Su Na (Zhao Tao) looks out at a changing China in Jia Zhangke’s 24 CITY
24 CITY (ER SHI SI CHENG SI) (Jia Zhang-ke, 2008)
MoMA Film, Museum of Modern Art
11 West 53rd St. between Fifth & Sixth Aves.
Wednesday, May 22, 7:00, and Wednesday, May 29, 8:00
Series runs through June 1
Tickets: $12, in person only, may be applied to museum admission within thirty days, same-day screenings free with museum admission, available at Film and Media Desk
212-708-9400
www.moma.org
www.cinemaguild.com
With the imminent closing of a once-secret munitions plant known as Factory 420 in Chengdu, eight workers relate their unique stories in another fascinating look at capitalism in a changing China by Sixth Generation writer-director Jia Zhang-ke, who has previously investigated the transformations in his native country in such excellent works as Platform, Unknown Pleasures, The World, Useless, and Still Life. While five of the tales are told by actual male workers in their own words, three are fictional stories recited by female actors, including Joan Chen as Little Flower, Lv Liping as Hao Dali, and Jia regular Zhao Tao as Su Na. Jia sees the factory, which is being torn down to make way for a luxury apartment complex called 24 City, as a symbol of contemporary China, as the past is ripped away in favor of capitalist-based technological modernization and the celebration of wealth. By intermingling fact and fiction, as he does in most of his work, Jia creates a fascinating pseudo-documentary that also subtly touches upon women’s changing role in Chinese industry and society. 24 City is screening at MoMA May 22 & 29 as part of “Chinese Realities/Documentary Visions,” which continues through June 1 with such other examinations of contemporary China as Li Ning’s Tape, Ying Liang’s When Night Falls, Wu Wenguang’s Bumming in Beijing: The Last Dreamers, and Ai Weiwei’s Disturbing the Peace.