FROM NASHVILLE TO NEW ORLEANS: TWO JUKEBOX MUSICALS HEADING IN DIFFERENT DIRECTIONS
ROMEO + JULIET ON BROADWAY CONQUERS KING LEAR AT THE SHED
A WILD[E] SALOME FROM HEARTBEAT OPERA
WALLA WALLA BANG BANG: JOY BEHAR TAKES ON LOVE AND MARRIAGE
THE ROAD TO FREEDOM: FAITH RINGGOLD’S FOR THE WOMEN’S HOUSE
GONE FISHING: ROB TREGENZA BRINGS UNIQUE WWII DRAMA TO MoMA
KINESTHETIC EMPATHY: DOWNTOWN RADIO AND THE AVANT-GARDE
LOOK ALIVE: EXPLORING THE MUSEUM OF LATE HUMAN ANTIQUITIES
CHRISTMAS IN CONNECTICUT: A (DYS)FUNCTIONAL FAMILY SATIRE
STELLA! TENNESSEE WILLIAMS AND MARLON BRANDO DO BATTLE IN KOWALSKI
NIGHT AND DAY: COMPAGNIE HERVÉ KOUBI AT THE JOYCE
BECKETT, BRIEFLY: A TRIO OF GEMS AT THE IRISH REP
PUNCH TO THE GUT: A CYMBELINE FOR OUR TIME
A SINKING SHIP: SHOW BOAT / A RIVER AT NYU SKIRBALL
HOPE IS THE THING WITH FEATHERS: DEAD AS A DODO AT BARUCH PAC
DUKE BLUEBEARD’S CASTLE IS “SO THRILLING!!!” AT JAPAN SOCIETY
TO THE MOON AND BEYOND: LUNA LUNA AT THE SHED
FORTY YEARS OF EVIDENCE: RONALD K. BROWN AT THE JOYCE
NEW YEAR’S RESOLUTION 2025: GO TO MORE JANUARY PERFORMANCE FESTIVALS
KYLE ABRAHAM AT THE ARMORY: RUNNING IN CIRCLES TO COMBAT FEAR AND ANXIETY
FREE RETURNS FROM MONICA BILL BARNES AT PLAYWRIGHTS HORIZONS
HONORING MOM AND MARTHA: LLOYD KNIGHT AT GRAHAM STUDIO AND THE GUGGENHEIM
OUR RIGHTS, OUR FUTURE, RIGHT NOW: IHRAF 2024
A DYSTOPIC LAND OF WONDER AT THE JOYCE
ALVIN AILEY: ON THE CUTTING EDGE
GRAFFITI MEETS DANCE IN BELLA ABZUG PARK
INDRA’S NET
ELIZABETH CATLETT: “I AM THE BLACK WOMAN”
SAILING UNDER THE RADAR: BLUEBEARD AT JAPAN SOCIETY
MANDALAS: SYMBOLISM AND INTERDEPENDENCY AT THE MET
MORGAN LIBRARY GOES KAFKAESQUE FOR FRANZ CENTENNIAL
THE VIVID UNKNOWN: REIMAGINING KOYAANISQATSI THROUGH INTERACTIVE AI TECHNOLOGY
SOUL SEARCHING: THE LIFE AND TIMES OF ARTEMISIA GENTILESCHI AND BABE
TIME KEEPS ON TICKING, TICKING, TICKING . . . INTO THE FUTURE — AND THE PAST — AT MoMA
FRUITFUL JewCE! CONVENTION BACK FOR SECOND YEAR
