A COFFEE HOUSE TONY AWARDS PREVIEW WITH MARK RIFKIN, SIMON JONES, DAVID BARBOUR, AND MARTHA WADE STEKETEE
CATS ARE EVERYTHING: PROCESSING GRIEF AND LOSS THROUGH FELINE FRIENDS
RIFF’S RANTS & RAVES: THE FACT OF THE MATTER ON BROADWAY
CIVIC DUTY: PRIMARY BOOTCAMP FAIR OFFERS ALTERNATIVES
GHOST LIGHTS: NAT “KING” COLE’S MUSICAL FEVER DREAM
CELEBRATING CHARLOTTE: HONORING PIONEER ZWERIN AT METROGRAPH
MAN OF IRON: ANDRZEJ WAJDA CELEBRATED AT NYPFF20
PERSEVERING FOR THE TRUTH: THEATER FESTIVAL HONORS VÁCLAV HAVEL
MUCH ADO ABOUT SOMETHING: FREE SUMMER NYC THEATER 2025
TALES OF BRAVE ULYSSES: CENSORSHIP ON TRIAL AT THE IRISH ARTS CENTER
FLYING FREE: SEAGULL: TRUE STORY AT LA MAMA
PAYING OFF DEBTS: JEN SILVERMAN REINVENTS STRINDBERG’S CREDITORS
THE TALES WE TELL: JODY OBERFELDER’S STORY TIME AT WEST PARK
COLLECTING AND CONNECTING MEMORIES: ED SCHMIDT’S EDWARD
WRECKING BALL: FACING THAT FINAL ALL NIGHTER
EVERYTHING IS A MOVIE: MOI-MÊME AT SEGAL FEST
TO SAVE AND PROTECT: STORY TIME AT WEST PARK
ANCESTRAL MEMORY AND RECLAMATION: BETWEEN WAVE AND WATER IN HUNTS POINT
DISCOVERING JAPAN: CONCERT, PARADE, AND STREET FAIR CELEBRATION
CHILDS, CHU, AND ASSAF: GIBNEY AT THE JOYCE
TIME AND “TIME AGAIN”: TRISHA BROWN AT THE JOYCE
THE VOICE OF A TEARDROP: ACTIVATING OTOBONG NKANGA’S CADENCE AT MoMA
GRAHAM100: PSYCHODRAMAS AND MYTHOLOGY AT THE JOYCE
THE NEXT GENERATION OF DANCE: AILEY II RETURNS HOME
BOXED IN: JOSHUA WILLIAM GELB’s [untitled miniature] AT HERE
DOOM, HOPE, AND THE BARD AT PARK AVE. ARMORY
NIGHT AND DAY: COMPAGNIE HERVÉ KOUBI AT THE JOYCE
GOLDEN THREADS AT THE SOUTH STREET SEAPORT
BOOKS & ODDITIES: THE INAUGURAL CONEY ISLAND BOOK FAIR
FOOTBALL AS AMERICA: MATTHEW BARNEY AT METROGRAPH
HOME IS WHERE THE ART IS: THE FRICK IS BACK — AND BETTER THAN EVER
NOT JUST MAUS-ING AROUND: ART SPIEGELMAN AT THE 2025 COMIC ARTS FEST
WONDROUS FASHIONS AND CURIOSITIES: FREE SYMPOSIUM AT FIT
MARVELS AT MoMI: AUTISTIC MEDIA MAKERS FESTIVAL
CARMEN WINANT: MY MOTHER AND EYE PUBLIC ART FUND TALK AND TOUR
DHARMA FRIENDS: NUALA CLARKE AT TIBET HOUSE