Rosanne Cash and A. M. Homes appear in new Met film Eye of the Collector (photo by Nicholas Hunt/Getty Images North America)
Who: Rosanne Cash, A. M. Homes
What: Prerecorded film with songs and poems
Where: Met Museum Facebook and YouTube
When: Tuesday, November 17, free, 7:00
Why: In conjunction with the exhibition “Photography’s Last Century: The Ann Tenenbaum and Thomas H. Lee Collection,” which continues through November 30, the Met is hosting the free virtual presentation Eye of the Collector. In the half-hour film, directed and edited by Phyllis Housen, singer-songwriter extraordinaire Cash, whose albums include Seven Year Ache, The List, and She Remembers Everything, and Homes, who has written such books as Days of Awe, This Book Will Save Your Life, and The Mistress’s Daughter, share songs and poems, accompanied by images from the exhibit, which features works by Paul Strand, Man Ray, László Moholy-Nagy, Alfred Stieglitz, Edward Weston, Walker Evans, Joseph Cornell, Diane Arbus, Andy Warhol, Sigmar Polke, Cindy Sherman, Richard Avedon, and many others, promised as a 150th anniversary gift to the Met from Tenenbaum and Lee. The film will be streamed over the Met’s Facebook and YouTube pages on November 17 at 7:00.
“The pandemic and the protests were the perfect storm of isolation, longing, inspiration, longing, fear, and hope,” Cash writes about her new single, the sociopolitical “Crawl into the Promised Land,” adding, “Living in New York City was a pressure cooker, particularly in April and May, when the deaths were spiking and the city sealed itself off, and utterly changed. But strangely, there was also a sense of unity and community, and the potential for transcendence. I kept thinking of the model in physics, where things have to fall apart in order to re-assemble themselves in a more refined, evolved state. . . . I need more space and time to understand what happened, what we are still going through. Why we elected such an unfit person to guide us, why we kill Black people with impunity, why our leaders dismantle and mock every institution we have painstakingly created to hold us safe, why some deaths matter and others don’t. I won’t be here ‘fifty years away from here,’ but someone I gave birth to, or someone they gave birth to, will live in those times and understand, and maybe pass the knowledge on to me, even in another world or another life. The magnitude of the moment requires time and an ocean of reflection.” That is precisely what Cash and Homes will be offering on Tuesday night.