ellen Foley, Walter Michael Harris, Melba Moore, Natalie Mosco, Jill O’Hara, Peppy Castro, and Dale Soules singing songs from the musical; the evening was hosted by Chris Kapp and Michal Gamily and included an interview with Rado and McDermot. On August 15 at 11:00 am, La MaMa will livestream that performance in its entirety — you can get a taste by watching videos of De Shields singing “I Got Life” and Moore performing “Aquarius” — followed by a live Q&A with the eighty-eight-year-old Rado. As revolutionary as Hair was, it’s a shame that so much of its narrative about such social ills as white male dominance, militarization and war, racism, homophobia, and government overreach is still so relevant today, but the music is so energizing and exhilarating, maybe it will spur you to keep fighting the good fight, now more than ever, while having a great time.