BLIND JUSTICE: RUNNING FOR LIBERATION AT ST. ANN’S
FORTY YEARS OF EVIDENCE: RONALD K. BROWN AT THE JOYCE
SELF-REALIZING PROGNOSES: LOST IN SPACE WHILE STUCK IN A CLOSET
MANDALAS: SYMBOLISM AND INTERDEPENDENCY AT THE MET
THE JOY OF YIDDISH THEATER: IN DIM SUM PORTIONS
BLACK LODGE: DAVID T. LITTLE AND THE FUTURE OF OPERA
MURIELLE BORST-TARRANT: TELLING TIPI TALES
MORGAN LIBRARY GOES KAFKAESQUE FOR FRANZ CENTENNIAL
THE VIVID UNKNOWN: REIMAGINING KOYAANISQATSI THROUGH INTERACTIVE AI TECHNOLOGY
NEW YEAR’S RESOLUTION 2025: GO TO MORE JANUARY PERFORMANCE FESTIVALS
EUREKA! STRIKING GOLD ON BROADWAY
HOMEWARD BOUND?
BLOOD IS THICKER THAN WATER: QUILTING A FAMILY LEGACY
JEWISH LITERATURE AND REAL AND IMAGINED DEMONS: HANNAH ARENDT AND ISAAC BASHEVIS SINGER
EXISTENCE IS FUTILE: THE RETURN OF HANDSOME AND BEAUTIFUL RICHARD FOREMAN
SURVIVAL AT SEA AND ON BROADWAY: SWEPT AWAY
KYLE ABRAHAM AT THE ARMORY: RUNNING IN CIRCLES TO COMBAT FEAR AND ANXIETY
FREE RETURNS FROM MONICA BILL BARNES AT PLAYWRIGHTS HORIZONS
HONORING MOM AND MARTHA: LLOYD KNIGHT AT GRAHAM STUDIO AND THE GUGGENHEIM
OUR RIGHTS, OUR FUTURE, RIGHT NOW: IHRAF 2024
A DYSTOPIC LAND OF WONDER AT THE JOYCE
ALVIN AILEY: ON THE CUTTING EDGE
GRAFFITI MEETS DANCE IN BELLA ABZUG PARK
INDRA’S NET
BUILDING BRIDGES: JOHN T. REDDICK AND THE BLACK HISTORY OF TIN PAN ALLEY
R.O.S.E.
SOUL SEARCHING: THE LIFE AND TIMES OF ARTEMISIA GENTILESCHI AND BABE
TIME KEEPS ON TICKING, TICKING, TICKING . . . INTO THE FUTURE — AND THE PAST — AT MoMA
FRUITFUL JewCE! CONVENTION BACK FOR SECOND YEAR
THE POSTPOETIC MACHINE: INSTALLATION AND ACTIVATION
IMMERSIVE DREAM THEATER: REIMAGINING NIGHTMARES IN MULTIMEDIA MUSEUM INSTALLATIONS
ADAM DRESSNER: HELLO STRANGER
ONE MORE TIME: THE CINEMA OF DANIEL POMMEREULLE
