A TOUCH OF SIN (TIAN ZHU DING) (Jia Zhangke, 2013)
Film Society of Lincoln Center
Alice Tully Hall, 1941 Broadway at 65th St.
Saturday, September 28, 6:00
Francesca Beale Theater, 144 West 65th St. at Amsterdam Ave.
Wednesday, October 2, 8:30
Festival runs September 27 - October 13
During his sixteen-year career, Sixth Generation Chinese filmmaker Jia Zhangke has made both narrative works (The World, Platform, Still Life) and documentaries (Useless, I Wish I Knew), with his fiction films containing elements of nonfiction and vice versa. Such is the case with his latest film, the powerful A Touch of Sin, which explores four based-on-fact outbreaks of shocking violence in four different regions of China. In Shanxi, outspoken miner Dahai (Jiang Wu) won’t stay quiet about the rampant corruption of the village elders. In Chongqing, married migrant worker and father Zhao San (Wang Baoqiang) obtains a handgun and is not afraid to use it. In Hubei, brothel receptionist Ziao Yu (Zhao Tao, Jia’s longtime muse and now wife) can no longer take the abuse and assumptions of the male clientele. And in Dongguan, young Xiao Hui (Luo Lanshan) tries to make a life for himself but is soon overwhelmed by his lack of success. Inspired by King Hu's 1971 wuxia film A Touch of Zen, Jia also owes a debt to Max Ophüls’s 1950 bittersweet romance La Ronde, in which a character from one segment continues into the next, linking the stories. In A Touch of Sin, there is also a character connection in each successive tale, though not as overt, as Jia makes a wry, understated comment on the changing ways that people connect in modern society. In depicting these four acts of violence, Jia also exposes the widening economic gap between the rich and the poor and the social injustice that is prevalent all over contemporary China — as well as the rest of the world — leading to dissatisfied individuals fighting for their dignity in extreme ways. A gripping, frightening film that earned Jia the Best Screenplay Award at Cannes this year, A Touch of Sin is an official selection of the fifty-first New York Film Festival, screening September 28 at Alice Tully Hull and October 2 at the Francesca Beale Theater, with Jia and Zhao participating in a Q&A following the first show. (The film then opens October 4 at Lincoln Plaza and the IFC Center.)